A few examples of appraisal values for
WALKURE

• Walkure bisque head doll, jointed
  Walkure bisque head doll, jointed composition body, fixed brown eyes, open mouth with teeth, 24 in. Replaced shoes, clothing with stains and soiling, replaced hair, chips and losses to body, lacking proper left thumb.
• German bisque head doll, jointed
  German bisque head doll, jointed composition body, marked "Walkure", sleep eyes, open mouth with teeth, 30 in. Replaced hair and clothing, repairs and repainting to fingers.
• A Large Glazed Earthenware Figure
  A Large Glazed Earthenware Figure of a Walking Man Modern Sumida Style The oversized smiling banko bearded man walks holding a fan with a bat one in his right hand; has a sword in a sheath on his belt apprx. 20"H x 9"W x 11-1/2"D. His robes are glazed in flambe glaze belt hair foot and sword hilt in matte dark brown face and hands in light brown eyes teeth and ornaments in white sword sheath in camel color clear glaze. Prov: from the collection of Frederick Hale McDuff.
• A PAINTING INSPIRED BY UTAGAWA
  A PAINTING INSPIRED BY UTAGAWA KUNIYOSHI'S JAKUREN-HOSHI 20th century, acrylic and ink wash, painting on fabric, within an umber fabric framed border, edges mounted to board, the scene is after the 1842 original woodblock print by Utagawa Kuniyoshi Jakuren-hoshi, depicting the Monk Jakuren and pageboy walking with open umbrellas during a shower within a pine forest, signed to lower right.
• KLEY & HAHN, GERMAN BISQUE
  KLEY & HAHN, GERMAN BISQUE WALKURE DOLLKley & Hahn, German bisque Walkure doll, stamped 250 0 1/2 , with sleep eyes, open mouth with teeth, fur lashes, jointed composition body, in period clothing, 15" h. Provenance: Collection of Rosalie Youkers, York, Pennsylvania. Competitive in-house shipping is available for this lot. Condition: Surface dirt on face. Chips to left hand. Arms a little loose at shoulders/loosely strung. Good overall condition. No other apparent damages or repairs. Not examined under layers of outfit.
• KENSUKE WAKESHIMA. "SUN RISE,"
  KENSUKE WAKESHIMA. "SUN RISE," COLOR SCREENPRINT Color screenprint, ed. 9/25, signed lr, sight size: 25 x 19 in., framed.
• SHIGEMORI MIREI Nihon No Niwa.
  SHIGEMORI MIREI Nihon No Niwa. [Japanese Landscape Gardens] I. Meien Hen. II. Sakuti hen sozai hen. Tokyo: Mainichi Shinbunsha (1975-1981). 2 vols. Folio original gilt-stamped green and red cloth publisher's linen folding case. An impressive survey of Japanese gardens profusely illustrated with color plates. Text in Japanese - index in English. Some light dampstaining to case; otherwise fine.
• KUNISUNA (JAPANESE, 1805-1868)
  KUNISUNA (JAPANESE, 1805-1868) KURAMAYA USHIWKAMARU TRYPTIC PRINT: 13 1/2 X 29 IN.Framed Tryptic print: 13 1/2 x 29 in.
• KUNISADA OBAN TATE-EKUNISADA
  KUNISADA OBAN TATE-EKUNISADA Oban tate-e Azuri print depicting a Samurai reading from a scroll while standing under a maple tree as a river rages in the background.
• SHIRO KASAMATSU RAINY PAGODA
  SHIRO KASAMATSU RAINY PAGODA LANDSCAPE WOODBLOCK Japan,1898-1991Shin hanga style print of a woman walking through the rain with pagoda towers in the background.
• JAPANESE PRINT, POSSIBLY TOYUNOBU
  JAPANESE PRINT, POSSIBLY TOYUNOBU Traveler Emerges from Cave to Receive Walking Staff from a Rat, loose, unframed photolithograph, laid to corrugated cardboard. 11" x 4".
• UTAGAWA KUNIYOSHI (JAPAN,
  UTAGAWA KUNIYOSHI (JAPAN, 1798-1861), TWO SCENES OF COURTESANS., WOODBLOCK PRINTS, OBAN TATE-E, 14" X 9" SIGHT. FRAMED 20" X 15".UTAGAWA KUNIYOSHI, Japan, 1798-1861, Two scenes of courtesans. Dimensions: Woodblock prints, oban tate-e, 14" x 9" sight. Framed 20" x 15".
• KUNISADA I UTAGAWA TOYOKUNI III
  KUNISADA I UTAGAWA TOYOKUNI III COLOR WOODCUT (Japanese 1786-1865) A beauty of the day woman in blue kimono standing in wooden sandals holding a fan. Kakemono-e print size 9.50'' by 27'' signed in calligraphy lower left. In Oriental style wood frame.
• Utagawa Kunisada (Toyokuni III,
  Utagawa Kunisada (Toyokuni III, 1786-1865), Two Woodblock Prints Consisting of 'The Syllable for Wa: Watashiba' from the series 'Seven Calligraphic Models for Each Syllable in the Kana Syllabary' (Seisho nanatsu iroha); and a Kabuki play print; each sheet 14.6 x 9.8 in (37 x 25 cm) frame 22.2 x 16.7 in — 56.4 x 42.3 cm
• ASIAN: UTAGAWA KUNISADA
  ASIAN: UTAGAWA KUNISADA (JAPANESE, 1786-1865) COLOR WOODBLOCK PRINT, STROLLING WOMAN, TWO PUPPIES ALONGSIDE HER, OBAN SIZE, MATTED A...ASIAN: Utagawa Kunisada (Japanese, 1786-1865) color woodblock print, strolling woman, two puppies alongside her, oban size, matted and framed, not examined out of frame, wear consistent with age including some fading, ss: 13 1/2" h. x 9" w.
• UTAGAWA KUNISADA I (Toyokuni III)
  UTAGAWA KUNISADA I (Toyokuni III) TWO COLOR WOODCUTS (Japanese 1786-1865). A beauty by the seashore and a beauty and a young girl at dusk. Oban size 14'' x 9.5'' signed in calligraphy lower left in matching wood frames.
• WATARI JUNSUKE (JAPANESE, B. 1936),
  WATARI JUNSUKE (JAPANESE, B. 1936), LETTERS FROM HOMETOWN Etching, black ink and colors, pencil signed in the lower margin with numbered edition 29/50, and titled in Japanese and English "Letter from Hometown" and signed Junsuke Watari and dated 73, not framed, but secured with tape to mat on reverse.
• MINORU KAWABATA (b. 1911): UNTITLED
  MINORU KAWABATA (b. 1911): UNTITLED Watercolor on paper 40 x 25 3/4 in. signed lower right.
• WIMPY CELLULOID WALKER Japan full
  WIMPY CELLULOID WALKER Japan full figure of Wimpy depicted in familiar suit and hat internal key wind allows waddling motions striped pants shows typical factory touch-up at seam. 7 1/2'' h. Missing cane minor denting at chin (VG Cond.) Inv# 308/2
• Reiko Kashima (B. 1932), Japanese
  Reiko Kashima (B. 1932), Japanese PROMENADE AU HASARD seal-stamped lower right 46.1 x 35.8 in — 117 x 91 cm
• Utagawa Kunisada (Toyokuni III,
  Utagawa Kunisada (Toyokuni III, 1786-1865), Actors Ichikawa Danjuro VI as Gorobei Masamune, Kataoka Nizaemon VIII as Rai Kunitoshi, Onoe Waichi II as Dankuro, and Iwai Kumesaburo III as the Daughter Dated 1858, depicting a bath scene from the play 'Date Moyo Somete Kisaragi'; colour triptych woodblock print, framed image 14.2 x 29.1 in — 36 x 74 cm
• UTAGAWA KUNIYOSHI (JAPAN,
  UTAGAWA KUNIYOSHI (JAPAN, 1798-1861), WOMAN IN A KIMONO BY THE SEA., WOODBLOCK PRINT, OBAN TATE-E 13" X 10" SIGHT. FRAMED 21" X 16".UTAGAWA KUNIYOSHI, Japan, 1798-1861, Woman in a kimono by the sea. Dimensions: Woodblock print, oban tate-e 13" x 10" sight. Framed 21" x 16".
• UTAGAWA KUNIMARU (JAPANESE,
  UTAGAWA KUNIMARU (JAPANESE, 1794-1829), A KAKEMONO-E WOODBLOCK PRINT OF A GEISHA Edo period (1615-1868), two woodblock prints arranged vertically to form the kakemono-e of an elegant geisha with a robe decorated with waves and coral and an obi to the front with image of a jumping carp, signed together with publisher's seal to lower right side, professionally framed under glass, not examined outside of the frame.
• Kosuke Miura (B. 1942), Japanese LE
  Kosuke Miura (B. 1942), Japanese LE QUARTIER À PARC (1989) signed verso 36 x 36 in — 91.5 x 91.5 cm
• UTAGAWA KUNINAO (JAPANESE
  UTAGAWA KUNINAO (JAPANESE 1793-1854), CHUSHINGURA IN WESTERN PERSPECTIVE (ACT III), OBAN UKIYO-E, FRAME: 16 X 20 IN. (40.6 X 50.8 CM.)Utagawa Kuninao (Japanese 1793-1854), Chushingura in Western Perspective (Act III), Oban Ukiyo-e,, Dimensions: Frame: 16 x 20 in. (40.6 x 50.8 cm.)
• FOUR JAPANESE WOODBLOCK PRINTS OF
  FOUR JAPANESE WOODBLOCK PRINTS OF WOMEN, ONE BY UTAMARO HITSU, DEPICTING WOMAN WALKING IN THE RAIN WITH AN UMBRELLA, SMALL AREAS OF...Four Japanese woodblock prints of women, one by Utamaro Hitsu, depicting woman walking in the rain with an umbrella, small areas of foxing, ss: 14 1/2" h. x 9 1/2"w.; a pair of winter scenes in matching frames with the same artist signature, ss: 10 3/4" h. x 5" w.; and an unsigned print titled "Beauty in Spring Dress", ss: 11 1/2" h. x 7 3/4" w.; all framed and matted behind glass, wear consistent with age, not examined out of frame.
• Kininori Usami (B. 1929),
  Kininori Usami (B. 1929), Japanese ALLÉE À LA PROMENADE MATINALE signed lower left 39.6 x 31.9 in — 100.5 x 81 cm
• UTAGAWA KUNIYASU (JAPANESE,
  UTAGAWA KUNIYASU (JAPANESE, 1794-1832)Utagawa Kuniyasu (Japanese, 1794-1832) , "Yugiri and Izaemon in a Kabuki Scene", horizontal woodblock print diptych, 15 in. x 20 in., matted Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.
• UTAGAWA KUNIMARU (JAPANESE,
  UTAGAWA KUNIMARU (JAPANESE, 1794-1829), TWO JAPANESE WOODBLOCK PRINTS OF GEISHA Edo period (1615-1868), woodblock print format, each featuring two figures in elaborately patterned kimono, both with artist's signature, professionally framed in identical manner, not examined outside of the frame.
• Yoshijiro Urushibara (1888-1953); a
  Yoshijiro Urushibara (1888-1953); a woodcut print of fir trees at dawn signed and numbered 127 in pencil approx. 35 x 25 cm.
• A walking cane with dog's head
  A walking cane with dog's head handle a Japanese bamboo cane a collection of other canes and a shooting stick
• MORO, Vala, (Austrian, 20th
  MORO, Vala, (Austrian, 20th Century): Scantily Clad Young Blonde in Heels Walking her Hound, Color Etching, sight size 16.5'' x 12.5'', pencil signed lower right, framed, 25.5'' x 20''.
• AIJIRO WAKITA (JAPANESE, BORN 1942)
  AIJIRO WAKITA (JAPANESE, BORN 1942) "15-3" SCULPTURE Two piece marble sculpture.
• GASHGAI RUG.
  GASHGAI RUG.
• KATSUKAWA SHUNSH? - UNTITLED (WOMEN
  KATSUKAWA SHUNSH? - UNTITLED (WOMEN IN RURAL LANDSCAPE)woodblocksheet: 15 x 10 inches
• JAPANESE SATSUMA EARTHENWARE KURU
  JAPANESE SATSUMA EARTHENWARE KURU AND SAKE POT, EACH SIGNEDJapanese Satsuma Earthenware Kuru and Sake Pot, each signed