A few examples of appraisal values for
WESTMINSTER ABBEY

• WESTMINSTER ABBEY STILL BANK
  WESTMINSTER ABBEY STILL BANK Sydenham & McOustra England cast iron japanned finish facade is well detailed features two cast clock towers. 6 1/4'' h.
• Perspective view of the
  Perspective view of the Coronation of Queen Victoria, Westminster Abbey, June 28, 1836, slipcase with later protective cover
• 19th Century/View of the East End
  19th Century/View of the East End of Westminster Abbey/from the Organ Screen about 1865/initialled and dated 1868, inscribed verso/watercolour, 58cm x 43cm
• ALBANY EDMOND HOWARD (ENGLISH
  ALBANY EDMOND HOWARD (ENGLISH 1872-1936), 'WESTMINSTER ABBEY', CIRCA 1916, ETCHING, FRAME: 33 X 20 IN. (83.82 X 50.80 CM.)Albany Edmond Howard (English 1872-1936), 'Westminster Abbey', Circa 1916, Etching,, Dimensions: Frame: 33 x 20 in. (83.82 x 50.80 cm.)
• WESTMINSTER ABBEY CAST IRON STILL
  WESTMINSTER ABBEY CAST IRON STILL BANK Early 20th c. English Cast Iron Cathedral Form Bank, attributed to Sydenham & McOustra, with gold highlights, back marked "Rd. 502035", 6 3/8" high, 3 1/2" x 1 5/8". Paint losses.
• VIEW OF WESTMINSTER ABBEY.
  VIEW OF WESTMINSTER ABBEY. Etching signed illegibly in pencil lower right; Frame: 35.25'' x 29'' 31'' x 24.75'' (sight) Condition: No Specific Condition Recorded - Sold As Is
• Headley Fitton (British, 1859-1929)
  Headley Fitton (British, 1859-1929) "Shrine of Edward The Confessor at Westminster". Etching, signed in pencil in the lower right margin, approx. 15" x 18-3/4" plate size, wide margins, matted and framed under glass in a carved gilt gothic pattern frame overall approx. 25-3/4" x 29-1/4". Partial old label from Knoedler on verso.
• 2 IRON CATHEDRAL STILL BANKSca.
  2 IRON CATHEDRAL STILL BANKSca. 1908-1920; three-spire church still bank attributed to Chamberlain & Hill, England Lichfield Cathedral, 6 1/2", Condition: very good, 90% original surface; attributed to Sydenham & McOustra, England Westminster Abbey in brown and bronze paints, 6 1/4"h, Condition: 90-95% original surface
• 19th Century Engraving of London
  19th Century Engraving of London French, 19th century, Aspect Général De Londres, Vue Prise De L'Abbaye De Westminster, by A. Appert, after Chapuis, published by A. Chardon, Paris, circa 1857, panoramic view of London along the Thames River, hand-colored aquatint engraving, 20-1/2 x 32-5/8 in. (image); modern painted wood and composition frame,
• STANLEY HISTORICAL MEMOIRS OF
  STANLEY HISTORICAL MEMOIRS OF WESTMINSTER ABBEY. Philadelphia: George W. Jacobs and Company ca.1882 sixth edition number 71 of 250 three volumes in green leather over marbled boards.
• TAYLOR, Fredrick, (American,
  TAYLOR, Fredrick, (American, 1875-1963): Westminster Abbey, Watercolor, 10'' x 14.5'', signed lower right, framed, 18.25'' x 23'', the artist studied at the academy Julian in Paris and Italy, he exhibited at the R. A. R. I. R. W. A. CONDITION: Some matte burn on the edges.
• Axel Haig. ''The Cloisters
  Axel Haig. ''The Cloisters Westminster Abbey '' framed and a framed piece of modern art Estimate $ 50-100 No condition report supplied.
• Frederick Edward Joseph Goff
  Frederick Edward Joseph Goff (1855-1931) - Watercolour ''Westminster'' 4.5ins x 6ins signed and dated 1895 in gilt frame and glazed Provenance : The Parker Gallery 2 Albemarle Street London W1
• Allan/Tewkesbury Abbey/oil on
  Allan/Tewkesbury Abbey/oil on canvas, 49.5cm x 75cm
• ENGLISH SCHOOL, THE LONG BORDER
  ENGLISH SCHOOL, THE LONG BORDER AT WELBECK ABBEY, NOTTINGHAMSHIRE, OIL ON CANVAS, 34 X 42 INEnglish School, The Long Border at Welbeck Abbey, Nottinghamshire, Oil on Canvas, 34 x 42 in
• Thomas Sandby RA (British
  Thomas Sandby RA (British 1721-1798)/A Choir Stall Canopy in St George's Chapel, Windsor, c. 1780-82/pencil and grey washes, 36cm x 17cm/Note: Sandby was Architect of the King's Works from 1777 and Master Carpenter in the Office of Works from 1780 to 1782. This drawing dates from these latter years and relates to the refurbishment carried out in St. George's Chapel under Henry Emelyn. The choir stalls were updated in 1786-91. Four other drawings of details of the stalls are in the Royal Collect
• (LONDON LANDMARKS) Bound volume of
  (LONDON LANDMARKS) Bound volume of three pamphlets 1) Anon., An Historical Description of the Tower of London and its Curiosities (London: 1771); 2) Anon., An Historical Description of St. Paul's Cathedral (London: 1770); 3) Anon., An Historical Description of Westminster-Abbey (London: 1767) - each 12mo, without cover; Together With A. P. STANLEY, Historical Memorials of Westminster Abbey (Phila.: 1899) 2vols, 8vo, cloth, etc.
• An early 18th Century engraving -
  An early 18th Century engraving - ''The Prospect of Ye Reliques of the Abbey of St. Austin Canterbury from the High Tower of Christ Church'' 6.5ins x 11ins with key in Latin and an 18th Century coloured engraving - ''East View of the Abbey of St. Augustine near the City of Canterbury'' 7.5ins x 12.25ins both framed and glazed
• Hugh Casson (1910-1999)/Queen
  Hugh Casson (1910-1999)/Queen Elizabeth the Queen Mother seated in the Choir of Eton College Chapel/during her visit to celebrate the 550th anniversary of Eton College/pen, ink and watercolour, 33cm x 20cm/Provenance: from the Estates of Lord & Lady Charteris
• 20TH CENTURY ENGLISH,
  20TH CENTURY ENGLISH, WESTMINISTER PALACE watercolour and pencil, 28cm x 39cm, indistinctly signed, in gilt frame and glazed
• Britton (J) The History and
  Britton (J) The History and Antiquities of the Cathedral Church of: Salisbury, Exeter, Bristol, Hereford, Worcester, Peterborough, Gloucester, Norwich, Lichfield, Canterbury, Winchester and Wells
• Reverse painting on glass of
  Reverse painting on glass of Westminster Bridge London and with mother-of-pearl inlay detailing. 15.25"x19.5"
• Wycliffe Eggington (1875-1951). A
  Wycliffe Eggington (1875-1951). A large watercolour of a distant view of a castle monogram WE bottom right. 98 x 65 cm.
• 1 piece. Engraving. Appert, A.,
  1 piece. Engraving. Appert, A., after Chapius. "Aspect General de Londers, Vue Prise de l'Abbaye de Westminster." Paris, n.d. [ca. 1850]. 24 3/8 x 35 3/4 inches (620 x 908 mm) - plate mark, narrow margins. Minor foxing below image, a few small close tears at lower margin. Bright, impressive bird's-eye view of Victorian London.
• WESTMINSTER KENNEL CLUB
  WESTMINSTER KENNEL CLUB CERTIFICATEA ''The Westminster Kennel Club'' certificate, awarded to ''Sir Kenneth of Orkney'' with photograph. 17 x 12'' (with mat)
• Julia Trevelyan Oman (British
  Julia Trevelyan Oman (British 1930-2003)/Westminster Abbey/signed/gouache, 30cm x 45cm
• Two framed chromolithographs
  Two framed chromolithographs after Thomas Boys (London 1852) ''The Club Houses Pall Mall'' and ''Westminster Abbey Hospital &c.'' each about 12 3/4 x 17 3/4 in. Estimate $ 300-500
• English School, circa 1900/View
  English School, circa 1900/View of Windsor Castle from the Thames/initialled AAG lower left/oil on canvas, 75cm x 126cm
• CARVED SANDSTONE GARGOYLE FROM
  CARVED SANDSTONE GARGOYLE FROM PALACE WESTMINSTERCarved Sandstone Figure of a Gargoyle from the Palace of Westminster, 19th c., inscribed "A4", h. 28 in., w. 11 in., d. 14 in. Provenance: Sotheby's, London, May 21, 2003, lot 513; Windham Collection, Oxford, MS
• Paul Sandby (1730-1809) - Pair of
  Paul Sandby (1730-1809) - Pair of aquatints - ''Great Gate of St. Augustine's Monastery at Canterbury'' and ''Cemetary Gate of St. Augustine Monastery at Canterbury'' each 12.75ins x 19.75ins published by P. Sandby St. Georges Row North Side of Hyde Park May 1789 (generally discoloured foxed and with some damage to margins) in modern walnut finish frames and glazed
• AFTER CHARLES BARRY, ‘THE NEW
  AFTER CHARLES BARRY, ‘THE NEW PALACE AT WESTMINSTER’ one hundred and sixty colour reprints after the lithograph by Day & Son, published by Thanet Press, each 47cm x 97cm
• English School, 19th Century/View
  English School, 19th Century/View down the Wye towards Tintern Abbey/oil on panel, 20cm x 29cm
• British School (18th Century)
  British School (18th Century) "Wilton in Wilshire, The Seat of the Honourable The Earl of Pembroke and Montgomery Knight of the Most Noble Order of the Garter", hand-colored engraving, by Colen Campbell, sight 17-1/4" x 41-1/4". Glazed, matted and handsomely framed.
• Paul Sandby (1730-1809) - Two
  Paul Sandby (1730-1809) - Two coloured aquatints - ''St. George's Gate at Canterbury'' 12.5ins x 19.75ins and ''Cemetry Gate of St Augustines Monastry at canterbury'' 12.25ins x 19.5ins published by T. Palser Surry Side Westminster Bridge 1812 both in gilt frames and glazed
• LORD FREDERIC LEIGHTON P.R.A.,
  LORD FREDERIC LEIGHTON P.R.A., R.W.S. (BRITISH 1830-1896) AN ABBEY IN THE MOUNTAINS Oil on canvas39.5cm x 25cm (15.5in x 9.75in)Note: While the exact location of this study remains unidentified, it was perhaps exhibited at the Royal Society of British Artists in 1895 as Convent on Capri (no. 32). If so, it would most likely represent the charterhouse of San Giacomo, with the characteristic white cloisters surrounded by barrel vaulted buildings on the left and a church seen to the right. From the hill where the abbey is located Leighton painted also an untraced study of the famous Faraglioni Rocks in 1875, in the company of Giovanni Costa. On the other hand, the vantage point in Leighton’s painting seems improbable unless he applied an artificially foreshortened perspective, given that the abbey is situated very close to the plunging cliffside. Alternative locations could perhaps include Greece or Spain. The emphatically upright format and the extremely high horizon seem to be an extension of Leighton’s experiments at the mountainous Cervara di Roma in the 1850s, and the treatment of architecture and the flowing brushwork of the landscape are typical of his open-air work.Discover more about the landscapes of Leighton and Corbet by clicking below to read a fascinating introduction by art historian Pola Durajska. Read More
• Bairstow Manor Figure Winston
  Bairstow Manor Figure Winston Churchill ''The Knight of the Garter'' from the Life and Times series limited edition