-
WILHELM SCHIMMEL, CARVED AND
WILHELM SCHIMMEL, CARVED AND PAINTED ROOSTERWilhelm Schimmel (Cumberland Valley, Pennsylvania 1817-1890) , carved and painted rooster, 6 1/2" h. Provenance: Christie's, The Collection of Mr. & Mrs. George W. Scott Jr., Lancaster, Pennsylvania, June 11, 1994, lot 552.
Competitive in-house shipping is available for this lot.
Condition:
Repairs to comb, beak, and wattle
-
PAIR OF STAFFORDSHIRE COCKERELS
PAIR OF STAFFORDSHIRE COCKERELS
19TH CENTURY each with a moulded white glazed body, the details such as feathers and grasses picked out in gilt, with black enamelled beak and red wattle and comb(2)32cm high, 24.5cm wide
-
CONTINENTAL GLAZED FAIENCE
CONTINENTAL GLAZED FAIENCE CHICKEN FORM VESSELUnmarked.
11 1/4 x 11 x 5 in.
The Chinese Porcelain Company, The Collection of Pierre Durand
Condition
Wear, some firing imperfections. The spout has been blocked with glue, the beak has been broken, reglued and further damaged. One section of the wattle is lacking. A few small losses to the base. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
-
STERLING. ASSORTED GROUPING OF
STERLING. ASSORTED GROUPING OF STERLING FLATWARE. Including (9) monogrammed John Wendt retailed by Ball Black & Co. Medallion sterling teaspoons - approx. 6" in length; (1) monogrammed John Wendt retailed by Buell & Co. Medallion sterling spoon - approx. 8 1/4" in length; (1) John Wendt retailed by Starr & Marcus. Medallion sterling coffee/cracker scoop? with an etched scoop - approx. 8 1/2" in length; (5) monogrammed Hotchkiss & Schreuder Medallion sterling spoons - approx. 8 1/2" in length; (1) Hotchkiss & Schreuder Medallion sterling spoon - approx. 8 1/2" in length; (2) Hotchkiss & Schreuder Medallion sterling teaspoons - approx. 6" in length; (2) engraved Hotchkiss & Schreuder retailed by Chapin & Co. Medallion sterling teaspoons - approx. 6" in length; (4) Hotchkiss & Schreuder Medallion sterling forks- approx. 7" in length; (3) Hotchkiss & Schreuder Medallion sterling demitasse spoons - approx. 4" in length; (5) monogrammed Gorham Medallion kings head dinner knifes with sterling blades - approx. 8 3/8"; (1) monogrammed S.D. Brower & Son (Hall, Hewson & Brower) Medallion (Coin) silver scoop - approx 8"; (1) Durgin? Medallion retailed by E.A.D Urgin St Louis sterling berry spoon with a gold washed bowl - approx. 7 3/4"; (1) Gorham for Tiffany & Co. Medallion sterling ladle - approx. 71/4"; (1) Gorham Medallion sterling flat handle pickle knife with a sterling blade - approx. 6 5/8" (1) engraved Gorham retailed by D.C. Jacob & Co. Medallion sterling sauce ladle - approx. 5 3/4"; (1) engraved Wood and Hughes Medallion sterling sugar spoon with a shell bowl - approx 5 3/4"; and (1) monogrammed Wood and Hughes retailed by Wattles & Schaefer Angelo sterling preserve spoon - approx. 6 3/8"; and (1) monogrammed Wood and Hughes retailed by J.A. Clark Angelo sterling egg bowl spoon - approx. 7 3/4".Total approx. weight of all items is 50.67 troy oz (gross). From a Scarsdale, NY estate. Condition: Good, with light surface scratches and minor dings/dents. The monograms and engravings differ.
-
STERLING. PAIR OF WM. B. DURGIN
STERLING. PAIR OF WM. B. DURGIN STERLING SWAN Bowls. Pair of William B. Durgin sterling swan form bowls. Retailed by Gorham. Stamped to the underside, "Gorham" with a Wm. B. Durgin initial mark, "Sterling 33 Made for WW Wattles & Sons". Total approx. weight of two swans is 17.50 troy oz (gross). From a Hollis, NY estate. Dimensions: swans measure approx. 8.5" w x 4.25" d x 5.875" h. Condition: Good, with light surface scratches and minor dings/dents.
-
LARGE PAIR OF SILVER PLATE FIGHTING
LARGE PAIR OF SILVER PLATE FIGHTING ROOSTERSUnmarked.
The first 17 1/2 x 14 x 10 1/2 in., the second 17 1/2 x 12 1/2 x 12 in.
Condition
Minor wear, some minor flaking to finish, some bends and tiny breaks to the tail feathers. One with a slightly bent foot, however stable on base. The other with a bend to one side of the wattle. Otherwise in good condition.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
-
Good lot of 12 Australian wines:
Good lot of 12 Australian wines: Eazel 215 cabernet Sauvignon, Black Wattle 2008 Chardonnay, Butterfly Effect 2013 Chardonnay, Brewery Hill 2013 Jacko's Leap, Wynns 2004 Cabernet Sauvignon, De Bortoli Dry Botrytis Semillon, Black Wattle 2008 Chardonnay, Elderton 1994 Cabernet Sauvignon, Lost Valley 2005 Shiraz, Ingoldby 2000 Shiraz, St, Hugo 2002 Cabernet Sauvignon, Alkoomi 2022 Semillon Sauvignon Blanc. Sold as is.
-
HISTORIC ROOSTER WEATHERVANE,
HISTORIC ROOSTER WEATHERVANE, GANANOQUE, ONT.An historic rooster weathervane from the old tower of the Gananoque Spring and Axle company formed in 1884 in Gananoque, Ontario. A handmade unique weathervane, crafted in heavy tin with layered feathers on the neck and body and having the original comb and wattles intact. The head is held high with an open beak. The original directionals have four shooting stars above the arms and below are four feathers above interlaced arrows. Weather has taken its toll with some tin loss to the belly of the rooster which causes it to sit low on the post, otherwise in good as-found and untouched condition. A rare historic weathervane. H: 85"; W/L: 42"; D/P: 36". FRANCAIS: Girouette historique d’un coq de l'ancienne tour de la société Gananoque Spring and Axle fondée en 1884 à Gananoque, en Ontario. Girouette unique faite à la main, fabriquée en tôle épaisse avec plumes superposées au cou et au corps et ayant la crête et le barbillon d'origine intacts. Tête tenue haute avec bec ouvert. Les axes cardinaux d’origines ont quatre étoiles filantes au-dessus des bras et en dessous se trouvent quatre plumes au-dessus de flèches entrelacées. Le temps a porté atteinte à la tôle du ventre ou le coq s’assoit maintenant bas sur le poteau, sinon en bon état tel que trouvé. Une rare girouette historique.
-
GRAFF, WASHBOURNE & DUNN PAIR OF
GRAFF, WASHBOURNE & DUNN PAIR OF STERLING SILVER COMPORTS, RETAILED BY W.W. WATTLES & SONS 3 ¾" x 7 ½" each Pair of sterling comports with cast foliate and lattice designs, on tapered stem and domed foot with similar design. Fully marked with Graff, Washbourne & Dunn hallmark, and W.W. Wattles & Sons underneath. Total weight 17.04 toz.
-
DOMINICK & HAFF ART NOUVEAU
DOMINICK & HAFF ART NOUVEAU STERLING SILVER BOWL, RETAILED BY W.W. WATTLES, DATED 1891 3 ¼" x 5" Of bulbous form sterling silver bowl with acanthus leaf design, scroll motif around serpentine rim, monogrammed; fully marked on the bottom and dated 1891. Weighs 7.65 toz.
-
PAIR OF W.W. WATTLES REPOUSSE
PAIR OF W.W. WATTLES REPOUSSE TAZZAS 2 ¾"H x 9 ¼" x 7 ¾" Two low, footed sterling dishes with repousse borders, marked underneath, retailed by WW Wattles, weighs 32.99 toz.
-
DEPARTMENT 56 FIGURE, TUTBURY
DEPARTMENT 56 FIGURE, TUTBURY PRINTERPart of the Dickens Village Series. Porcelain, depicting a wattle and daub style print shop. This item has its original box with dimensions: 8.5 in. L x 6 in. W x 8 in. H.
Issued: 1990
Dimensions: 5.25"L x 4.25"W x 6.75"H
Manufacturer: Department 56
Condition:
Age related wear. Missing lighting unit.
-
DEPARTMENT 56 FIGURE, TUDOR STYLE
DEPARTMENT 56 FIGURE, TUDOR STYLE COTTAGEPart of the Dickens Village Series. Hand painted porcelain, depicting wattle and daub style cottage with light feature. This item has its original box with dimensions: 9.75 in. L x 5.5 in. W x 7.5 in. H.
Issued: 1985
Dimensions: 6.5"L x 4.25"W x 5.75"H
Manufacturer: Department 56
Condition:
Age related wear. Tested, functionality not guaranteed.
-
DEPARTMENT 56 FIGURE, QUILLY'S
DEPARTMENT 56 FIGURE, QUILLY'S ANTIQUESPart of the Dickens Village Series. Porcelain, depicting wattle and daub style antique shop with light feature. This item has its original box with dimensions: 9.5 in. L x 7.25 in. W x 8.5 in. H.
Issued: 1996
Dimensions: 7.25"L x 5.5"W x 6.75"H
Manufacturer: Department 56
Condition:
Age related wear. Tested, functionality not guaranteed.
-
DEPARTMENT 56 FIGURE, BUMPSTEAD NYE
DEPARTMENT 56 FIGURE, BUMPSTEAD NYE CLOAKS AND CANESPart of the Dickens Village Series. Hand painted porcelain, depicting quaint wattle and daub style store front. This item has its original box with dimensions: 8"L x 7"W x 9.5"H.
Issued: 1993
Dimensions: 5"L x 5"W x 8"H
Manufacturer: Department 56
Condition:
Age related wear. Lighting unit not included.
-
DEPARTMENT 56 FIGURE, BLYTHE POND
DEPARTMENT 56 FIGURE, BLYTHE POND MILL HOUSEPart of the Dickens Village Series. Hand painted porcelain, depicting grand wattle and daub styled, water powered mill. This item has its original box with dimensions: 9.5" L x 7.5" W x 9" H.
Issued: 1986
Dimensions: 8.5" L x 6" W x 7.5" H
Manufacturer: Department 56
Condition:
Age related wear. Lighting unit not included.
-
A PAIR OF CHINESE EXPORT FENCAI
A PAIR OF CHINESE EXPORT FENCAI FAMILLE ROSE ENAMELED P...A PAIR OF CHINESE EXPORT FENCAI FAMILLE ROSE ENAMELED PORCELAIN ROOSTERS, SIGNED, each modeled astride a truncated tree trunk with head slightly turned, enameled in pastel colors and with a burnt orange comb over matching wattles, verso circular aperture along side of impressed small character marks and a triangular red ink stamp. Height: 13 3/4" Width: 7 1/2" Depth: 4 1/4"
Condition:
Some surface buildup, no discernible issues. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.”
-
EDWIN MEADERS STONEWARE
EDWIN MEADERS STONEWARE ROOSTER(White County, Georgia, 1921-2015) runny green alkaline glaze, applied tail, comb and wattles, inscribed on base "Edwin Meaders", 15-1/2 in.
Provenance: Private North Carolina Collection
Condition:
glaze voids and anomalies as made, good condition
-
EDWIN MEADERS STONEWARE
EDWIN MEADERS STONEWARE ROOSTER(White County, Georgia, 1921-2015) runny cobalt glaze, applied tail, comb and wattle, base inscribed "Edwin Meaders 7-24-1990", 16 in.
Provenance: Estate of Sally Kennedy, Asheville, North Carolina
Condition:
glaze voids and anomalies as made, good condition
-
REX HOGAN STONEWARE
REX HOGAN STONEWARE ROOSTER(Cleveland, Georgia, contemporary) elaborately articulated multi colored glazed stoneware rooster in dynamic pose, sculpted plumage extending out from body, heavily incised, open beak with curved wattles and comb, carved feet with spurs on base, inscribed "Rex Hogan 2014" under tail, then again on base in ink, 16 in.
Condition:
glaze voids and anomalies as made, firing separations in tail feathers as made, good condition
-
HUGE 20TH C. MELANESIAN VANUATU
HUGE 20TH C. MELANESIAN VANUATU SLIT DRUM / TAMTAMOceania, Melanesia, Vanuatu, ca. early 20th century CE. A splendid and sizeable slit drum or tamtam, skillfully hand-carved from butterscotch-hued wood in the abstract form of a spirit or an ancestor. Presenting a columnar form, the fascinating instrument features a lengthy slit that stretches vertically down its center - hence its name - and leads to a central cavity. The drum is capped by the carefully carved head of a cassowary - a bird native to Vanuatu - displaying a high casque with a jagged periphery, huge, arched brows above annular eyes, a projecting, hooked beak, a pair of large, and teardrop-shaped wattles that fall below the head, onto the neck. A stippled pattern representing the bird's rough skin adorns the head and neck. Size: 15" in diameter x 95" H (38.1 cm x 241.3 cm); 96.5" H (245.1 cm) on included custom stand.
Slit drums are traditionally carved by men in an area where females are not permitted. The most difficult and time-consuming process when carving is hollowing out the interior cavity of the drum via its narrow slit, which serves as the mouth of the particular spirit or ancestral group that the drum represents. Thus, the beating of the drum is believed to combine sounds from the World of the Living and the World of the Dead. When beaten, slit drums produce deep, sonorous tones that are used to communicate coded messages which are forwarded on and even sent from island to island. The drums are also beaten for ritual or festive performances. Their distinctive shape has made them iconic of Vanuatu as a whole, causing them to be represented on banknotes, featured in the tourism industry, and frequently found in museums around the world.
Provenance: private Hawaii, USA collection, acquired from 1995 to 2010
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
PLEASE NOTE: Due to recent increases of shipments being seized by Australian & German customs (even for items with pre-UNESCO provenance), we will no longer ship most antiquities and ancient Chinese art to Australia & Germany. For categories of items that are acceptable to ship to Australia or Germany, please contact us directly or work with your local customs brokerage firm.
Display stands not described as included/custom in the item description are for photography purposes only and will not be included with the item upon shipping.
#166699
Condition:
Collection number inscribed on verso. Several stable pressure fissures, as well as chipping and loss to bottom and sides, all commensurate with age. Expected nicks, chips, and abrasions throughout. A few old, inactive insect holes. Otherwise, excellent with nice patina. Drilled to custom stand.
-
COSTA RICAN OLLA, BIRD FORM,
COSTA RICAN OLLA, BIRD FORM, EX-SCHMITT**Originally Listed At $400**
Pre-Columbian, Costa Rican, Post-Classic Period, ca. 500 to 900 CE. A delightful pottery jar featuring an avianesque visage comprised of a triangular, beak-like nose with prominent nostrils beneath a dangling wattle, heavy-lidded eyes, and a pair of long ears, all below a flared rim. The spherical body presents a raised shoulder just before the tubular neck. A charming example from ancient Costa Rica! Size: 9" Diameter x 9.2" H (22.9 cm x 23.4 cm)
Provenance: ex-Marc Amiguet Schmitt estate, Amiguet's Ancient Art, Evansville, Indiana, USA, acquired prior to January 1, 2010
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide and handle all shipping in-house for your convenience.
#175072
Condition:
Some chipping to rim and right ear. Light surface wear as shown. Otherwise, intact and excellent with nice earthen deposits on interior.
-
Three Royal Worcester plates with
Three Royal Worcester plates with Australian subjects after Marion Ellis Rowan, the larger plate dated 1925, painted by Reginald Austin (1890-1955), with a Joseph's Coat moth, a Native of Australia, titled Agarista Agricola, 23cm, the two smaller plates painted with wattle by William Hart, and Xmas Bells unsigned, both with 'Flavel Bros. marks', 15cm, together with a teacup and saucer by William Hale with pink and white heather/Provenance: from the Henry Sandon Study Collection
-
PAIR GERMAN ALPACA SILVER ROOSTER
PAIR GERMAN ALPACA SILVER ROOSTER CONTAINERS 20th c., Germany, realistically modeled with articulated plumage, comb and wattle, the head removable to access hollow body, stamped "made in Germany" and "Alpaca", each 8.5"h x 8"l x 4""w
-
NC FOLK POTTERY, BILLY RAY
NC FOLK POTTERY, BILLY RAY HUSSEY, PAIR OF CHICKENS, HEN AND COCK Brown and yellow glazed earthenware, carved and applied feathers throughout, the rooster model crowing (repair of tail feather; loss of wattle; scrapes to frontal feathers) the hen (four feather chips); inscribed on the base "Owens BH".
-
VICTOR VASARELY, FRANCE / HUNGARY
VICTOR VASARELY, FRANCE / HUNGARY (1906 - 1997), THE TENNIS PLAYER, SERIGRAPH, 16"H X 12"W (SIGHT), 24"H X 20"W (FRAME)Victor Vasarely, France / Hungary, (1906 - 1997) The Tennis Player, serigraph pencil signed and numbered 80/200 lower margin. From AskArt: Victor Vasarely was born in Hungary in 1906, as Gyözö Vásárhelyi. He moved to Paris in 1930, where he worked successfully as a commercial graphic artist. All the while, he was researching the optical and emotional opportunities of several different graphical methods. He came to the result that geometrical means can create sensual perceptions that convey new ideas about space, matter and energy. He created an independent geometric abstraction whose variations lead to image patterns with kinetic effects. The artist arranged a wattle of geometric forms in bright colors so that the eye perceives it as a fluctuating movement. Vasarely had a huge influence on the Op art, and is sometimes even named as one of its founders. He participated regularly in the documenta between 1955 and 1968, and designed the official logo for the XX. Olympics in Munich. The Vasarely Museum, established in 1976, can be found in his city of birth, Pécs. A second one, opened in 1987, is located in the castle Zichy in Budapest. Victor Vasarely died in 1997, in Paris. serigraph Dimensions: 16"H x 12"W (sight), 24"H x 20"W (frame)
-
VICTOR VASARELY, FRANCE / HUNGARY
VICTOR VASARELY, FRANCE / HUNGARY (1906-1997), PICTOR, 1981, OP ART SERIGRAPH, 24"H X 24"W (IMAGE), 35"H X 35"W (FRAME)Victor Vasarely, France / Hungary, (1906-1997) Pictor, 1981, Op Art serigraph signed and numbered 102/250 lower margin From AskArt: Victor Vasarely was born in Hungary in 1906, as Gyözö Vásárhelyi. He moved to Paris in 1930, where he worked successfully as a commercial graphic artist. All the while, he was researching the optical and emotional opportunities of several different graphical methods. He came to the result that geometrical means can create sensual perceptions that convey new ideas about space, matter and energy. He created an independent geometric abstraction whose variations lead to image patterns with kinetic effects. The artist arranged a wattle of geometric forms in bright colors so that the eye perceives it as a fluctuating movement. Vasarely had a huge influence on the Op art, and is sometimes even named as one of its founders. He participated regularly in the documenta between 1955 and 1968, and designed the official logo for the XX. Olympics in Munich. The Vasarely Museum, established in 1976, can be found in his city of birth, Pécs. A second one, opened in 1987, is located in the castle Zichy in Budapest. Victor Vasarely died in 1997, in Paris. Op Art serigraph Dimensions: 24"H x 24"W (image), 35"H x 35"W (frame)
-
GROUP OF BOOKS ON THE GLOBAL
GROUP OF BOOKS ON THE GLOBAL BLACK EXPERIENCE/CARIBBEAN AND AFRICAGROUP OF BOOKS ON THE GLOBAL BLACK EXPERIENCE/CARIBBEAN AND AFRICA, titles include: Black Spark White Fire: Did African Explorers Civilize Ancient Europe?; Civilian Dictators of Africa; Sir Winston Scott Memorial Lectures; Afromation: 366 Days of American History; The Doyen of Vere; Eric Williams and the Making of the Modern Caribbean; Blood on the Wattle: Massacres and maltreatment of Aboriginal Australians; Calypso from France to Trinidad: 800 Years of History; African Caesar: True Story of Shaka the Zulu; Callaloo; Voices of Pan Pioneers of Trinidad and Tobago: The Beginning of a Global Legacy (11) Provenance: Estate of General Colin L. Powell, to benefit America's Promise Alliance and the Colin Powell School at City College of New York.
-
THREE 'FOLK ART' MODELS OF
THREE 'FOLK ART' MODELS OF COCKERELSTHREE 'FOLK ART' MODELS OF COCKERELS, consisting of a pair of painted roosters with red outlined plumage, both on turned wood bases, h: 17 in. (of taller); and an enameled metal rooster with red comb and wattles on a cream painted body, h: 10.5 in. (3)
-
HENRY ALKEN, SR.: "THE STEEPLE
HENRY ALKEN, SR.: "THE STEEPLE CHASE SCENES" (SIX WORKS)circa 1847 watercolor on paper comprising: "The Warren Wall", "Wattle Fence with a Deep Drop", "The Brook", "The Starting Field", "In and Out of the Lane" and "The Run In " Provenance: each with gallery label verso from Richard Green, London Condition: each good. Wear to frames. Not examined out of frames each sight: 10 1/4 x 14 1/4 inches; each frame: 19 x 22 1/2 inches Condition:
-
REDWARE BIRD WHISTLE, 19TH
REDWARE BIRD WHISTLE, 19TH C.Redware bird whistle, 19th c., 8 3/4" h.
Competitive in-house shipping is available for this lot.
Condition:
Very small chip to left wattle. Otherwise in good condition. No other apparent damages or repairs.
-
THREE AMERICAN SILVER ITEMSTHREE
THREE AMERICAN SILVER ITEMSTHREE AMERICAN SILVER ITEMS, including a Melrose Silver Co. low bowl with everted rim and evenly spaced floral sprays to rim, retailed by W.W. Wattles and Sons, dia: 12.25 in.; a larger Gorham silver bowl, the rim with scattered fruiting grape clusters and scrolling border, dia: 14 in; and a Reed & Barton silver sauce boat and stand (4)
-
ANDREW D. WATTLES (AMERICAN MID
ANDREW D. WATTLES (AMERICAN MID 19TH C.)Andrew D. Wattles (American mid 19th c.), oil on canvas portrait of a gentleman, signed verso, 36" x 28".
NO in-house shipping for this lot.
Condition:
Craquelure. Scattered small flakes.
-
ARTIST CRAFTED CAST IRON ROOSTER
ARTIST CRAFTED CAST IRON ROOSTER GARDEN STATUEca. late 19th-early 20th century; hollow cast iron lifesize rooster statue with raised tail feathers, puffed out chest, large cock's comb and wattle, wings slightly set partially raised, depicted on rock out cropping and fine details on feathers of tail, 12"x 6 1/2"x 14 3/4"; Condition: one feather on tail is chipped, surface wear typical and some lichens on rooster's right side surface
-
FOLK ART CARVED REPRODUCTION
FOLK ART CARVED REPRODUCTION SCHIMMEL-TYPE ROOSTERca. late 20th century; following form of rooster carved by Wilhelm Schimmel, chip carved wood depicting rooster with raised wide tail, erect head and standing on dome painted base, carved with cock's comb and wattles and polychrome painted accents, base struck with letter "D", 4 1/4"x 2 1/4"x 5 1/4"; Condition: good, no damage
-
LIFESIZE FOLK ART CARVED TURKEY-HEN
LIFESIZE FOLK ART CARVED TURKEY-HEN BY KEITH COLLIca. late 20th-early 21st century; large or full sized hen carved and extensively paint decorated with scratchwork comb feathering, thin beard, narrow thin wattle, mounted to an arch top pine base, branded on base by maker, 6"x 20"x 18 1/4"; Condition: good