A few examples of appraisal values for
WATERTOWN FIFTH LEG

• LOOKING DOWN 5TH AVE. BY GUY
  LOOKING DOWN 5TH AVE. BY GUY CARLETON WIGGINS (NEW YORK/CONNECTICUT 1883-1962). Oil on canvas board signed back and lower right. Winter scene ca. 1940s-50s with five American flags. 12''h. 9''w. in a modern gilt frame 20''h. 17''w. Ex Questroyal Fine Art (New York). Painting approximately 11-3/4''h 8-3/4''w . Few small droplets of dark color possibly paint.
• Wilton Robert Lockwood
  Wilton Robert Lockwood (Connecticut/Massachusetts 1861-1914) MEDWAY BRIDGE watercolor framed signed: lower right sight size: H10 1/2'' W17 1/4'' Provenance: North Carolina private collection.
• TROUVAILLES RELIEF-CARVED PINE
  TROUVAILLES RELIEF-CARVED PINE PLAQUE Watertown, Ma., 3rd quarter-20th century: depicting ancient craftsmen making a platter.
• Lot (4) Medals: Springfield Meet
  Lot (4) Medals: Springfield Meet 1883 L.A.W. Conn. Division Highwheel & Trike Rider taking header Phila.
• Waterton (C) Wanderings in South
  Waterton (C) Wanderings in South America Second Edition, cont. half calf (foxed), Fellowes 1828 and Loftus (W K) Travels and Researches in Chaldaea and Susiana, Nisbet 1857, school prize award, both 8vo.
• Guy Carleton Wiggins Oil Painting
  Guy Carleton Wiggins Oil Painting on BoardTitled ''5th Avenue Storm'' depicting an urban New York winter scene with figures vehicles and an American flag signed lower right and signed and titled en verso. Guy Carleton Wiggins (1883 - 1962) was a New York artist most widely known for his winter scenes of New York City in a snowstorm.11.5'' H x 15.5'' W sight 18'' H x 22'' W framed.Property of Tampa Florida Gentleman.
• W. C. ROBERTSON: VIEW OF THE HUDSON
  W. C. ROBERTSON: VIEW OF THE HUDSON RIVER WEST POINT Hand-colored etching 19 1/2 x 25 in. (image) signed printed by Thomas Kelley NY.
• AMERICAN OIL ON CANVASAmerican
  AMERICAN OIL ON CANVASAmerican oil on canvas view of 5th Street, ca. 1900 , 20" x 28". Provenance: Mr. and Mrs. William J. Gunn Collection; Property of the Fenimore Art Museum sold to benefit the Acquisitions Fund. Competitive in-house shipping is available for this lot. Condition: Puncture right side. Some flaking to edges.
• TWO M.T.H. FIVE-CAR MADISON
  TWO M.T.H. FIVE-CAR MADISON PASSENGER SETS Including Jersey Central and Boston & Albany.
• Cyclometer: 28'' ''Shepard's Trip''
  Cyclometer: 28'' ''Shepard's Trip'' Waterbury Conn. (Waterbury Buckle Co.).
• Watercolor drawing of West Point
  Watercolor drawing of West Point early 19th c. titled View of the Hudson from Garrison signed R.F. Kemble 5 1/2" x 7". ?
• WATERFORD, TWENTY-FOUR LISMORE
  WATERFORD, TWENTY-FOUR LISMORE WATER GOBLETS All marked.
• JOHN HENRY TWACHTMAN
  JOHN HENRY TWACHTMAN (NY/CT/MA/OH, 1853-1902) "Winter Pond", oil on canvas, signed lower right, with two labels from Berry Hill Gallery , East 70th St, NYC, giving the title and indicating this was in their exhibition "American Artists 1880-1925" Feb-Apr 1995. Housed in the original Newcomb-Macklin frame, OS: 18" x 23", SS: 10" x 15", good condition.
• 20 WATERFORD CRYSTAL TUMBLERS 5 in.
  20 WATERFORD CRYSTAL TUMBLERS 5 in. H.
• Thomas W. Morley watercolor (Thomas
  Thomas W. Morley watercolor (Thomas William Morley, British, 1859-1925), "The Road to Abbeville, France", signed lower left "T.W. Morley", watercolor on board, 15-3/8 x 21 in.; modern gilt silver/gold frame. Hinged at top with paper tape, taped at bottom edge with paper tape, light toning. Label verso backing states the watercolor was from the Collection of Gerard Priestley, Elon College, North Carolina; Whitehall at the Villa, Chapel Hill, North Carolina (with receipts).
• Bernice M. Webster watercolor
  Bernice M. Webster watercolor (Massachusetts/Vermont, 1895-1985), Ponte Vecchio , signed lower left and inscribed "Florence/B.M. Webster", watercolor on paper, 11-5/8 x 9-3/8 in.; gilt and painted wood frame. Masking tape at eight points verso, toning. Tryon, North Carolina Estate
• M. Cott (19th century) A View of
  M. Cott (19th century) A View of Wisbech Bridge 1855 watercolor on paper signed M. Cott (lower right) 19 1/2 x 24 inches.
• 13 WATERFORD "LISMORE" WATER
  13 WATERFORD "LISMORE" WATER GLASSES 5 in. H.
• WATERFORD, FIFTEEN CARINA CLARET
  WATERFORD, FIFTEEN CARINA CLARET WINE STEMS All signed.
• TWENTY-FOUR WATERFORD GLASSES
  TWENTY-FOUR WATERFORD GLASSES
• Three glass flasks- Union The
  Three glass flasks- Union The Father of His Country (General Taylor) and Waterford. Each approx. 9"h.
• New York five-gallon stoneware
  New York five-gallon stoneware jug inscribed J. Fleming Fourth St. Troy N.Y. with a cobalt bird on a stump decoration 18 1/2" h. ?
• WALTER EBEN NETTLETON WATER
  WALTER EBEN NETTLETON WATER NYMPHS O/B PAINTING Massachusetts, Connecticut,1861-1936Impressionist depiction of four nymphs in a shallow body of water, one putting on a show dancing with a water stream. Nettleton went to Europe and enrolled in the Academie Julian in Paris and studied under Gustav Boulanger and Jules-Joseph Lefebvre and later studied with Emile Carolus Duran before returning to America where he became a member of the Art Students League.
• TWENTY-FOUR WATERFORD GLASSES
  TWENTY-FOUR WATERFORD GLASSES
• YELLOWLEGSMassachusetts, c. 1900 10
  YELLOWLEGSMassachusetts, c. 1900 10 in. long Original paint with light wear and touch-up around base of replaced bill. Provenance: Wade and Sharon Wander Collection
• Thomas Congdon watercolor (Thomas
  Thomas Congdon watercolor (Thomas Raphael Congdon, New York, 1862-1917), Italian woman with water jug by a fountain, signed lower right "Thomas R. Congdon", watercolor on paper, 17-3/4 x 11-7/8 in. (sight); 20th century gilt wood frame. Abrasions, toning, laid down on card; frame with abrasions. Dr. T. Edward Hanley Collection, Bradford, Pennsylvania; Private Collection, Sewickley, Pennsylvania.
• FIVE PIECE WATERFORD LOT, TO
  FIVE PIECE WATERFORD LOT, TO INCLUDE TWO DECANTERS, A S...Five Piece Waterford Lot, to include two decanters, a small cream, a round vase, along with a bowl, decanter height 11 inches. Provenance: Waterfront Estate, Stamford, CT. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Watercolor of Man Playing Petangue.
  Watercolor of Man Playing Petangue. From a Tarrytown location.
• 5-PIECE PRINT LOT TO INCLUDE 2
  5-PIECE PRINT LOT TO INCLUDE 2 WILLIAM GROPPER LITHOGRAPHS: 1. Court Scenes, 20.50'' x 26'', pencil signed lower right, titled lower mid-margin, numbered 79/150 lower left. 2. Evidence, 20.50'' x 26'', pencil signed lower right, titled lower mid-margin, numbered 134/150 lower left. 3. Etching by Charles Wells, Walt Whitman, 26'' x 19'' with margin, pencil signed lower right, numbered 8/50, titled lower left. 4. Etching by Charles Wells, Family Group, 29.50'' x 21.50'' with margins, pencil signed lower right, numbered 29/50 mid-margin, titled lower left. 5. Brooklyn, Lithograph by Harold Cohen, 22.50'' x 30'', pencil signed lower right dated 1981, titled lower left. CONDITION: 4. Browning along the edges, small tear upper left corner, lower corner has a crease. 5. Crease extending along the right margin, surface paper loss due to tape removal in upper left and right corners, pale scattered staining throughout.
• Joseph Sheppard (American/Maryland,
  Joseph Sheppard (American/Maryland, b. 1930) "Take Five", oil on canvas, 30" x 36", signed and dated lower right "Sheppard '83", dated on canvas verso "9-83". Framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Grand Central Art Galleries, Inc., New York, dated March 5, 1985.
• A Set of Four Handcolored
  A Set of Four Handcolored Lithographs each depicting various New York water transportation scenes set in a giltwood frame. 5 1/4 x 6 3/4 inches.
• Caroline Van Hook Bean
  Caroline Van Hook Bean (American/Washington, D.C., 1879-1980) "Fifth Avenue, Flag Day", 1918, mixed media on paper, sight 12-1/4" x 8-1/4", signed, dated and inscribed in pencil lower right "Caroline Van H. Bean, June 1918, Fifth Avenue", inscribed en verso "Personal Collection of Robert Chapellier", retains gallery labels en verso "Robert Rice Gallery, Houston, Texas" and "Chapellier Galleries, New York", exhibition label en verso "De Cordova Museum, Lincoln, Massach.". Glazed and framed. Provenance: The estates of David and Eula Wintermann. Accompanied by the original bill of sale from Robert Rice Gallery, Houston, Texas, dated September 2, 1978.
• Early colored print titled "View of
  Early colored print titled "View of the Waterworks at Centre Square Philadelphia" J.J. Barralet del. C. Tiebout Sculp. mounted in a gilt frame. 14"x21"
• William Taylor Irish watercolor
  William Taylor Irish watercolor (Irish, 1781-1850), fishing vessels resting in a harbor, signed lower left "W. Taylor" and inscribed lower right "1830", watercolor on paper, "Phyllis Lucas…New York…" label verso, 5-3/4 x 8-1/4 in.; chip carved and silver gilt frame, mat with inscription. Fading, toning, retouch at one point upper right, laid down on card, glued to verso of mat.
• AMERICAN SCHOOL: EASTHAMPTON
  AMERICAN SCHOOL: EASTHAMPTON Watercolor on paper; 10 x 15 in.
• GUY CARLETON WIGGINS, AMERICAN
  GUY CARLETON WIGGINS, AMERICAN (1883-1962), "5TH AVE AT 42ND STREET", OIL ON CANVAS, 25 1/4 X 30 1/4 INCHESGUY CARLETON WIGGINS, American, (1883-1962) "5th Ave at 42nd Street", oil on canvas signed lower right "Guy Wiggins", titled and signed on the reverse oil on canvas Dimensions: 25 1/4 x 30 1/4 inches Provenance: Spanierman Gallery, New York, New York (label on the reverse); Private Collection, New York Framed dimensions: 32 x 37 x 2 inches Guy C. Wiggins was born in Brooklyn, New York in 1883. His father, Carleton Wiggins, was an accomplished landscape artist who enjoyed a successful career. According to an article on the Wiggins family written in 2011, "He [Carleton Wiggins] pressed a palette and paints into his young son's hands. By age 4, Guy Carleton Wiggins was churning out watercolors that foreshadowed a talent greater than his father's." (Ann Farmer, "A Family of Painters is Having Its Moment," New York Times, June 6, 2011) Wiggins first studied architecture at Brooklyn Polytechnic Institute then left to pursue fine arts training at the National Academy of Design. The architecture of New York City became his muse and he started painting famous buildings in an impressionistic style. He once said, "If you want to sell paintings, it helps if it's recognizable to many people." He became highly successful in the 1920s and 1930s selling views of New York City architecture, particularly in the snow. In 1912, he became the youngest artist represented in the Metropolitan Museum's collection with a painting titled "Metropolitan Tower." He painted the Executive Mansion from the White House Lawn, a painting that hung in President Eisenhower's Office. The Great Depression took a toll on sales and Wiggins struggled in the years following the war. He moved with his family permanently to Essex, Connecticut and started the Guy Wiggins Art School. He became an active member of the Old Lyme Art Academy. He started to paint landscapes, however, he continued to paint New York City as a preferred subject, particularly on snowy days. In the current example, 5th Ave at 42nd Street, the city taxis and pedestrians move undeterred by the falling snow. The lions in front of the library rest peacefully under the colorful waving flags. Wiggins' legacy was preserved in the history of American Art and his works are included in numerous public and private collections including the Wadsworth Atheneum in Hartford, Connecticut, the Metropolitan Museum of Art in New York, the Brooklyn Museum, the National Gallery in Washington D.C., and the Art Institute of Chicago. Tags: oil painting, listed artist, New York City, New York Public Library, Fifth Avenue, snow scene, winter scene, taxi, flags Condition: in very good overall condition; lined canvas; minor restoration to bottom edge visible under UV; a few small dots of restoration in the sky apparent under UV We are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Shannon’s is merely a subjective qualified opinion. Frames on all paintings are sold "As Is". Frames may need some conservation. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD “AS IS” IN ACCORDANCE WITH THE CONDITIONS OF SALE.