- STEPHEN SEYMOUR THOMAS (AMERICAN,
STEPHEN SEYMOUR THOMAS (AMERICAN, 1868-1956)Stephen Seymour Thomas
American, 1868-1956
Landscape
Oil on board
Signed and inscribed: "To Mrs. Higbee, with compliments of S. Seymour Thomas". Riverside landscape in soft color. Silvered wooden frame.
Sight: 8 1/2 x 12 1/2 in. (21.59 x 31.75 cm.), frame: 13 x 16 1/2 in. (33.02 x 41.91 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- STEPHEN SEYMOUR THOMAS (AMERICAN,
STEPHEN SEYMOUR THOMAS (AMERICAN, 1868-1956)Stephen Seymour Thomas
American, 1868-1956
Landscape
Oil on board, signed and inscribed: "To Mrs. Higbee, with compliments of S. Seymour Thomas"
The riverside landscape rendered in soft color, in a silvered wooden frame.
Sight: 8 1/2 x 12 1/2 in. (21.59 x 31.75 cm.), frame: 13 x 16 1/2 in. (33.02 x 41.91 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- GRAFF, WASHBOURNE & DUNN STERLING
GRAFF, WASHBOURNE & DUNN STERLING BELLE EPOQUE CENTERPI...GRAFF, WASHBOURNE & DUNN STERLING BELLE EPOQUE CENTERPIECE
American, early 20th century, sterling silver. Footed serving platter, the reticulated outer rim decorated in florals and boughs; hallmarked to underside.
2 1/2 x 18 1/4 in. (6.35 x 46.36 cm.), 1930 grams
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- THREE ROSEVILLE POTTERY WALL POCKETS:
THREE ROSEVILLE POTTERY WALL POCKETS: White Rose, Freesia, and Bittersewwt, 7 - 8 1/2''l.
- Wallace Nutting (American, 1861-1941),
Wallace Nutting (American, 1861-1941), "Joy Path", English garden (vibrant color); hand colored photographic print; 6 5/8" x 4 3/4"; signed and titled in ink lower margin. Original paper label verso.
- JAMES ALLEN HILL (BRITISH, 1905-1985),
JAMES ALLEN HILL (BRITISH, 1905-1985), ASCOG POINT & BAY,... ...The Clyde (W. Coast Scotland), 1958, watercolor, signed "J. Allen Hill" lower left; presented in modern gold toned frame with UV protective glass..
- RALPH WALLACE BURTON (CANADIAN
RALPH WALLACE BURTON (CANADIAN 1905-1983) ICE ALONG THE GATINEAU NEAR GATINEAU POINT QUE. OIL ON PANEL; SIGNED LOWER RIGHT; SIGNED TITLED AND DATED 1958 VERSO 10.5" (height) 26.7cm (height) 13.5" (width) 34.3cm (width)
- Susan A. Point (b. 1952), Musqueam
Susan A. Point (b. 1952), Musqueam (Coast Salish) ROBINS STATE I, 2017 signed, titled, dated and numbered 43/50; framed and glazed with archival glass sight 25 x 22.75 in — 63.5 x 57.8 cm
- WALLACE RANDALL, GOUACHE ON ARTIST
WALLACE RANDALL, GOUACHE ON ARTIST BOARDWallace Randall (American 20th c.), gouache on artist board of the steamship Pontiac , signed lower right, board 14 1/4" x 22 1/4", frame - 16 1/2" x 24 3/8".
Competitive in-house shipping is available for this lot.
Condition:
With pencil sketch of the prow of a ship verso. Good condition. Slightly loose in frame, wear to frame.
- Robert Wallace Martin for Martin
Robert Wallace Martin for Martin Brothers Pottery. Tall vase. 1886, salt-glazed stoneware. 19¾ h × 5¼ dia in. result: $3,276. estimate: $2,500–3,500. Vase features a pond scene with irises, birds, fish and a dragonfly. Incised signature and date to underside ‘RW Martin + Bros London + Southall 2-1886’.
- § ALFRED WALLIS (BRITISH 1855-1942)
PLYMOUTH
§ ALFRED WALLIS (BRITISH 1855-1942)
PLYMOUTH signed in pencil (upper left), oil and chalk on card26.5cm x 35.5cm (10.5in x 14in)Provenance: In Barns-Graham's notes about her collection she states she was given three oils by Alfred Wallis by Mary Buchanan, Ben Nicholson and Sven Berlin. In the exhibition catalogue for Alfred Wallis (Arts Council of Great Britain, 1968) it states this painting is ex collection ‘Mrs George Buchanan’.Literature:Published with title 'Portsmouth and the Victory' Nicholson, Ben (1950), (Bournemouth Arts Club Presents a Retrospective Exhibition of) Paintings by Alfred Wallis, Sydenham & Co. Ltd, Bournemouth, cat. no. 17.The Arts Council of Great Britain, Alfred Wallis, Percy Lund, Humpries & Co Ltd, London and Bradford, 1968 cat. no. 39.The three paintings in this collection by Alfred Wallis were gifted to Barns-Graham by individual friends: Mary Buchanan, Sven Berlin, and Ben Nicholson. Wallis died in 1942 two years after Willie settled in St Ives. There was time however for her to become acquainted with him, and to act as a sort of ambassador for those who wished to meet the self-taught painter (he could be crotchety). She admired, as did Ben Nicholson and other painters before her, the simplicity and directness of his imagemaking. There was a freedom, a lack of formality, that the Moderns strived for. To Wallis, painting was a physical event: perspective and relative scale was irrelevant as he storyboarded his memories. It is difficult today, when his work commands so much attention, to imagine the ease with which one could acquire his work, and also give it away. Mary Buchanan and her husband, the novelist George Buchanan were among those friends the newly arrived Barns-Graham made through the auspices of her Edinburgh College of Art fellow painter Margaret Mellis, and her new husband the art critic and painter, Adrian Stokes. The latter was the catalyst for the move to Cornwall of Barbara Hepworth, her husband Ben Nicholson and the Russian sculptor Naum Gabo with his wife, Miriam. The Stokes’ Carbis Bay home, Little Parc Owles, was a magnet for all new arrivals, and those visiting from London and elsewhere. Despite the house being full of senior Modernist figures, Barns-Graham never forgot her first encounter with the group of Wallis paintings Stokes owned. Always a note-taker, she recorded the oddly shaped bits of cardboard he painted on, and his particular colours: black boats, green and white seas, and grey houses. Some very early St Ives paintings of sheds by Willie owe something to Wallis, the flattening of perspective and his palette.Essay by Lynne Green, author of W. Barns-Graham: a studio life, and Trustee of the Wilhelmina Barns-Graham Trust.
- ROSE BASILE BEACHSIDE LANDSCAPE
ROSE BASILE BEACHSIDE LANDSCAPE WC PAINTING United States,ContemporaryAbstract depiction of seagulls flying over a seaside cottage. Basile studied education and psychology at Boston University and taught in Rhode Island until attending night classes at the Boston Museum School when she began to teach in Newton. In 1999, she moved to Provincetown to study art at the Provincetown Art Association & Museum.
- JANET ROSETTA (AMERICAN, B. 1945)Janet
JANET ROSETTA (AMERICAN, B. 1945)Janet Rosetta
American, b. 1945
The Hunt , 2001
Bronze, signed and dated, edition 3/16
Three lionesses prowling. Other editions of "The Hunt" have been purchased for permanent installation in Benson Park Sculpture Garden in Loveland, CO, Village Green Sculpture Garden in NC and at Widener University in PA.
17 x 63 x 25 in. (43.18 x 160.02 x 63.50 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
Condition:
The bronze is slightly weathered as it was installed outside at the estate of the consignor.
- Roseville Rosecraft 'Nude Panel'
Roseville Rosecraft 'Nude Panel' art pottery wall pocket in ivory with a female nude set a against a green ground. Marked on the reverse. 7"H. Good condition, minute chip to one corner (wall side).
- ROBERT WALLACE MARTIN (1843-1923)
JAMES
ROBERT WALLACE MARTIN (1843-1923)
JAMES ANGUS MARTIN, 1863 plaster relief, titled J A MARTIN and dated49.5cm (19 1/2in) high, 42.5cm (16 3/4in) wideProvenance:Purchased from Richard Dennis, April 1997.Literature:Coleman, B., The Best of British Arts & Crafts, Atglen, 2004, p. 229 (illustrated).
- Roseville Snowberry wall pocket
Roseville Snowberry wall pocket in pink and mauve. Marked Roseville USA 1WP-8. Mint. 7 7/8'' wide by 5 1/4'' tall.
- Wallace Nutting. ''Blossoms at
Wallace Nutting. ''Blossoms at the Bend '' color print framed Estimate $ 50-100 No condition report supplied.
- Roseville Snowberry wall pocket
Roseville Snowberry wall pocket in green. Marked Roseville USA 1WP-8''. Mint. 5 1/4'' tall by 7 3/4'' wide.
- Two Roseville Rosecraft Colors
Two Roseville Rosecraft Colors wall pockets in yellow. Both are marked with a blue Rv ink stamp. Each has a light hairline to the rim on the back of the piece. 9 1/8'' and 9 5/8'' tall.
- THREE ROSEVILLE POTTERY WALL POCKETS:
THREE ROSEVILLE POTTERY WALL POCKETS: LaRose, Corinthian, and Velmoss Scroll. 8 - 12 1/2''.
- ROSEVILLE POTTERY FUTURA PATTERN
ROSEVILLE POTTERY FUTURA PATTERN WALL POCKET flattened V-form decorated in dusty pink with colorful geometric designs l: 8.75 in.
- ROBERT PUMMILL (AMERICAN, B. 1936)Robert
ROBERT PUMMILL (AMERICAN, B. 1936)Robert Pummill
American, b. 1936
Wishing Star
Oil on canvas
Signed lower left. Artist's label to backing board dated Oct. 1, 1992. Nighttime scene on open prairie, a lone cattle rancher on horseback aside his resting herd, a shooting star streaks across the sky. Wooden frame, notations to verso.
Acquired January 31, 1995 from Claggett / Rey Gallery of Vail, Colorado and accompanied by bill of sale and related paperwork.
Stretcher: 20 x 30 in. (50.80 x 76.20 cm.), frame: 29 1/4 x 39 1/4 in. (74.30 x 99.70 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
- Roseville Snowberry wall pocket
Roseville Snowberry wall pocket in pink and mauve. Marked Roseville USA 1WP-8. Excellent condition. 7 3/4'' wide by 5 1/4'' tall.
- Roseville Snowberry wall pocket
Roseville Snowberry wall pocket in pink and mauve. Marked Roseville USA 1WP-8. Mint. 7 3/4" wide by 5 1/4" tall.
- Roseville blue Bushberry wall pocket.
Roseville blue Bushberry wall pocket. Marked Roseville USA 1291-8''. Mint. 8'' tall.
- Roseville green Bushberry wall
Roseville green Bushberry wall pocket. Marked Roseville USA 1291-8". No damage or repairs, but there are heavy lime deposits on the interior from use. 8" tall.
- RUSSELL SMITH (american 1812-1896)
RUSSELL SMITH (american 1812-1896) GARTH POINT, BANGOR, WALES Signed with initials 'R.S.' bottom left, inscribed and signed 'Garth Point, Bangor, Wales / Russell Smith' verso, inscribed 'Beaumaris in the distance' in pencil on the stretcher, oil on canvas 12 x 18 in. (30.5 x 45.7cm) ,500-2,500 Oil on fine, plain weave canvas. Stretcher bar creases (mild). Small localized canvas distortions. Dent in upper center quadrant caused by mechanical impact to surface. Minor surface abrasion at damage site and after small surface scrape in upper right corner. Unlined. Thin dissolved varnish layer. Scattered small fly specks; accretions and minor surface abrasions. No restorations or retouching.
- THREE ROSEVILLE "FLORENTINE I"
THREE ROSEVILLE "FLORENTINE I" WALL POCKETS. Circa 1924. Three different shapes and sizes. 12.75"h., 9.25"h., and 7.75"h. with cobalt "RV" mark.
- W S Lacey (Fl. early 20th c) -
W S Lacey (Fl. early 20th c) - Roses, two, both signed and dated 1929, oil on canvas, 36 x 62cm and smaller (2) More Information Both require a light clean with slightly chipped frames
- Robert Wallis (British 1794-1878)
Robert Wallis (British 1794-1878) after J M W Turner/Stone Henge/steel engraving, proof before letters, 16.5cm x 23cm
- THREE WORKS ON PAPER, FRAMED AND
THREE WORKS ON PAPER, FRAMED AND MATTED UNDER GLASS, INCLUDING: ROSA WALLIS (BRITISH, B. 1857), TWO LATE 19TH C. WATERCOLORS DEPICTI...Three works on paper, framed and matted under glass, including: Rosa Wallis (British, b. 1857), two late 19th C. watercolors depicting English country cottages, pathway with grass and flowers, ss: 7 1/4" h. x 5 1/2" w. and 5 1/4" h. x 7" w.; along with Ralph Mason (American, 1916 - 2008), etching, 1976, titled "Castle Combe" LL, signed and dated LR, plate size: 6 1/2" h. x 4 1/2" w., not examined out of frame, all with wear consistent with age and use including foxing and toning.
- PAIR OF ROBERT WALLACE & SONS STERLING
PAIR OF ROBERT WALLACE & SONS STERLING COVERED VEGETABLE DISHES, WALLINGFORD, 'THE WASHINGTON PATTERN', LATE 19TH-EARLY 20TH CENTURYPair of Robert Wallace & Sons Sterling Covered Vegetable Dishes, Wallingford, Washington Pattern, Late 19th-Early 20th Century Lids with removable handles. Undersides stamped with maker's mark, pattern, standard, size, and instances of patent date and other numerals. Dimensions: Length: 12 in (30.5 cm); Total weight: 69 oz
- Rosewood Seth Thomas 8 day "Chicago"
Rosewood Seth Thomas 8 day "Chicago" City Series mantle clock, reverse painted portrait of a lady, hour strike, runs when wound, 17 1/2" h, losses and repaint to dial, wear to gilt Estimate $150-250
- WALLACE NUTTING (AMERICAN 1861
WALLACE NUTTING (AMERICAN 1861 - 1941) HONEYMOON STROLL. Hand colored photographic print signed LR. Together with a watercolor of a fishing boat a watercolor of a woman with water vessels and a Japanese print Nutting: 10'' x 14'' Condition: No Specific Condition Recorded - Sold As Is
- Rosalyn Gale Powell (1929-2007
Rosalyn Gale Powell (1929-2007 Washington) ''Flower Sketch #2'' 1983 Watercolor on Paper 12''x16'' Sight. Pencil signed l.r. with Foster/White Gallery, Seattle label on verso. Original framing 19''x22''. Excellent condition.
- Roseville Persian Creamware floral
Roseville Persian Creamware floral wall vase. Very unusual form. Unmarked. There is a tight hairline descending from the rim and the wall mount has been restored. 14 1/4'' tall.