A few examples of appraisal values for
WELDON

• STAFFORDSHIRE 'JACKFIELD BLACKWARE'
  STAFFORDSHIRE 'JACKFIELD BLACKWARE' TEAPOTStaffordshire or Shropshire, England circa 1755, the compressed body decorated with relief moulded designs of trailing flowering vines, showing a pronounced gooseneck spout and a handle featuring a bird shaped finial, the lid with a turned finial, early staple conservation to the lip of spout, chips to the rim and rim of lid. Measuring 6" high x 9" wide from spout to handle. Ref: The Henry Weldon Collection of English Pottery 1650-1800 by Leslie Grigsby.
• EVERETT D. WELDON (AMERICA, 20TH
  EVERETT D. WELDON (AMERICA, 20TH CENTURY), "SPRING" AND "AUTUMN", CIRCA 1930., MIXED MEDIAS, 12.75" X 12.25" SIGHT. FRAMED 16" X 16".EVERETT D. WELDON, America, 20th Century, "Spring" and "Autumn", circa 1930. Unsigned. Identified and titled in a later hand verso. Dimensions: Mixed medias, 12.75" x 12.25" sight. Framed 16" x 16".
• STAFFORDSHIRE WHITE SALT-GLAZED
  STAFFORDSHIRE WHITE SALT-GLAZED STONEWARE RETICULATED BASKET STAND, CIRCA 1760 WIDTH: 9 3/4 IN. (24.8 CM.)STAFFORDSHIRE WHITE SALT-GLAZED STONEWARE RETICULATED BASKET STAND, CIRCA 1760, of shaped oval form, the border molded as basket-weave, interrupted by pierced trellis suspending fruiting pear branches Dimensions: Width: 9 3/4 in. (24.8 cm.) Provenance: With Veener's Antiques, London, December 18, 1991, 260 pounds ($484) From the Collection of Diana Edwards Murnaghan, No. 279 Catalogue note: Compare Leslie B. Grigsby, "English Pottery 1650-1800, The Henry Weldon Collection", (1990), p. 137, no. 55; Arnold R. Mountford, "The Illustrated Guide to Staffordshire Salt-Glazed Stoneware", (1971), pl. 148; and Peter Walton, "Creamware and Other English Pottery at Temple Newsam House, Leeds" (1976), p. 31, no. 53.
• STAFFORDSHIRE OR SHROPSHIRE
  STAFFORDSHIRE OR SHROPSHIRE BLACKWARE TEAPOT AND COVER, CIRCA 1750 HEIGHT OVERALL: 4 1/2 IN. (11.4 CM.)STAFFORDSHIRE OR SHROPSHIRE BLACKWARE TEAPOT AND COVER, CIRCA 1750, attributed to Jackfield, the black lead-glazed red stoneware globular pot with crabstock handle and spout, the cover with a bird finial, the side sprigged in relief with a meandering grapevine, on three lion mask and paw feet Dimensions: Height overall: 4 1/2 in. (11.4 cm.) Provenance: Sotheby's, London, June 6, 1989, lot 236, 390.25 pounds ($624.40) From the Collection of Diana Edwards Murnaghan, No. 63 Catalogue note: Compare Leslie Grigsby, "The Henry Weldon Collection Of English Pottery 1650-1800", (1992), p. 258.
• STAFFORDSHIRE OR SHROPSHIRE
  STAFFORDSHIRE OR SHROPSHIRE BLACKWARE MILK JUG, CIRCA 1755 HEIGHT: 5 1/2 IN. (14 CM.)STAFFORDSHIRE OR SHROPSHIRE BLACKWARE MILK JUG, CIRCA 1755, attributed to Jackfield, the black red stoneware pear-shape jug with strap handle and sparrow beak spout, the side sprigged with meandering grapevine and flowers, on three feet Dimensions: Height: 5 1/2 in. (14 cm.) Provenance: With Bob French, August 2011, ($318) From the Collection of Diana Edwards Murnaghan, No. 416 Catalogue note: Compare Leslie Grigsby, "The Henry Weldon Collection Of English Pottery 1650-1800", (1992), p. 258.
• GILT-BRONZE FIGURE OF AMITAYUS
  GILT-BRONZE FIGURE OF AMITAYUS MONGOLIA, ZANABAZAR SCHOOL ?? ??????? ?????????finely cast seated in padmasana on a raised double lotus throne, a large vase containing the elixir of longevity cradled in his hands in dhyana mudra, wearing a low dhoti detailed with incised hem, a scarf flowing fluidly through his broad shoulders, elaborate necklace adorned his chest, further with jewellery on wrists, arms, and calves, large earrings flanked the meditative face below a five-leaf flame-like crown, hair tied up in high coiffure topped with a large jewel, stream-like long locks emerging from back of the head cascading down and spilling onto the throne, the baseplate gilt and incised with a double-vajra(1)32cm high; 5001gProvenance: Formerly in a private English collectionNote: Wearing a dignified expression and princely appearance, this Buddha of Infinite Life, seated on a stepped lotus base, resonates the artistic paradigms of the celebrated Mongolian Buddhist teacher and artist Jebstundampa Khutukhtu Zanabazar (1635-1723). The legacy of his sculptural style is recognisable by rich gilding and at times painted details on voluptuous portrayal of the female form, or, in this case, a masculine rendition of male form, shown through the powerful broad shoulders. The textile patterns, distinguished jewellery designs, smooth contours, sensitive modelling of the faces, fine arches of Amitayus' brows and his aquiline nose are also of his atelier. [1]Two comparable gilt-bronze figures of Amitayus, 19th century, are in the Zanabazar Museum of Fine Arts, HAR. 50243 & 50306, note the former with similarity of the lotus base depicts wide petals placed on a high pedestal finished with a beaded rim together with vertical lines imitating the ridges of a lotus pod, and the latter with elaborate vase of longevity; Several other examples can be found in auctions, including one, 18th century, sold at Bonham's Hong Kong, 29 May 2022, lot 140; one sold at Christie's London, 15 May 2018, lot 167; and one at Christie's New York, 31 Mar 2005, lot 188. [1] J. Casey, N. P. Ahuja, & D. Weldon, Devine Presence: Arts of India and the Himalayas, Barcelona: Casa Asia, 2003, pp. 168-171
• WORKS OF ART REFERENCE BOOK
  WORKS OF ART REFERENCE BOOK COLLECTION ??????????????????????????????????????????????Including: Chinese works of art, cloisonne enamel, archaic bronze, furniture, Buddhist art, Scholar's pieces etc, in total 36 publications.Including but not limited to:Berliner, Nancy Zeng. Beyond the Screen: Chinese Furniture of the 16th and 17th Centuries. Boston: Museum of Fine Arts, 1996.Brinker, Helmut, and Lutz, Albert. Chinese Cloisonné: The Pierre Uldry Collection. London: Bamboo Publishing, 1989.Chou, Ju-His. Circles of Reflection: The Carter Collection of Chinese Bronze Mirrors. Cleveland: Cleveland Museum of Art Bookstore, 2000.Clifford, Derek. Chinese Carved Lacquer. London: Bamboo Publishing, 1992.Deydier, Christian. Ancient Chinese Bronze Vessels, Gilt Bronzes and Early Ceramics. 1986.Dye, Daniel Sheets. Chinese Lattice Designs. New York: Dover Publications, 1974.Eskenazi. Chinese Lacquer From The Jean-Pierre Dubosc Collection And Others. London: Eskenazi, 1992.Fang, Jing Pei. Treasures Of The Chinese Scholar. New York: Weatherhill Inc., 1997.FitzGerald, C. P. Barbarian Beds: the origin of the chair in China. London: The Cresset Press, 1965.Gyllensvärd, Bo. Chinese Gold, Silver and Porcelain: The Kempe Collection. New York: The Asia Society, 1971.Hu, Shih-Chang. Chinese Lacquer. Edinburgh: National Museums of Scotland Publishing, 2001.Jenyns, Soame, and Watson, William. Chinese Art: Gold, Silver, Later Bronzes, Cloisonne, Cantonese Enamel, Lacquer, Furniture, Wood (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Jenyns, Soame. Chinese Art: Textiles, Glass and Painting on Glass, Carvings in Ivory and Rhinoceros Horn, Carving in Hardstones, Snuff Bottles, Inkcakes and Ink Stones (Chinese Art). Oxford: Phaidon Press Ltd, 1981.Kates, George N. Chinese Household Furniture. New York: Dover Publications, 1962.Kerr, Rose. Later Chinese Bronzes. London: Bamboo Publishing, 1990.Krahl, Regina and Morgan, Brian. From Innovation to Conformity: Chinese Lacquer from the 13th to 16th Centuries. London: Bluett & Sons, 1989.Moss, Paul. Educated Palates: an exhibition at 63 East 82nd Street New York. London: Sydney L. Moss Ltd., 1987.Moss, Paul. The Literati Mode: Chinese Scholar Paintings, Calligraphy and Desk Objects. Hong Kong: Andamans East International Ltd., 1986.Moss, Paul. The Second Bronze Age: Later Chinese Metalwork. London: Sydney L. Moss Ltd., 1991.Mowry, Robert D., and Brown, Claudia. Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholars' Rocks. Cambridge: Harvard University Art Museums, 1997.Page, J. and Page, S. The Woven Mystery: Old Tibetan Rugs. Bangkok: Craftsman Press, 1990.Pratapaditya, Pal et al. Art of the Himalayas: Treasures from Nepal and Tibet. New York: Hudson Hills, 1992.Rawson, Jessica (Ed.). Treasures from Shanghai: ancient Chinese bronzes and jades. London: British Museum Press, 2009.Rawson, Jessica. Chinese Bronzes: Art and Ritual. London: British Museum Press, 1987.Rawson, Jessica. The Ornament on Chinese Silver of the T'ang Dynasty, A.D.618-906. London: British Museum Press, 1982.Sir Garner, Harry. Chinese and Japanese Cloisonné Enamels. London: Faber & Faber, 1970.Spink. Lacquer From The Collection of Derek Clifford. London: Spink, 1999.The British Museum. Chinese and Associated Lacquer from the Garner Collection. London: British Museum, 1973.The furniture of the Ch'ing dynasty: the art pieces with utility purposes. Taipei: Chun Kuei-miao, 1989.Thurman, Robert A. F., and Weldon, David. Sacred Symbols: The Ritual Art of Tibet. New York: Sotheby's, 1999.Vainker, Shelagh. Chinese Silk: A Cultural History. London: British Museum Press, 2004.Watt, James C. Y. and Barbara Brennan Ford. East Asian Lacquer: The Florence and Herbert Irving Collection. New York: Metropolitan Museum of Art, 1991.Watt, James C. Y. and Knight, Michael. Chinese Jades from the Collection of the Seattle Art Museum. Seattle: Seattle Art Museum, 1989.Watt, James C. Y.. The Sumptuous Basket: Chinese Lacquer with Basketry Panels. New York: China House Gallery, 1985.?????????????????????????????1996.Li, Jiufang. Metal-bodied Enamel Ware (??????). Hong Kong: The Commercial Press, 2001. (qty)Please note this lot will be offered with no reserve. ???????
• (5)BOOKS: PARROTS OF THE WORLD,
  (5)BOOKS: PARROTS OF THE WORLD, PHEASANTS, SOMALIA(lot of 5) Books: "Parrots and Parrot-Like Birds in Aviculture", The Marquees of Tavistock, F.V. White & Co., London, 1928, 298 pages, color illustrations; (1) "Parrots of the World", Joseph M. Forshaw, illustrated by William T. Cooper, Weldon Publishing, Willoughby, Australia, third revised edition, 1989, 672 pages, many color illustrations; (1) "The Pheasants of the World", Jean Delacour, illustrated by J.C. Harrison, Haycock Press, London, 1965, author ink signed to Jim Dolan, 351 pages, color illustrations; (2) "The BIrds of British Somaliland and the Gulf of Aden", volumes 3 & 4 only, Sir Geoffrey Archer, Eva M. Godman, Oliver and Boyd, Edinburgh and London, 1961 library seal of James H. Dolan at title page, color plates, fold out maps, largest: 12.25"h, 9"w, 2.25"d, total: 20.5lbs **Provenance: From the estate of James Dolan Jr. (1937-2017), Director of Collections at the San Diego Zoo until 2002**
• BOW PORCELAIN POTPOURRI VASE AND
  BOW PORCELAIN POTPOURRI VASE AND COVERUnmarked. 8 3/4 x 5 in. diam. Exhibited: Roderick Jellicoe Exhibition, 2001, Minter - Weldon Collection. Condition Wear, firing imperfections, some losses. Restoration to much of the applied decoration, the cover and the body. Two hairline cracks to the body and residue to the interior.Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• Signed WELDON Vintage Painting
  Signed WELDON Vintage Painting Boxing Match. Pugilists. Loose Canvas; no stretcher or frame. Signed. Dimensions: H: 41 inches: W: 33 inches --- US Packing and Shipping charge: In house shipping available. Will be calculated once destination known. Plus insurance at a rate of $1 per hundred. Condition: Some creases to canvas. Some tears along edges.
• JACK W. HUMPHREY (1901-1967)
  JACK W. HUMPHREY (1901-1967) CANADIANJack Weldon Humphrey, portrait of a girl in a dark dress, oil on board, 24 x 20 inches, signed top right.
• JACK W. HUMPHREY (1901-1967)
  JACK W. HUMPHREY (1901-1967) CANADIANJack Weldon Humphrey, "Overlooking the Town" (probably St John, New Brunswick, Canada), mixed media on paper, watercolour & gouache, 14 x 21 inches, signed indistinctly lower right.
• JACK W. HUMPHREY, CGP (1901-1967)
  JACK W. HUMPHREY, CGP (1901-1967) CANADIANJack Weldon Humphrey, C.G.P., ships in the harbour, watercolour, signed & dated 1936 lower right, 10" h x 14" w.
• JACK W. HUMPHREY (1901-1967)
  JACK W. HUMPHREY (1901-1967) CANADIANJack Weldon Humphrey, "Miramichi River, N.B.", watercolour, signed lower right, Mina's label verso. Measuring, 14" x 19".
• JACK WELDON HUMPHREY (1901-1967)
  JACK WELDON HUMPHREY (1901-1967) CANADIAN"Falls Pool, Perry Point", oil on canvas, 48 x 36 inches, signed, verso titled on the Walter Klinkhoff Gallery label.
• Terry Weldon (American/Louisiana,
  Terry Weldon (American/Louisiana, b. 1947) \"Untitled\", 1987, serigraph, sheet size 30\" x 22-1/2\", pencil signed and numbered \"37/100\" lower center, retains gallery label en verso \"Arthur Roger Gallery, 432 Julia Street, New Orleans, Louisiana\". Glazed and presented in a blonde wood frame. Provenance: Arthur Roger Gallery, New Orleans, Louisiana, to The Sheraton New Orleans Hotel, 500 Canal Street.
• AFTER FELIX DE WELDON
  AFTER FELIX DE WELDON (1907-2003): "THE FLAG RAISING AT1993; patinated cast metal with a fabric American flag, mounted to a wooden plinth; signed and dated in casting; Condition: the flag not attached to the pole; missing finial; Provenance: The Estate of
• FELIX DE WELDON (AMERICAN,
  FELIX DE WELDON (AMERICAN, 1907-2003) BRONZE SCULPTURELimited edition bronze sculpture modeled as goddess Aphrodite with child and infant. Dress painted to appear as silver. Signed, dated and numbered to base. Fixed to black marble rectangular base. This item has no reserve. Artist: Felix de Weldon Issued: 1990 Dimensions: 9"L x 6.25"W x 23"H Edition Number: 59 of 250 Country of Origin: United States Condition: Age related wear. Minor discoloration to back of sculpture.
• FELIX DE WELDON (AUSTRIAN BORN
  FELIX DE WELDON (AUSTRIAN BORN AMERICAN SCULPTOR, 1907-...Felix de Weldon (Austrian born American sculptor, 1907-2003) sterling "Marine Corps War Memorial" six Marines raising the American flag on Iwo Jima is cast solid sterling silver. c.1990, 12" high x 10.75" wide, 154 ozs. tarnished, acd tested Condition: Tarnished, otherwise good condition
• FELIX WEIHS (DE WELDON): PORTRAIT -
  FELIX WEIHS (DE WELDON): PORTRAIT - DRAWINGA framed pencil and pastel drawing on paper of a woman in profile, signed "Felix Weihs" (also known as Felix (Weiss) de Weldon) lower right. [Art: 15 x 11 inches; Frame: 18 1/2 x 14 inches]. In good condition. Condition: In good condition.
• RARE WEST TENNESSEE NEEDLEWORK
  RARE WEST TENNESSEE NEEDLEWORK SAMPLER, LUCY MACON GREE...Rare West Tennessee Needlework Sampler, stitched by Lucy Macon Green and dated 1842, silk on linen. Strawberry border enclosing five rows of alphabets and a geometric border over a signature line, LUCY M. GREEN AGE 11 YEARS 1842; two stitched conjoined hearts beside a verse, "Celestial happiness when'er she stoops / To visit earth one shrine - the goddess finds / And one alone to make her sweet amends / For absent heav'n the bosom of a friend." Below is a row of stitched numbers and geometric floral motifs, and the names of her parents, Simon W. Green and Mary M. Green, brother Joseph T. Green, and twin sister Marianna (Mary) H. Green. 1934 note en verso from the stitcher's daughter, bequeathing it to a friend, along with a photograph of a period painting of a woman said to be Lucy Macon Green Wright. Housed in a later ebonized molded frame. Sight: 16" H x 17" W. Framed: 18" H x 18 3/4" W. Note: This sampler, one of fewer than 20 known to have been made in West Tennessee, has been documented by the Tennessee Sampler Survey. Lucy Macon Green and her twin sister Marianna Hunt Green were born in Warren or Guildford County, NC on March 3, 1831 to Simon W. Green (1805-1842) and Mary Hunt Seymour Macon (1809-1840). Around 1835 the family moved to Hardeman County, Tennessee, but Lucy's parents both died about five years later. Her father's will shows he owned 41 slaves and a vast amount of livestock at the time of his death. Lucy likely made her sampler at the Female Academy in Jackson in 1842, the same year her father died. She and her sister were then raised by a guardian, a maternal uncle named Dr. John Tubb Macon, and continued their education at the Jackson Female Academy (which became the Memphis Conference Female Institute in 1844). Lucy met Dr. Weldon Edwards Wright (himself an orphan) while visiting friends in Memphis. They married in 1854 and after a brief time in Princeton, Arkansas, moved to Little Rock. There he purchased the home of Sen. Solon Borland, and the couple raised four children including Sally Lea Wright Brame (1863-1944), who is believed to have inherited this sampler and gifted it to a friend (see note en verso of sampler). We are grateful to the Tennessee Sampler Survey for providing a packet of genealogical information on Lucy Macon Green Wright, which is available to the winning bidder. Private Tennessee collection. Condition: Fading, particularly to family member's names and row of numbers; some losses to black thread, primarily in alphabet lines; light toning. Not examined out of frame; does not appear to be adhered to backing.
• [WELDON, S. JAMES] TWENTY YEARS A
  [WELDON, S. JAMES] TWENTY YEARS A FAKIR.[Weldon, S. James] Twenty Years a Fakir. Omaha: Gate City Book and Novelty Co., 1899. Rare first edition. Contemporary gray cloth, original wraps placed on endpaper. 8vo. Chipping on title page, minor staining and discoloration throughout; good. This was the original copy used by John Luckman, original founder of The Gambler’s Book Club, to produce a reprinted edition in 1980. The first edition was originally in paper wraps, but here is finely rebound with the original wraps intact.
• WELDON MFG CO NY TABLE LAMP
  WELDON MFG CO NY TABLE LAMP HANDEL SHADE WATER LILYWeldon Mfg. Co., New York, USA. Early 20th century adjustable brass desk lamp with a weighted base. The shade is decorated with two rows of curved slag glass panels in the form of a water or pond lily flower. Marked "Weldon MFG. CO. New York." along the underside. Height: 16 in x diameter: 7 1/2 in x depth: 12 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• FRANKLIN MINT IWO JIMA BRONZE
  FRANKLIN MINT IWO JIMA BRONZE SCULPTURE1990 Franklin Mint Raising The Flog on Iwo Jima, 11.75" (h) x 10.75" (l) x 5.5" (w) bronze sculpture that sits onto a wood base, designed by Felix de Weldon. Sculpture and wood base are in very good condition with no noted chips, cracks, or repairs. Online Start Bid: 20 shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• (VIEW) CAPE COD - SANDWICH: 83
  (VIEW) CAPE COD - SANDWICH: 83 POSTCARDS EARLY TO LATE 20TH CENTURY(VIEW) CAPE COD - SANDWICH: 83 POSTCARDS, Early to Late 20th Century, Fourteen real photo: Eastern Entrance to Cape Cod Canal with dredge, "Firing Line, Camp Curtis Guild", F.C. Small of dude train and "Cape Cod Branch Railroad. Summer Arrangement.", three varying views of Shawme Lake, Cotuit Rd., Water St., School St., Main St., Congregational Church, Weldon Memorial Library, unknown residence and "Entering Old Sandwich". Early: railway station, falls from upper pond, Main and other street views, old glass works, Mill Creek, Sandwich "From the Hill", Wing Neck Light, Central House and more. Also: two differing Rose Cottage cards ('52 and '61), Rof-Mar Lodge and Sportsman's Club, Inc..
• TWO RARE BOOKS PUBLISHED IN NORTH
  TWO RARE BOOKS PUBLISHED IN NORTH CAROLINA DURING THE CIVIL WAR To include:Journal of the Senate of the General Assembly of the State of North-Carolina At Its Second Extra Session (Raleigh: John Spelman, Printer to the State, 1861), 268 pages, 8vo, three-quarter calf over card boards, the spine with gilt title plate, Parrish & Willingham 3574, (8-1/2 x 6 in.) (worn and chipped boards, the top one literally hanging by a thread; tight binding; browning to text; good condition); plus... Edwards, Weldon N. Memoir of Nathaniel Macon, of North Carolina. (Raleigh: Raleigh Register Steam Power Press, 1862), 22 pages, small 8vo, professionally re-bound with marbled boards and linen spine, Parrish & Willingham 5364, (8-1/2 x 5-1/4 in.) (Pristine boards; browning typical of Confederate paper; very good condition).
• A Near Pair of Peter Weldon
  A Near Pair of Peter Weldon Creamware Obelisks 20th Century each inscribed P. Weldon to the underside. Height 20 1/8 inches.
• [ASIAN ART] A Group of Catalogues
  [ASIAN ART] A Group of Catalogues on Asian Art — LEE, Sherman E. A History of Far Eastern Art. London, 1970. — TANAKA, Ichimatsu. Japanese Ink Painting: Shubun to Sesshu. Japan, 1972. — PAL, Pratapaditya. The Sensuous Immortals: A Selection of Sculptures from the Pan-Asian Collection. Los Angeles, 1977. — BUTTERFIELD AND BUTTERFIELD. Fine Oriental Works of Art. San Francisco and Los Angeles, 1992. — THURMAN, Robert A.F., and David Weldon. SOTHEBY'S. Scared Symbols: The Ritual Art of Tibet. New York, 1999. Total 19 volumes. Property from the Estate of Alexander Brody, Honolulu, Hawaii
• FELIX DE WELDON, (1907-2003),
  FELIX DE WELDON, (1907-2003), USMC MEMORIAL (IWO JIMA MEMORIAL), 1990, PATINATED METAL, 13.25" H X 10.5" W X 5" DFelix de Weldon, (1907-2003) USMC Memorial (Iwo Jima Memorial), 1990 Patinated metal Signed and dated in the casting: Felix de Weldon / © 90 FM 13.25" H x 10.5" W x 5" D Patinated metal Dimensions: 13.25" H x 10.5" W x 5" D
• AFTER FELIX DE WELDON
  AFTER FELIX DE WELDON (1907-2003): "THE FLAG RAISING AT IWO JIMA"1993; patinated cast metal with a fabric American flag, mounted to a wooden plinth; signed and dated in casting; Condition: the flag not attached to the pole; missing finial; Provenance: The Estate of actress Rhonda Fleming, "The Queen of Technicolor"; oveall: 17 inches wide; 11 inches deep; 25 inches high Condition:
• CAC SUBSCRIBERS ISSUE PRINTSCAC
  CAC SUBSCRIBERS ISSUE PRINTSCAC Subscribers Issue Prints,"Six Louisiana Artists Portfolio 1", 1981, 6 hand-pulled screen prints, featuring works by Franklin Adams, George Dureau, Ida Kohlmeyer, Jim Richard, Clifton Webb, and Terry Weldon, includes cover letter, each pencil-signed, titled and No. "XXIII/XXX", published by the Contemporary Arts Center and printed by Weldon Workshop, New Orleans, sheets 30 1/4 in. x 22 1/2 in. to 22 1/2 in. x 30 1/4 in. with original pencil-number folio cover, unframed
• IDA RITTENBERG KOHLMEYER
  IDA RITTENBERG KOHLMEYER (AMERICAN/NEW ORLEANS)Ida Rittenberg Kohlmeyer (American/New Orleans, 1912-1997), "Encircled", 1979, color screenprint, from the "Diminutive" series, printed by Terry Weldon's workshop, pencil-initialed, dated and numbered "75/100" lower margin, sheet 7 1/2 in. x 7 1/2 in., float-mounted and framed
• TERRY WELDON (AMERICAN/NEW ORLEANS,
  TERRY WELDON (AMERICAN/NEW ORLEANS, B. 1947)Terry Weldon (American/New Orleans, b. 1947), "Meditation Stone", 1990, painted cast stone, unsigned, label with artist, title and date on base, h. 17 in., w. 17 in., d. 17 in., wood pedestal base, overall h. 52 in. (2 pcs.) Provenance: Arthur Roger Gallery, New Orleans, LA, 1991; Sydney Besthoff III, New Orleans, LA; Neal Auction Company, Dec. 7, 2008, lot 718.
• PORTRAIT OF SITTING BULL,
  PORTRAIT OF SITTING BULL, CAROLINE WELDON, 1890Oil on canvas painting of Lakota Sioux leader, Sitting Bull, by Caroline Weldon (Swiss/American, 1844-1921). Weldon (nee Susanna Carolina Faesch) reportedly painted four portraits of Sitting Bull, two of which were presumed to be lost. The other two are in museums. (One of these is a very similar portrait -- though not nearly as well-painted -- that hangs in the Historic Arkansas Museum in Little Rock. The other is in the collection of the North Dakota Historical Society in Bismarck.) Weldon was portrayed by Jessica Chastain in the 2017 movie, Woman Walks Ahead, which chronicles (albeit with some dramatic historical license) Weldon's amicable, occasionally contentious relationship with Sitting Bull. His name appears lower left, signed and dated lower right. Painting measures 27" x 22" in original 35-1/2" x 30-1/2" frame. Provenance: Originally in possession of railroad construction engineer, William Lafayette Darling of Minnesota, involved in construction and repair of rail lines in North Dakota, Montana and Minnesota during the 1890s. Thence by descent to the consignor. Craquelure. Professionally strip (edge) relined, with new stretcher. Minor inpainting, mostly along edges and fur collar. L-shaped patch repair, about 2" wide, on (his) right shoulder. Frame good. This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own. This item must be paid for with bank check, ACH, or wire transfer.
• AFTER FELIX DE WELDON (AMERICAN
  AFTER FELIX DE WELDON (AMERICAN 1907-2003), BUST OF TUNKU ABDUL RAHMAN, FIRST PRIME MINISTER OF MALAYSIA, PLASTER SCULPTURE, SIGNED, DATED AND TITLED ON SIDE, H: 17 1/2 IN. (44.5 CM.)After Felix de Weldon (American 1907-2003), Bust of Tunku Abdul Rahman, First Prime Minister of Malaysia, Plaster Sculpture, Signed, Dated and Titled on Side,, Dimensions: H: 17 1/2 in. (44.5 cm.)
• Felix de Weldon (1907-2003
  Felix de Weldon (1907-2003 American) ''Christ'' Bronze Sculpture 19''x6''. Composition of floating christ with cross. No visible signature. Excellent condition.