A few examples of appraisal values for
WELLESLEY

• (12) Wedgwood Wellesley College
  (12) Wedgwood Wellesley College plates, 1935, 10-5/8" dia, c/o The Hazard Quadrangle, Alumnae Hall, Claflin Hall, Tupelo Point, The Chapel, Severance Hall, Tower Court, Hetty HR Green Hall, Stone and Olive Harris Halls, Founders Hall, College Hall, The President's House, tower court plate has a chip
• English School Portrait of Arthur
  English School Portrait of Arthur Wellesley, 1st Duke of Wellington, mid 19th century gouache on card, unsigned, the later frame retaining the original framer's paper label, verso sight 5.75 x 4.5 in — 14.6 x 11.4 cm; frame 13.5 x 10.5 in — 34.3 x 26.7 cm
• AFTER JOHN PRESCOTT KNIGHT THE
  AFTER JOHN PRESCOTT KNIGHT THE MEETING OF NELSON AND WELLINGTON Oil on panel24cm x 19cm (9.5in x 7.5in)Note: The circumstances of the meeting between Wellington and Nelson were recalled by Wellington in conversation with the noted diarist John Wilson Croker at Walmer Castle on October 1st 1834. In September 1805 Wellesley had just returned from India and was due to meet the Secretary of State in the Colonial Office at Downing Street. On entering the room he immediately recognized Nelson and since they were kept waiting by the Secretary of State they conversed for three quarters of an hour. Nelson was killed at the Battle of Trafalgar later that year.It is not clear whether our painting is a copy of the original painting by Prescott Knight or the engraving by S W Reynolds of 1864
• RARE AND IMPORTANT BLOCKED AND
  RARE AND IMPORTANT BLOCKED AND DOUBLE SERPENTINE CHIPPE...Boston, circa 1770, retaining original surface and brasses, molded top over four graduated drawers on ball claw feet, later casters, 33 x 38 x 21 in. Provenance: Private Collection; Sotheby's January 19th, 2008, lot 306 for $139,000; Ex. Collection William Samaha, Wellesley Hills, Massachusetts Note: This exceptional chest is noteworthy for the purity of its condition, retaining its original surface, brasses, and feet. It is also noteworthy for its fine quality mahogany and choice proportions with its narrow case width of only 33 inches and the dramatic overhang of its top. Condition: surviving in an exceptionally fine state of preservation, original brasses, original feet, and most blocking typical minor shrinkage, cracks and checking bumps, wear, and polish halos, consistent with age and use
• BRONZE PORTRAIT BUST OF A
  BRONZE PORTRAIT BUST OF A MILITARY FIGURE Bronze portrait bust of a man in military dress, possibly depicting Arthur Wellesley the Duke of Wellington or Vice Admiral Horatio Nelson, with cape setting above a cylindrical plinth on a tiered base. 9" H x 3.25" square.
• BRONZE PORTRAIT BUST OF A
  BRONZE PORTRAIT BUST OF A MILITARY FIGURE Bronze portrait bust of a man in military dress, possibly depicting Arthur Wellesley the Duke of Wellington or Vice Admiral Horatio Nelson, with cape setting above a cylindrical plinth on a tiered base. 9" H x 3.25" square.
• PABLO PICASSO, (SPANISH,
  PABLO PICASSO, (SPANISH, 1881-1973), PROFIL DE TAUREAU (A.R. 317), 1956, GLAZED EARTHENWARE, DIAMETER: 10 IN.PABLO PICASSO, (Spanish, 1881-1973) Profil de Taureau (A.R. 317), 1956, glazed earthenware stamped Empreinte Originale de Picasso and Madoura Plien Feu verso 1956, glazed earthenware Dimensions: diameter: 10 in. Provenance: By descent to a Wellesley, Massachusetts Lady. Condition: Clean under UV. Surface grime; otherwise in fine condition. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• PABLO PICASSO, (SPANISH,
  PABLO PICASSO, (SPANISH, 1881-1973), CHOUETTE FEMME (A.R. 119), GLAZED EARTHENWARE, HEIGHT: 11 IN., WIDTH: 9 IN.PABLO PICASSO, (Spanish, 1881-1973) Chouette Femme (A.R. 119), glazed earthenware stamped and marked Edition Picasso and stamped Madoura Plein Feu on base glazed earthenware Dimensions: height: 11 in., width: 9 in. Provenance: By descent to a Wellesley, Massachusetts Lady. Condition: Overall good condition - no major chips, cracks, or repairs. Uneven glazing on edge of tail. Some minor surface abrasions. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• ATTRIBUTED TO THOMAS
  ATTRIBUTED TO THOMAS BUTTERSWORTH, (ENGLISH, 1768-1842), SHIP IN STORMY SEA, OIL ON BOARD, 10 X 12 IN., FRAME: 13 1/2 X 15 1/2 IN.Attributed to THOMAS BUTTERSWORTH, (English, 1768-1842) Ship in Stormy Sea, oil on board monogrammed T.B. lower left oil on board Dimensions: 10 x 12 in., frame: 13 1/2 x 15 1/2 in. Provenance: The Collection of a Wellesley, Massachusetts Gentleman. Condition: Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• PAUL STRISIK, (AMERICAN,
  PAUL STRISIK, (AMERICAN, 1918-1998), ROCKPORT STREET VIEW, OIL ON BOARD, 12 X 16 IN., FRAME: 20 X 24 IN.PAUL STRISIK, (American, 1918-1998) Rockport Street View, oil on board signed Strisik lower right oil on board Dimensions: 12 x 16 in., frame: 20 x 24 in. Provenance: The Collection of a Wellesley, Massachusetts Couple. Condition: Overall good condition; one spot of surface grime, center; clean under UV. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• HAYLEY LEVER, (AMERICAN,
  HAYLEY LEVER, (AMERICAN, 1876-1958), ITALIAN FISHING BOATS, GLOUCESTER, OIL ON CANVAS, 24 X 30 IN., FRAME: 33 3/4 X 38 3/4 IN.HAYLEY LEVER, (American, 1876-1958) Italian Fishing Boats, Gloucester, oil on canvas oil on canvas Dimensions: 24 x 30 in., frame: 33 3/4 x 38 3/4 in. Provenance: The Collection of a Lady, Gloucester and Wellesley, Massachusetts. Condition: Lined, with stable craquelure. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• After Matthew Noble (British,
  After Matthew Noble (British, 1817-1876) BUST OF ARTHUR WELLESLEY, 1ST DUKE OF WELLINGTON, 1852 patinated bronze, titled and signed verso height 10.5 in — 26.7 cm
• PINE GRAIN BIN / FIREWOOD BOX,
  PINE GRAIN BIN / FIREWOOD BOX, ONTARIO, CA. 1850A large pine grain bin / firewood box with scroll shoe feet from Wellesley, Ontario, in original brown/red paint and having a two-board back and strap hinges. Circa 1850. H: 35 .5"; W/L: 39"; D/P: 26". FRANCAIS: Grande boite à bois en pin, de Wellesley, Ont. Piètement à volutes, peinture brune / rouge d'origine, dos à deux planches et charnières d'origine. Circa 1850.
• Thirty-One Piece Group of
  Thirty-One Piece Group of Wedgwood Creamware, consisting of a set of twelve Wedgwood embossed creamware dessert plates in \"Wellesley\" decor, second quarter 20th century, dia. 8-1/2\", a set of nine double-handled creamed soup bowls en suite, dia. 7\", and ten matching underplates, also second quarter 20th century, each piece fully backstamped.
• WATERFORD CRYSTAL, WELLESLEY
  WATERFORD CRYSTAL, WELLESLEY PHOTO FRAMEBeautiful thick crystal frame with multifaceted light reflecting cuttings. Black velvet backing. Fits photo size 4x6, total frame size is 6.5 times 8.75 inches. Waterford Crystal backstamp. Issued: 20th c. Dimensions: 8.75"H Manufacturer: Waterford Crystal Country of Origin: Ireland
• DUKE OF WELLINGTON D6848 - LARGE
  DUKE OF WELLINGTON D6848 - LARGE - ROYAL DOULTON CHARAC...Style One. Blue and gold coloration. Arthur Wellesley (1769 - 1852), the first Duke of Wellington, was a British general and statesman. He led the British forces in the defeat of Napoleon at Waterloo in 1815 and also served as Prime Minister from 1828 - 1830. This jug was commissioned by UK International Ceramics Ltd., in a special edition of 5,000. Series: The Great Generals Collection. Royal Doulton backstamp. Artist: William K. Harper Issued: 1989 Dimensions: 7.25"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good.
• DUKE OF WELLINGTON NEW D7170 -
  DUKE OF WELLINGTON NEW D7170 - LARGE - ROYAL DOULTON CH...Style Two. Black coat and hat, white shirt. Arthur Wellesley (1769 - 1852), the first Duke of Wellington, was a British general and statesman. He led the British forces in the defeat of Napoleon at Waterloo in 1815 and also served as Prime Minister from 1828 - 1830. This jug was issued to commemorate the 150th anniversary of the death of the Duke of Wellington. Issued 2002 in a limited edition of 1,000. Royal Doulton backstamp. Artist: Robert Tabbenor Issued: 2002 Dimensions: 7"H Edition Number: 857 Edition Size: 1000 Manufacturer: Royal Doulton Country of Origin: England Condition: Age related Wear.
• MICHAEL SUTTY FINE CHINA CHESS
  MICHAEL SUTTY FINE CHINA CHESS PIECE, DUKE OF WELLINGTO...Vintage; hand painted figure head of Arthur Wellesley on a cylindrical black base. Michael Sutty backstamp. Dimensions: 2" L x 2" W x 3.5" H Manufacturer: Michael Sutty Country of Origin: England Condition: : Age related wear. Chip to base. High Res Image 1 High Res Image 2 High Res Image 3 Condition: Age related wear. Chip to base.
• DUKE OF WELLINGTON D6848 - LARGE
  DUKE OF WELLINGTON D6848 - LARGE - ROYAL DOULTON CHARAC...Style One. Blue and gold coloration. Arthur Wellesley (1769 - 1852), the first Duke of Wellington, was a British general and statesman. He led the British forces in the defeat of Napoleon at Waterloo in 1815 and also served as Prime Minister from 1828 - 1830. This jug was commissioned by UK International Ceramics Ltd., in a special edition of 5,000.Series: The Great Generals Collection. Royal Doulton backstamp. Artist: William K. Harper Issued: 1989 Dimensions: 7.25"H Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear.
• THREE SCOTTISH
  THREE SCOTTISH WATERCOLORS(19th/20th century) Two by Robert Weir Allan (Scottish, 1852-1942), Two Boys by Water's Edge, 1925, sight 10 x 14 in.; Sunset after Hay Harvest, Fyfeshire. sight 9-3/4 x 14 in., both signed "Robert W. Allan", watercolors; R. Wellesley Webster (British, born 1903), Crail Harbor, Scotland, 1894,signed lower right "R. Wellesley Webster 94", inscribed verso original backing paper with title, watercolor on paper, sight 11-1/2 x 19-5/8 in.; original gilt wood frames, largest 17 x 25-1/2 in. Condition: not removed from original framing, light toning; frames with minor wear
• GEORGIAN SILVER FOOTED TRAY,
  GEORGIAN SILVER FOOTED TRAY, LONDON, 1769, EDWARD CAPPER, MAKERGeorgian Silver Footed Tray, London, 1769, Edward Capper, maker, diameter: 20 in.; weight: 92 ozt. Provenance: Cabot-Hendric, Inc., Wellesley, Massachusetts, 1990; The Collection of a Weston, Massachusetts Family. Condition: very good condition; some minor surface scratching
• NICOLAS LOUIS ANDRE PREVOST,
  NICOLAS LOUIS ANDRE PREVOST, (SWISS, 1817-1864), LAKESIDE CASTLE, OIL ON CANVAS, 14 1/2 X 17 1/2 IN.; FRAME: 22 X 24 IN.NICOLAS LOUIS ANDRE PREVOST, (Swiss, 1817-1864) Lakeside Castle, oil on canvas signed Prevost and dated indistinctly, l.r. 14 1/2 x 17 1/2 in.; frame: 22 x 24 in. Provenance: A Wellesley, Massachusetts Gentleman. Condition: Craquelure throughout, with corresponding inpainting.
• GEORGE GUNTHER HARTWICK, (AMERICAN,
  GEORGE GUNTHER HARTWICK, (AMERICAN, 1817-1899), LANDSCAPE, OIL ON CANVAS, 26 X 36 IN.GEORGE GUNTHER HARTWICK, (American, 1817-1899) Landscape, oil on canvas 26 x 36 in. Provenance: A Wellesley, Massachusetts Gentleman. Condition: Scattered restoration along edgess; minor craquelure, most noticeable in u.r. corner.
• EMILE ALBERT GRUPPE, (AMERICAN,
  EMILE ALBERT GRUPPE, (AMERICAN, 1896-1978), ROCKPORT STREET, OIL ON CANVAS, 25 X 30 IN., FRAME: 29 1/2 X 34 1/2 IN.EMILE ALBERT GRUPPE, (American, 1896-1978) Rockport Street, oil on canvas signed Emile A. Gruppe twice, l.r. and l.l. 25 x 30 in., frame: 29 1/2 x 34 1/2 in. Provenance: A Wellesley, Massachusetts Gentleman. Condition: Condition: Overall good condition; colors bright.
• ANTHONY THIEME, (AMERICAN,
  ANTHONY THIEME, (AMERICAN, 1888-1954), GLOUCESTER HARBOR, OIL ON CANVAS BOARD, 16 X 20 IN.; FRAME: 23 X 27 IN.ANTHONY THIEME, (American, 1888-1954) Gloucester Harbor, oil on canvas board signed A. Thieme, l.l. 16 x 20 in.; frame: 23 x 27 in. Provenance: The Collection of a Wellesley, Massachusetts Gentleman. Condition:
• CHARLES HENRY EATON, (AMERICAN,
  CHARLES HENRY EATON, (AMERICAN, 1850-1901), AUTUMN LANDSCAPE, OIL ON CANVAS, 27 X 46 IN.CHARLES HENRY EATON, (American, 1850-1901) Autumn Landscape, oil on canvas signed and dated Charles H. Eaton 1888, l.l. 27 x 46 in. Provenance: A Wellesley, Massachusetts Gentleman. Condition: Condition: L-shaped repaired tear, lower center, approx 8 in. high and 9 in. long; scattered minor inpainting; canvas lined.
• WILLIAM R. DAVIS, (AMERICAN, B.
  WILLIAM R. DAVIS, (AMERICAN, B. 1952), MOON RISE, OIL ON BOARD, 2011, 6 X 8 IN.; FRAME: 11 1/2 X 13 1/2 IN.WILLIAM R. DAVIS, (American, b. 1952) Moon Rise, oil on board, 2011 signed W. Davis, l.r.; inscribed and titled, verso 6 x 8 in.; frame: 11 1/2 x 13 1/2 in. Provenance: The Estate of a Wellesley, Massachusetts Gentleman. Condition:
• WILLIAM R. DAVIS, (AMERICAN, B.
  WILLIAM R. DAVIS, (AMERICAN, B. 1952), BECALMED BARKENTINE, 2016, OIL ON BOARD, 5 X 7 IN., FRAME: 10 1/2 X 12 1/2 IN.WILLIAM R. DAVIS, (American, b. 1952) Becalmed Barkentine, 2016, oil on board signed W. Davis l.l.; titled, dated, and insribed, verso 5 x 7 in., frame: 10 1/2 x 12 1/2 in. Provenance: The Collection of a Wellesley, Massachusetts Gentleman. Condition:
• JOSEPH MCGURL, (AMERICAN, B. 1958),
  JOSEPH MCGURL, (AMERICAN, B. 1958), ACADIA, OIL ON PANEL, 5 X 7 IN., FRAME: 13 1/2 X 16 1/2 IN.JOSEPH McGURL, (American, b. 1958) Acadia, oil on panel initialed J.M., l.r. 5 x 7 in., frame: 13 1/2 x 16 1/2 in. Provenance: The Collection of a Wellesley, Massachusetts Gentleman. Condition: Condition: Overall good condition.
• JOHANN BERTHELSEN, (AMERICAN,
  JOHANN BERTHELSEN, (AMERICAN, 1883-1972), UNION SQUARE, NEW YORK, OIL ON CANVAS BOARD, 6 X 8 IN.; FRAME: 13 3/8 X 11 3/8 IN.JOHANN BERTHELSEN, (American, 1883-1972) Union Square, New York, oil on canvas board signed Johann Berthelsen, l.r. 6 x 8 in.; frame: 13 3/8 x 11 3/8 in. Provenance: The Collection of a Wellesley, Massachusetts Gentleman. Condition: Condition: Overall good condition; two pinhead sized stains along upper edge.
• JOAN MIRO, (SPANISH, 1893-1983), LA
  JOAN MIRO, (SPANISH, 1893-1983), LA SIESTA, 1962, COLOR AQUATINT, SHEET: 19 1/4 X 23 IN.; FRAME: 31 1/4 X 34 1/4 IN.JOAN MIRO, (Spanish, 1893-1983) La Siesta, 1962, color aquatint numbered in pencil 14/75, l.l.; signed in pencil Miro, l.r. sheet: 19 1/4 x 23 in.; frame: 31 1/4 x 34 1/4 in. Provenance: A Wellesley, Massachusetts Lady. Condition: Condition: Hinged at top corners, paper somewhat warped, otherwise good condition.
• ANTHONY THIEME, (AMERICAN,
  ANTHONY THIEME, (AMERICAN, 1888-1954), ROCKPORT HARBOR, WATERCOLOR, SIGHT: 8 3/8 X 12 5/8 IN., FRAME: 15 1/2 X 19 1/2 IN.ANTHONY THIEME, (American, 1888-1954) Rockport Harbor, watercolor signed A. Thieme, l.r. sight: 8 3/8 x 12 5/8 in., frame: 15 1/2 x 19 1/2 in. Provenance: The Collection of a Wellesley, Massachusetts Gentleman. Condition: Condition: Paper toned.
• THOMAS HOVENDEN, (AMERICAN,
  THOMAS HOVENDEN, (AMERICAN, 1840-1895), IN FROM THE MEADOWS OR CHARLES I IN SCOTLAND, OIL ON CANVAS, 29 X 31 IN., FRAME: 36 X 39 1/2 IN.THOMAS HOVENDEN, (American, 1840-1895) In From the Meadows , or Charles I in Scotland, oil on canvas monogrammed TH and titled on stretcher bar 29 x 31 in., frame: 36 x 39 1/2 in. Provenance: By descent in a Wellesley, Massachusetts family. Exhibitions: National Academy of Design, 1883. Other Notes: Bears Kennedy & Co., New York label verso. Condition: Condition: Small (approx. 1/8 in.) area of paint loss on leg of rightmost horse; scattered inpainting throughout, mainly along edges; stable craquelure; some surface dirt and grime.
• ANNE PACKARD, (AMERICAN, B.
  ANNE PACKARD, (AMERICAN, B. 1933), RED DORY, OIL ON PANEL, 5 X 7 IN., FRAME: 11 3/4 X 13 3/4 IN.ANNE PACKARD, (American, b. 1933) Red Dory, oil on panel signed A. Packard, l.l. 5 x 7 in., frame: 11 3/4 x 13 3/4 in. Provenance: A Wellesley, Massachusetts Collection. Condition:
• WILLIAM LESTER STEVENS,
  WILLIAM LESTER STEVENS, (AMERICAN, 1888-1969), GREAT BLUE HILL, MILTON, MA, OIL ON CANVAS, 20 X 24 IN., FRAME: 27 X 31 IN.WILLIAM LESTER STEVENS (American, 1888-1969) Great Blue Hill, Milton, MA oil on canvas signed W. Lester Stevens lower right; titled on stretcher 20 x 24 in., housed in a 22/23K gold leaf Guido frame: 27 x 31 in. oil on canvas Dimensions: 20 x 24 in., housed in a 22/23K gold leaf Guido frame: 27 x 31 in. Provenance: Provenance: The Collection of Wellesley, Massachusetts Gentleman. Condition: Yellowed varnish (could do with a cleaning); one small repair in upper right quadrant - not visible to naked eye but with corresponding white patch verso.
• EMILE GRUPPE, (AMERICAN,
  EMILE GRUPPE, (AMERICAN, 1896-1978), STREET VIEW, OIL ON CANVAS, 18 X 20 IN., FRAME: 21 1/2 X 23 1/2 IN.EMILE GRUPPE (American, 1896-1978) Street View oil on canvas signed Emile Gruppe lower left 18 x 20 in., frame: 21 1/2 x 23 1/2 in. oil on canvas Dimensions: 18 x 20 in., frame: 21 1/2 x 23 1/2 in. Provenance: Provenance: The Collection of Wellesley, Massachusetts Gentleman. Condition: