A few examples of appraisal values for
WARWICK

• 18th century British portrait,
  18th century British portrait, wigged nobleman wearing a green velvet frock coat and brocaded vest, said to be the Earl of Warwick, oil on canvas, painted within a feigned oval, unsigned, 29-1/4 x 24 in.; Kent style frame, possibly late 18th/early 19th century. Restretched on 19th century stretcher, 19th century lining, crackle, abrasions, stretcher marks, one patch verso; frame resurfaced, some elements added. Property of the Hickory Museum of Art, Hickory, North Carolina.
• J. ROE OF WARWICK (BRITISH 18TH
  J. ROE OF WARWICK (BRITISH 18TH CENTURY) EASBY ABBEY RICHMOND YORKSHIRE Watercolor on paper: 10 3/4 x 15 in. Framed
• A GRAND COLLECTION OF HOTEL WARE BY
  A GRAND COLLECTION OF HOTEL WARE BY WARWICK: 5 shelves full of heavy commercial grade vitrified clay hotel and banquet ware. Mugs, bowls, ashtrays, individual creamers, jugs, mustard pots, plates, platters and serving bowls. From the private collection of John Rader Sr., author of Warwick China.
• T KitchinMap of Warwickshirehand
  T KitchinMap of Warwickshirehand coloured engraving 22cm x 12cm (8.75" x 6.75")
• DWAYNE WARWICK, (AMERICAN, 21ST
  DWAYNE WARWICK, (AMERICAN, 21ST CENTURY), GARDEN FENCE WITH BENCH; IMPRESSIONIST PLEIN AIR PAINTING, OIL ON BOARD, 7 1/2" X 9 1/2", 15"H X 17" (FRAME)Dwayne Warwick, (American, 21st Century) garden fence with bench; impressionist plein air painting, oil on board signed lower left. Of his work, Springfield, Tennessee artist Dwayne Warwick states: "I think most people perceive artists' painting with the same ease and effortlessness that a singer sings. For me, painting continues to be a battle. It's like going to a destination on a tight wire – the purpose of the trip is overshadowed by the struggle to stay on the wire." In viewing Dwayne Warwick's paintings, it is difficult to imagine such struggling. The ease and grace of lines and forms unite with warm and glowing light reminiscent of 17th century Dutch painters. Warwick's watercolors reflect a classical feeling which he says is inspired by the Old Masters. "I owe much to Charles Ambrose of the University of Southern Mississippi. While his drawing tutelage disciplined my technique, it was his art history classes which fostered my interest in the classical art of past centuries." Studying from books and museums, Warwick developed an interest and challenge in being a student of traditional methods of painting. "The notes of Bach and Beethoven are available for music students, but the Old Masters left no records of their painting methods and formulas. The real knowledge of traditional painting is not widespread," notes Warwick. Even without the recipes of the masters, Warwick's work is certainly a fine attempt at recreation. Dwayne Warwick's collection at Stravitz Art Gallery oil on board Dimensions: 7 1/2" x 9 1/2", 15"H x 17" (frame)
• WARWICK REYNOLDS (1880-1926)
  WARWICK REYNOLDS (1880-1926) 'PROSPERITY' crayon on paper, signed lower right38cm x 26.5cmProvenance: The Fine Art Society, 148 New Bond Street, London, 1992Formerly the collection of Andrew McIntosh Patrick.Literature: Bradshaw P.V. TheArt of the Illustrator, The Press Art School, Forest Hill, London 1918Note: In 1918 Percy Bradshaw contacted 20 of the leading illustrators of the day and commissioned each of them for a special illustration. Each artist was given an entirely free hand as to the subject, the only stipulation being that the painting or drawing should be representative of his/her technique and that each stage in its composition should be shown. Bradshaw then reproduced in 6 plates each step in the artistic process and published the 6 lithographs in a portfolio with a 12-page introduction and description of the process within a card folder. The current lot represents the final drawing by Warwick Reynolds.Other artists were Lawson Wood, F.H. Townsend, Fortunino Matania, Harry Rountree, Claude A. Shepperson, Bert Thomas, William Heath Robinson, Frank Reynolds, Cyrus Cuneo, William Russell Flint, Charles Brock, Spenser Pryse, Edmund Sullivan, Balliol Salmon, H.M. Bateman, Louise Wright, W Hatherell, Dudley Hardy and Bernard Partridge.Born in Islington, WarwickReynolds was the son of a cartoonist and illustrator of the same name. He studied in London at the Grosvenor Studio and the St. John’s Wood Art School, and in 1895 began working as a magazine illustrator, eventually contributing to such publications as The Idler, Pearson’s Magazine, The Quiver and The Strand Magazine, among others. In 1906 he settled in Glasgow where he was employed as a staff artist at the Daily Record, he also exhibited at the Royal Academy, the Royal Glasgow Institute of Fine Arts and the Royal Scottish Academy.
• Attributed to the Master of the
  Attributed to the Master of the Countess of Warwick (act. circa 1560-1570)/Portrait of a Lady/half-length, in a grey striped and beaded white chemise with ruff collar and an ornately embroidered and beaded black dress and jewelled black cap/inscribed upper right Aetatis 20/oil on panel, 58cm x 44.25cmi/Literature: Sir Roy Strong, The English Icon, Elizabethan and Jacobean Portraiture, 1967, pp. 107-14/Provenance: from the collection of Harry Wolton QC
• Attributed to schoolmaster Henry
  Attributed to schoolmaster Henry Johnson ink and watercolor fraktur reward of merit dated 1830 inscribed Warwick decorated with... ?
• WARWICK DINNERWARE PHEASANT
  WARWICK DINNERWARE PHEASANT PLATTER: Vitrified clay, 15'l. From the private collection of the author and seen on the cover of Warwick China by John R. Rader Sr. Note scratches to surfaces.
• Weller Knifewood wall pocket and
  Weller Knifewood wall pocket and Warwick log planter. Warwick is marked with Weller Pottery kiln stamp while the Knifewood is unmarked. Couple of small nicks to the design and restoration to the rim of the wall pocket. Age lines to base of Warwick. Wall pocket is 8 1/2'' tall and the planter is 12 1/2'' wide.
• WARWICK CASTLE AND CAREW CASTLE,
  WARWICK CASTLE AND CAREW CASTLE, TWO HAND-COLORED ENGRAVINGSWarwick Castle and Carew Castle, Two Hand-Colored Engravings
• DWAYNE WARWICK, (AMERICAN, 21ST
  DWAYNE WARWICK, (AMERICAN, 21ST CENTURY), IMPRESSIONIST GARDEN FENCE WITH STONE BENCH, GOUACHE ON PAPER, 7 1/2H X 9 1/2W (IMAGE) 15H X 17W (FRAME)Dwayne Warwick, (American, 21st Century) Impressionist garden fence with stone bench, gouache on paper signed lower right. Of his work, Springfield, Tennessee artist Dwayne Warwick states: "I think most people perceive artists' painting with the same ease and effortlessness that a singer sings. For me, painting continues to be a battle. It's like going to a destination on a tight wire – the purpose of the trip is overshadowed by the struggle to stay on the wire." In viewing Dwayne Warwick's paintings, it is difficult to imagine such struggling. The ease and grace of lines and forms unite with warm and glowing light reminiscent of 17th century Dutch painters. Warwick's watercolors reflect a classical feeling which he says is inspired by the Old Masters. "I owe much to Charles Ambrose of the University of Southern Mississippi. While his drawing tutelage disciplined my technique, it was his art history classes which fostered my interest in the classical art of past centuries." Studying from books and museums, Warwick developed an interest and challenge in being a student of traditional methods of painting. "The notes of Bach and Beethoven are available for music students, but the Old Masters left no records of their painting methods and formulas. The real knowledge of traditional painting is not widespread," notes Warwick. Even without the recipes of the masters, Warwick's work is certainly a fine attempt at recreation. Dwayne Warwick's collection at Stravitz Art Gallery gouache on paper Dimensions: 7 1/2H x 9 1/2W (image) 15H x 17W (frame)
• SHELVES FULL OF WARWICK CHINA: 4
  SHELVES FULL OF WARWICK CHINA: 4 shelves full to include partial services, canoe shaped pieces, platters, creamers, sugars, ......
• DWAYNE WARWICK, (AMERICAN, 21ST
  DWAYNE WARWICK, (AMERICAN, 21ST CENTURY), WOMAN IN THE GARDEN, IMPRESSIONIST SCENE PAINTING, GOUACHE ON PAPER, 8 1/2"H X 9"W (IMAGE) 16 1/4"H X 16 1/4"W (FRAME)Dwayne Warwick, (American, 21st Century) woman in the garden, impressionist scene painting, gouache on paper signed lower right. Of his work, Springfield, Tennessee artist Dwayne Warwick states: "I think most people perceive artists' painting with the same ease and effortlessness that a singer sings. For me, painting continues to be a battle. It's like going to a destination on a tight wire – the purpose of the trip is overshadowed by the struggle to stay on the wire." In viewing Dwayne Warwick's paintings, it is difficult to imagine such struggling. The ease and grace of lines and forms unite with warm and glowing light reminiscent of 17th century Dutch painters. Warwick's watercolors reflect a classical feeling which he says is inspired by the Old Masters. "I owe much to Charles Ambrose of the University of Southern Mississippi. While his drawing tutelage disciplined my technique, it was his art history classes which fostered my interest in the classical art of past centuries." Studying from books and museums, Warwick developed an interest and challenge in being a student of traditional methods of painting. "The notes of Bach and Beethoven are available for music students, but the Old Masters left no records of their painting methods and formulas. The real knowledge of traditional painting is not widespread," notes Warwick. Even without the recipes of the masters, Warwick's work is certainly a fine attempt at recreation. Dwayne Warwick's collection at Stravitz Art Gallery gouache on paper Dimensions: 8 1/2"H x 9"W (image) 16 1/4"H x 16 1/4"W (frame)
• A 19th Century British Watercolor
  A 19th Century British Watercolor of a Church "Warwickshire". Watercolor on paper, not signed, inscribed verso "Warwickshire, September 11th 1840...AEE and "For Percy", the paper size approx. 8" x 11-1/2", matted and framed under glass overall approx. 14-5/8" x 18".
• EARLY ENGRAVED MAP OF
  EARLY ENGRAVED MAP OF WARWICKSHIREEarly engraved map of Warwickshire, 15 1/2" x 20 1/2". Competitive in-house shipping is available for this lot. Condition: Map is original. Left edge trimmed.
• Weller Warwick Basket marked Weller
  Weller Warwick Basket marked Weller Pottery 7.25''h tiny glaze chip on the rim of basket.
• ALFRED WERTHEIMER 'ELVIS AT THE
  ALFRED WERTHEIMER 'ELVIS AT THE WARWICK 1956'Alfred Wertheimer, Germany (1929-2014) 'Elvis at the Warwick 1956', signed lower right, numbered lower left 26/950. Hand written on back 'Elvis Presley enters the Warwick Hotel after finishing rehearsal for Dorsey Brothers Stage Show', signed by Wertheimer. Measures 34 5/8"H x 26 1/8"W framed; 23.5"H x 15.5"W unframed. Condition is good, see photos. Examine all photos closely. Contact AAG for more detailed information if needed. AAG is not responsible for any errors or omissions to any lots. All sales are final and sold as is. This item cannot be shipped in house. Please contact our third party shippers.
• ITALIAN BRONZE MODEL OF THE WARWICK
  ITALIAN BRONZE MODEL OF THE WARWICK VASE Note: The celebrated ancient Roman marble vase on which this model is based was discovered in fragments in 1771 in the ruins of Hadrian's villa near Tivoli by the Scottish artist and antiquarian William Hamilton. After restoration it was sold to Hamilton's nephew George Earl of Warwick and is now in the Burrell Collection in Glascow. 11 1/2 x 17 x 12 in. Provenance: Bernd Goeckler Antiques New York.
• WARWICK CHINA PORTRAIT TANKARD
  WARWICK CHINA PORTRAIT TANKARD AND MUGS: Semi porcelain clay, with image of an old guitar picker. Tankard is 12 3/4''.
• Attributed to John 'Warwick'
  Attributed to John 'Warwick' Smith (British 1749-1831)/A View In The Roman Campagna/watercolour, 37.5cm x 53.25cm
• PRINT, CURRIER & IVES
  PRINT, CURRIER & IVES (PUBLISHERS) Currier & Ives (Publishers) (American, Established 1837-1907), "Warwick Castle, on the Avon," lithograph in colors, published by Currier and Ives, image by F.F. Palmer, overall (with frame): 16.25"h x 20.5"w
• Staffordshire ''''Warwick Shape''
  Staffordshire ''''Warwick Shape'' pitcher and bowl.
• ITALIAN PATINATED BRONZE MODEL OF
  ITALIAN PATINATED BRONZE MODEL OF THE WARWICK VASE SIGNED F. BARBEDIENNE FONDEUR This is a variation of the traditional Warwick vase the frieze is slightly different; raised on a verde antico marble plinth base. 16 x 17 1/4 in. Provenance: Bernd Goeckler Antiques New York.
• An English Porcelain Model of the
  An English Porcelain Model of the Warwick Vase 19th Century bearing an accession number to the underside, otherwise unmarked. Height 9 x width 13 inches. Sold to Benefit the Acquisition Fund of the Indianapolis Museum of Art at Newfields
• A WORCESTER PINK-GROUND VASE
  A WORCESTER PINK-GROUND VASE Circa 1815 Of Warwick vase shape with gilt entwined handles, painted with a titled view, `Binstead Cottage...Isle of Wight', above a band of white beading, raised on a short socle stem and square base, impressed Crown and FBB, inscribed Barr, Flight & Barr mark in puce, 17.5cm high
• WARWICK CHINA FLOW BLUE: Approx. 10
  WARWICK CHINA FLOW BLUE: Approx. 10 pieces ot include a footed jardiniere, 12 3/4'' charger, bone dish, Delft pattern relish dish, a plate with the image of the nations capital, a trivet with image of plains Indians, an 11'' tray, 8'' jug, and syrup pitcher with no lid.
• 4 WARWICK CHINA PORTRAIT VASES: Two
  4 WARWICK CHINA PORTRAIT VASES: Two with the Wheeling Girl Lady of the Evening. Charcoal gray glaze. Approx. 7 - 10''h.
• HUGE ESTATE ACCUMULATION OF WARWICK
  HUGE ESTATE ACCUMULATION OF WARWICK CHINA: More than 100 pieces to include tureen, platter, Permaware hotel, pitcher, teapots, plates, ......in mixed patterns.
• A GRAINGER WORCESTER PORCELAIN
  A GRAINGER WORCESTER PORCELAIN RECTANGULAR PLAQUE circa 1840, painted with a Warwick vase filled with an arrangement of flowers and with a passionflower beside resting on a marble ledge, in a giltwood frame, 42.5cm x 32.5cm Provenance: Bt. Christie’s London, 11th February1991, lot 149.
• 5 WARWICK CHINA NUDE PORTRAIT
  5 WARWICK CHINA NUDE PORTRAIT VASES: Semi porcelain clay, in the Verona shape. 12'' tall.CONDITION: chip and loss of glaze to one, loss of handle to another.
• Lionel Dalhousie Robertson
  Lionel Dalhousie Robertson Edwards (1878-1966)/The Warwickshire; Gone away from Shuckborough/signed in pencil/colour print, 26cm x 41cm/and two smaller signed prints by the same, together with/Gilbert Joseph Holiday (1879-1937)/The D.A.C Mule/The Wagon Line/each signed in pencil, 20.5cm x 30cm (5)
• A 19th century plated copy of ''The
  A 19th century plated copy of ''The Warwick Vase'' with twin entwined handles on square base 9ins diameter x 11ins high
• WARWICK CHINA SEMI PORCELAIN FLOW
  WARWICK CHINA SEMI PORCELAIN FLOW BLUE JARDINIERE: Decorated in a Dutch motif, 12'' tall, 10 1/2'' dia.
• A miniature Spode Warwick-shaped
  A miniature Spode Warwick-shaped vase with gilt handles, pattern no. 1166, painted with bouquets of flowers on a gilt scale pattern blue ground, 9cm across handle
• 6 WARWICK CHINA IOGA WARE
  6 WARWICK CHINA IOGA WARE PORTRAIT VASES: Beautiful ladies on semi porcelain, 10 1/2''.