A few examples of appraisal values for
WALBERSWICK

• WESLEY WEBBER (1839-1914): ROUNDING
  WESLEY WEBBER (1839-1914): ROUNDING THATCHERS ISLAND Oil on canvas signed lower left W. Webber relined and unframed; 24 x 40 in.
• William Burgess/The Anchor Inn,
  William Burgess/The Anchor Inn, Pegwell Bay/watercolour and bodycolour, 18cm x 22cm/Provenance: Heather Newman Gallery
• BERENGER BENGER (BRITISH,
  BERENGER BENGER (BRITISH, 1868-1935) The Church at Wisborough Green signed 'Berenger Benger' (lower right) watercolour 24 x 35.5cm Provenance Private collection, UK
• ALFRED WALLIS (BRITISH 1855-1942)
  ALFRED WALLIS (BRITISH 1855-1942) ST. IVES BAY pencil and oil on board7.5cm x 30.1cm (3in x 11.9in)Provenance:In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin.This Wallis was given to Wilhelmina Barns-Graham by Sven Berlin for research she did on the Wallis family, presumably for his book on Wallis.Exhibited: 1950: Bournemouth, Bournemouth Arts Club, Alfred Wallis and Christopher Wood, 12 Aug to 2 Sep 1950, no. 56;1959: St Ives, 36 Fore Street (Penwith Gallery?), Alfred Wallis Exhibition, 1-6 June 1959, cat. no. 26;1968: London, The Arts Council of Great Britain, Alfred Wallis, Tate Gallery 30 May to 30 June 1968, York City Art Gallery 6 to 28 July;1968, Aberdeen Art Gallery 3 to 25 August, Abbot Hall Art Gallery 31 Aug to 22 Sep 1968, cat. no. 16;1983: St Ives, Penwith Gallery, Alfred Wallis, 3 September to 1 October 1983, cat. no. 6.Published References: Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat no. 56The Arts Council of Great Britain (1968), Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, cat no 16.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.
• Thomas Walmsley (Irish
  Thomas Walmsley (Irish 1763-1805)/Tintern Abbey, Monmouthshire/a pair/bodycolour, 28cm x 40.75cm
• Beswick Joan Walsh Figure Anglund
  Beswick Joan Walsh Figure Anglund Boy
• Beswick Joan Walsh Figure Anglund
  Beswick Joan Walsh Figure Anglund Girl
• A W WeedonNORFOLK BROADSwatercolour
  A W WeedonNORFOLK BROADSwatercolour 28cm x 45.75cm (11" x 18")
• Frank Lewis Emmanuel and John
  Frank Lewis Emmanuel and John Varley (British, 1866-1948 and 1778-1842) At Walberswick, Suffolk, circa 1900 and In a Seaport Town (two works) pencil on paper Larger 6 1/4 x 8 1/2 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida
• Beswick Lapwing 2416
  Beswick Lapwing 2416
• § ALFRED WALLIS (BRITISH 1855-1942)
  § ALFRED WALLIS (BRITISH 1855-1942) PLYMOUTH signed in pencil (upper left), oil and chalk on card26.5cm x 35.5cm (10.5in x 14in)Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. In the exhibition catalogue for Alfred Wallis (Arts Council of Great Britain, 1968) it states this painting is ex collection ‘Mrs George Buchanan’.Literature:Published with title 'Portsmouth and the Victory' Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat. no. 17.The Arts Council of Great Britain, Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, 1968 cat. no. 39.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.
• William Biscombe Gardner
  William Biscombe Gardner (1847-1919) - Watercolour - View of ''Rumwood Langley Nr. Maidstone Kent'' 7ins x 10.25ins signed in gilt frame and glazed
• Wycliffe Eggington (1875-1951). A
  Wycliffe Eggington (1875-1951). A large watercolour of a distant view of a castle monogram WE bottom right. 98 x 65 cm.
• Beswick Wind in the Willows Tableau
  Beswick Wind in the Willows Tableau ''On the River'' WIW1 Limited Edition Boxed with certificate
• Sir Walter Westleigh Russell CVO,
  Sir Walter Westleigh Russell CVO, RA (1867-1949) - The Harbour at Shoreham and Landscapes, three, watercolour, the first 14.5 x 19.5cm, various other drawings by Percy Roland, Jack Merriott, James Heseldin and others, etc, sold in portfolio More Information Good condition
• Maskell Christopher Mark [United
  Maskell Christopher Mark [United Kingdom 1849-1933] oil on canvas landscape painting of the Orwell River (see note verso) Suffolk County NR Bentwaters Ipswich England signed l.l. ?C.M. Maskell''. 15.75''x21.5''
• Beswick Lifeguard 1624
  Beswick Lifeguard 1624
• Beswick Swish Tail in Early Rocking
  Beswick Swish Tail in Early Rocking Horse Grey 1182 (restored ears and leg)
• Two Cobridge stoneware models of
  Two Cobridge stoneware models of 'Wally Birds' inspired by Martinware, both with detachable heads, modelled by Andy Hill and exhibited in 2002, the largest 35cm, one inscribed ' To Henry & Barbara, from Andy Hill'/Provenance: from the Henry Sandon Study Collection
• Beswick Birds comprising Robin
  Beswick Birds comprising Robin 980 Whitethroat 2106 and Grey Wagtail 1041 (3)
• Beswick Lapwing 2416
  Beswick Lapwing 2416
• Edward Wesson (1910-1983)
  Edward Wesson (1910-1983) watercolour Suffolk Fields signed in pencil 12.5 x 19in. Estimate ?300-500 Overall in good untouched condition colours still strong most signs of dirt specking are actually on the glass rather than the work itself although one small fox mark is noted just above the left hand tree some slightly undulation of the paper so appears not to be laid down. Signed in pencil lower right in an old card mount which is now a bit grubby and a slim gilt frame. Typed label with title verso. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?550
• Barr Flight & Barr Worcester
  Barr Flight & Barr Worcester Inkstand c.1804-13 painted with a view of ??~St. Dennis??Ts Priory Hants??T 6" (Length) 15.3cm (Length) painted marks and titled in red script
• William Walcot (1874-1943) two
  William Walcot (1874-1943) two etchings St Mary The Strand Church and Old St Pancras Town Hall signed in pencil unframed; 3.75 x 6.75in. and 6 x 9.75in. Estimate ?200-300 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?200
• Beswick Wall Plaque Swallow 757-1
  Beswick Wall Plaque Swallow 757-1
• A Beswick kingfisher with
  A Beswick kingfisher with original foil label ht. 12 cm together with a ''Bunnykins'' mug and a green ''Sylvac'' posy vase modelled as a rough haired terrier.
• Beswick Wall Plaque Swallow 757/3
  Beswick Wall Plaque Swallow 757/3
• W/C - 'View of Washbourn
  W/C - 'View of Washbourn Gloucestershire' by Thomas Blinks (British 18th c.) titled and signed verso dated 1798 depicting a sunken country lane with Romanesque stone church alongside a traveler accosts men with teams of horses in gilt half round bo
• Beswick Birds Wren Robin and Grey
  Beswick Birds Wren Robin and Grey Wagtail (3)
• Edward Wesson (1910-1983) ink and
  Edward Wesson (1910-1983) ink and watercolour Cockran's yard looking towards St Thomas Church Newport 14 x 21in. Estimate ?500-700 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?500
• A Beswick figure of a huntsman on a
  A Beswick figure of a huntsman on a horse 20cm (8") high a Beswick beagle 'Wendover Billy' four Beswick foxhounds and two foxes
• Beswick Lifeguard on Grey Horse
  Beswick Lifeguard on Grey Horse 1624 (guards boot restuck)
• Beswick Wall Plaque Swallow 757/1
  Beswick Wall Plaque Swallow 757/1
• Beswick Lapwing Model 2416
  Beswick Lapwing Model 2416
• Beswick Ware Tableau Figure The
  Beswick Ware Tableau Figure The Wind in the Willows on the River WIW1 limited edition boxed with certificate
• Worcester Claret Ground
  Worcester Claret Ground Topographical Two-Handled Vase Painted with a Panel of Malvern Abbey Viewed from Swan Pool, Robert Perling, c.1860-65 the panel inscribed 'MALVERN' height 9.8 in — 25 cm