A few examples of appraisal values for
W B STEPHENS

• Monumental W. B. Stephen Vase
  Monumental W. B. Stephen Vase (Walter B. Stephen, Tennessee/North Carolina, 1875-1961), crackled blue glaze, mark for Pisgah Pottery, 1940, 18 in.,
• W. B. Stephen Vase (Walter B.
  W. B. Stephen Vase (Walter B. Stephen, Tennessee/North Carolina, 1875-1961), collared rim, mottled blue glaze with scattered red highlights, impressed Pisgah Forest Pottery mark, undated, probably late 1920s, 11-3/4 in.,
• Thomas Stephens (American,
  Thomas Stephens (American, 1885-1966) Portrait of Edgar Garbisch, Jr, Edgar William Gargisch, Jr was a US Navy military officer, college professor and environmentalist responsible for wetlands preservation; he was the son of prominent art collector, Edgar William Garbisch and descendant of Walter P. Chrysler; Edgar Jr. is depicted here at the age of 12 in US Military Academy uniform, oil on canvas, signed "Thos. E. Stephens '45", 30" x 25", framed 35-1/4" x 30-1/4", very good condition, tiny puncture lower right above signature
• Two W. B. Stephen Blue-Glazed Vases
  Two W. B. Stephen Blue-Glazed Vases (Walter B. Stephen, Tennessee/North Carolina, 1875-1961), both with marks for W. B. Stephen: one with dark cobalt glaze, impressed mark for 1937, 7-5/8 in., excellent condition; one deep blue glaze, impressed mark for 1930, 11-1/2 in., with old 1-1/2 in. rim chip, probably as made
• STEPHEN WHITE (NC), WOMAN IN RED
  STEPHEN WHITE (NC), WOMAN IN RED Oil and gold leaf on birch panel, signed and illegibly dated at lower right.
• Walter B. Stephen Cameo Pottery
  Walter B. Stephen Cameo Pottery (Tennessee/North Carolina, 1875-1961), vase with Westward Ho scene with covered wagon, mottled turquoise lower portion, marked on shoulder "W.B. Stephen", base with clear impressed mark for 1939, 7 in.,
• STEPHEN WHITE (NC), MAN SEATED,
  STEPHEN WHITE (NC), MAN SEATED, WITH BOOKS Oil on board, signed and dated 1977 at lower right, framed.
• Thomas Stephens (American,
  Thomas Stephens (American, 1885-1966) Portrait of Edgar Garbisch, Edgar William Garbisch (1899-1979 was an all-American college football player, U.S. military officer, businessman and prominent art collector; he was married to Bernice Chrysler, daughter of Chrysler founder Walter P. Chrysler, oil on canvas, signed "Thos. E. Stephens '45", provenance from the Garbisch family, 36" x 30", framed 43-1/2" x 37-1/2", very good condition, damages to gesso on frame
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 1/2 x 9 1/2 in. (sight) signed.
• STEPHEN WHITE (NC), WOMAN BEFORE
  STEPHEN WHITE (NC), WOMAN BEFORE A BAROQUE CHURCH Oil and gold leaf on birch panel, signed and dated 2002 at upper right.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 1/2 x 9 1/2 in. (sight) signed.
• STEPHEN WESTFALL (AMERICAN, B.
  STEPHEN WESTFALL (AMERICAN, B. 1953) 24" x 30 ?" "Germantown", 2000. Oil on canvas, signed, titled and dated verso, gallery wrapped.
• STEPHENS KOEKKOEK (1887-1934):
  STEPHENS KOEKKOEK (1887-1934): STREET MUSICIANS Oil on board; 29 x 39 in.
• STEPHEN WHITE (NC), WALKING
  STEPHEN WHITE (NC), WALKING BEFORE A WINDOW Oil on board, signed and dated 1982 at lower left, framed.
• STEPHEN LYMAN (UNITED STATES,
  STEPHEN LYMAN (UNITED STATES, 1957-1996) THREE OFFSTEPHEN LYMAN (United States, 1957-1996) three offset lithographs, "Thunderbolt," "Beach Bonfire," and "The Spirit of Christmas." Each pencil signed, from editions of 7000, 6500, and 2750 respectively. Includes certificates of authenticity. Images measure 33" x 12.25", 18" x 23.75", and 16" x 20" . In original folios, unframed.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 3/8 x 9 1/4 in. (sight) signed.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 3/4 x 9 1/2 in. (sight) signed.
• W. B. Stephen Pottery Vase
  W. B. Stephen Pottery Vase (Walter B. Stephen, Tennessee/North Carolina, 1875-1961), runny red glaze below green rim, distinct impressed mark for Pisgah Forest Pottery, 1932, 13-3/4 in.,
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 9 1/2 x 7 1/2 in. (sight) signed.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 3/8 x 9 3/8 in. signed.
• CHRISTOPHER STEPHENS, (20TH C.)
  CHRISTOPHER STEPHENS, (20TH C.) "WINTER LANDSCAPE", 1986, OIL ON PAPER, A HOUSE LINED STREET WITH TREES BEYOND, SIGNED AND DATED LOW...Christopher Stephens, (20th C.) "Winter Landscape", 1986, oil on paper, a house lined street with trees beyond, signed and dated lower right corner, label verso (with artist's last name spelled incorrectly), framed and matted under glass, ss: 21" h. x 28 1/4" w. [PROVENANCE: Benefits Habitat for Humanity North Central Connecticut Tolland County]
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print; 7 1/4 x 9 3/8 in. signed.
• THOMAS STEPHENS, OIL PORTRAIT OF
  THOMAS STEPHENS, OIL PORTRAIT OF ROBERT WOODRUFF Thomas Edgar Stephens (British/New York, 1885-1966). "Portrait of Robert Winship Woodruff". Oil on canvas. Signed lower left; framed. Thomas Stephens painted the portraits of George C. Marshall, Douglas MacArthur, Dwight Eisenhower, and Harry Truman, among others, and was also commissioned by the US Golfer's Association to paint Bobby Jones golfing portrait in his "unmistakable swing". Catalog Note: This portrait decorated the dining room at the Windcrofte House on Tuxedo Road. Approx. 51" x 41" (frame), 40" x 30" (canvas)
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 1/4 x 9 3/8 in. (sight) 11 x 13 15/16 in. (sheet) signed.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 13 5/8 x 17 1/2 in. (sight) 15 15/16 x 19 15/16 in. (sheet) signed.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY Cibachrome print 7 1/4 x 9 3/8 in. (sight) signed.
• STEPHEN PENTAK (AMERICAN, B.
  STEPHEN PENTAK (AMERICAN, B. 1951) 16" x 80" Untitled, 1988. Oil on panel, signed and dated verso, unframed.
• STEPHEN SHORE (b. 1947): ALBANY
  STEPHEN SHORE (b. 1947): ALBANY (ARCHITECTURAL DETAIL) Cibachrome print 7 1/2 x 9 1/2 in. (sight) signed.
• STEPHEN MIRICH, (B. 1954),
  STEPHEN MIRICH, (B. 1954), "WARMTH AND SPLENDOR," 1996, OIL ON BOARD, 9" H X 12" WStephen Mirich, (b. 1954) "Warmth and Splendor," 1996 Oil on board Signed lower left: Stephen Mirich; signed again, titled, inscribed, and dated verso: July, Portuguese Bend Looking West 9" H x 12" W Provenance: The Estate of George David Sturges Oil on board Dimensions: 9" H x 12" W Provenance: The Estate of George David Sturges
• STEPHEN WHITE (NC), FIVE WOMEN IN
  STEPHEN WHITE (NC), FIVE WOMEN IN CELEBRATION Oil and gold leaf on birch panel, signed and dated 2006.
• STEPHEN SHORE (b. 1947): BREWSTER
  STEPHEN SHORE (b. 1947): BREWSTER COUNTY TEXAS 1987 Ektacolor print 13 3/4 x 17 1/4 in. (sight) 16 x 20 in. (sheet) titled dated 1987 numbered 1/30 and signed on verso.
• STEPHEN SCOTT YOUNG
  STEPHEN SCOTT YOUNG (FL/SC/HI/BAHAMAS, 1957 - ) "Faith", monumental collotype print, pencil signed, marked as an artist's proof, 'Bahamas' and dated 2003, having a small watercolor remarque of the same image lower right, housed in a dark exotic wood ogee frame, floated over mat board under shadowbox UV plexiglass, OS: 54" x 38", sheet size: 46 1/2" x 29", fine condition.
• STEPHEN WHITE (NC), WOMAN WITH
  STEPHEN WHITE (NC), WOMAN WITH FLORAL CROWN Oil on birch panel, signed and dated 2011, presented in an ornate 19th century Continental gilt Rococo style frame with putti and floral swags.
• STEPHEN SEYMOUR THOMAS (AMERICAN,
  STEPHEN SEYMOUR THOMAS (AMERICAN, 1868-1956)Stephen Seymour Thomas American, 1868-1956 Landscape Oil on board, signed and inscribed: "To Mrs. Higbee, with compliments of S. Seymour Thomas" The riverside landscape rendered in soft color, in a silvered wooden frame. Sight: 8 1/2 x 12 1/2 in. (21.59 x 31.75 cm.), frame: 13 x 16 1/2 in. (33.02 x 41.91 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• STEPHEN SEYMOUR THOMAS (AMERICAN,
  STEPHEN SEYMOUR THOMAS (AMERICAN, 1868-1956)Stephen Seymour Thomas American, 1868-1956 Landscape Oil on board Signed and inscribed: "To Mrs. Higbee, with compliments of S. Seymour Thomas". Riverside landscape in soft color. Silvered wooden frame. Sight: 8 1/2 x 12 1/2 in. (21.59 x 31.75 cm.), frame: 13 x 16 1/2 in. (33.02 x 41.91 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• STEPHEN SHORE (b. 1947): BREWSTER
  STEPHEN SHORE (b. 1947): BREWSTER COUNTY TEXAS 1988 Ektacolor print 13 3/4 x 17 3/8 in. (sight) 15 15/16 x 19 15/16 in. (sheet) titled signed and numbered 2/30.