A few examples of appraisal values for
WHISKY

• Royal Doulton Dewars Whisky jug
  Royal Doulton Dewars Whisky jug "Sporting Squire" with stopper, approx 22cm H
• Pair of Mitchell's Old Irish Whisky
  Pair of Mitchell's Old Irish Whisky jugs, approx 16cm H (2)
• A Beswick 'Eagle' Scotch whisky
  A Beswick 'Eagle' Scotch whisky decanter, designed by Graham Tongue, 1980-1987, 28cm h, printed mark More Information Undamaged
• A Royal Doulton figural earthenware
  A Royal Doulton figural earthenware whisky flask, 1937, designed by Edward Lockston Knight for Sanderman, 25cm h, printed polychrome coronation commemorative St George mark and ROYAL DOULTON ENGLAND, a Royal Doulton snowy owl whisky flask for Whyte & Mackay, designed by J G Tongue, 1984, a Royal Doulton figure of a young woman and a mid-century painted plaster figure of a grass skirted black girl, impressed Rd 895767/61 (4) More Information All free from cracks or chips, no restoration
• OLD PEPPER WHISKY ADVERTISING
  OLD PEPPER WHISKY ADVERTISING TRAY Early 20th century, lithograph on tin with patriotic theme. In print 'Bottled in Bond, Old Pepper Whisky, 1700, Pepper Distillery, Hand Made Sour Smash, Established 1780, Jas E. Pepper & Co. Distillers, Lexington, KY. Maker Meek & Beach Co.'
• Pacific Northwest Basketry
  Pacific Northwest Basketry Covered Bottles second quarter 20th century lot of 3, includes: a Tlingit decanter, height 9-1/2 inches x diameter 2-3/4 inches a Nuu-chah-nulth / Makah bottle designed with hunters, eagles, sea sepants, and other assorted fish, height 9 inches x diameter 3 inches a Nuu-chah-nulth / Makah McCallums Scots Whisky bottle, having bands of openwork and imagry of hunters, whales, and Sisiutl, height 10 inches x width 3-3/4 inches
• (64) PIECES OF STEUBEN CRYSTAL
  (64) PIECES OF STEUBEN CRYSTAL TABLEWARE New York, circa 1950, including: (11) water goblets with teardrop air-trap stem (6.75 in.), (8) whisky glasses (3.5 in.), (5) wine glasses with teardrop air-trap stem (5 in.), (6) footed sherbets (2.75 in.); (5) highballs (5.5 in.); (6) bowls (2.5 x 4 in. diameter); (8) plates (7 in. diameter); (8) old fashioneds (3 in.); (8) double old fahsioneds (3.5 in.); and (7) finger bowls (1.5 x 5.5 in. diameter), signed, all with original boxes and most all felt protective covers.
• Group of English and North American
  Group of English and North American Silver Mounted and Overlaid Glass Articles, late 19th/early 20th century comprising: whisky tot, 9 perfume bottles, covered jar, pepper caster, and a lipstick case largest height 4.3 in — 10.8 cm
• FIORE DE HENRIQUEZ ABSTRACT
  FIORE DE HENRIQUEZ ABSTRACT EXPRESSIONIST BRONZEFiore De Henriquez (1921 - 2004) (Mid to 20th Century.)The square base supports a globular pinnacle balancing an abstract composition of blade-like lobes, wings, on opposite sides of an abstracted opening or passageway. The sculpture in rich brown patina is signed Fiore in the casting, top of the base. Willem de Kooning produced similar bronze castings in this same period.The circumstances of her childhood, the difficulties of being born an intersexed person and the larger than life persona of sculptor Fiore de Henriquez have inspired more than a few books, articles and documentaries about her life and art. The titles include Art & Androgyny: The Life of Sculptor Fiore De Henriquez, Fiore In Love With Clay, Cigars Get Feminine Puff and All Woman and Half a Man to name a few. She eventually conquered and embraced the challenges of having been born with both male and female sexual characteristics, and ultimately considered it an opportunity, seeing herself as a rare and unusual individual.As a young woman in facist Italy, she helped evacuate Jewish refugees to safety and claims she escaped an interrogation through the washroom window after fixing her interrogators pancakes. She left Italy in 1949 and in 1953 became a British citizen. Fiore would return to work and exhibit in Rome and later lived in Tuscany until her passing. Throughout her life, and around the world, she received numerous commissions for public installations while she sculpted the likenesses of thousands of people, including celebrities and dignitaries as well as friends and relatives - some who describe her as having a cigar in one hand and whisky in the other during their sitting.It can be said that her abstract expressionist sculptures speak to the challenges she faced. Some seem to portray concealment while others can be seen as expressions of freedom (like the airy winged composition here). Some as themes of struggling with acceptance and others the release of not doing so. There are interpretations of solitude and loneliness or paired heads and conjoined figures, expressions of duality. In her essay on the artist's life, author Jan Short provides poignant insight including the artist's own words, ''The moment I embrace a piece of clay to make a sculpture, I think of how it's going to grow,'' Fiore said. ''Clay is very soft and pliable, so feminine: la creta. It then becomes plaster, more virile and rigid: gesso, that I can carve with a knife. Later it becomes feminine again as la cera, wax, pliable again, with fire this time. Then il bronzo, again masculine, hard. From feminine to masculine, over and again.'' The more one learns about the life and times of Fiore De Henriquez, the more fascinating her works become.Measures 15.5 x 21 x 9 inches and weighs 72 pounds.Very good condition throughout, no damage, repair or wear.
• FIORE DE HENRIQUEZ (1921-2004)
  FIORE DE HENRIQUEZ (1921-2004) EXPRESSIONIST BRONZEFiore De Henriquez (1921 - 2004)Entangled Figures (Mid 20th Century.)The masculine figure arches its back above a mostly obscured counterpart, their arms and legs entangled, the lower's shoulders lifted from the square bronze base, all in rich brown patina and with intaglio signature of Fiore. Willem de Kooning produced similar bronze castings in this same period.The circumstances of her childhood, the difficulties of being born an intersexed person and the larger than life persona of sculptor Fiore de Henriquez have inspired more than a few books, articles and documentaries about her life and art. The titles include Art & Androgyny: The Life of Sculptor Fiore De Henriquez, Fiore In Love With Clay, Cigars Get Feminine Puff and All Woman and Half a Man to name a few. She eventually conquered and embraced the challenges of having been born with both male and female sexual characteristics, and ultimately considered it an opportunity, seeing herself as a rare and unusual individual.As a young woman in facist Italy, she helped evacuate Jewish refugees to safety and claims she escaped an interrogation through the washroom window after fixing her interrogators pancakes. She left Italy in 1949 and in 1953 became a British citizen. Fiore would return to work and exhibit in Rome and later lived in Tuscany until her passing. Throughout her life, and around the world, she received numerous commissions for public installations while she sculpted the likenesses of thousands of people, including celebrities and dignitaries as well as friends and relatives - some who describe her as having a cigar in one hand and whisky in the other during their sitting.It can be said that her abstract expressionist sculptures speak to the challenges she faced. Some seem to portray concealment while others can be seen as expressions of freedom. Some as themes of struggling with acceptance and others the release of not doing so. There are interpretations of solitude and loneliness or paired heads and conjoined figures, expressions of duality. In her essay on the artist's life, author Jan Short provides poignant insight including the artist's own words, ''The moment I embrace a piece of clay to make a sculpture, I think of how it's going to grow,'' Fiore said. ''Clay is very soft and pliable, so feminine: la creta. It then becomes plaster, more virile and rigid: gesso, that I can carve with a knife. Later it becomes feminine again as la cera, wax, pliable again, with fire this time. Then il bronzo, again masculine, hard. From feminine to masculine, over and again.'' The more one learns about the life and times of Fiore De Henriquez, the more fascinating her works become.Measures 11.5 x 14.5 x 11.75 inches.Very good condition throughout, no damage, repair or heavy wear.
• FIORE DE HENRIQUEZ (1921-2004)
  FIORE DE HENRIQUEZ (1921-2004) EXPRESSIONIST BRONZEFiore De Henriquez (Italian/british 1921 - 2004)Reclined Figure on Plinth (Third quarter of the 20th century.)The composition of an abstracted figure on its back cradling abstracted flowers within its arms and bent legs is signed in the casting back side along the lower edge. Willem de Kooning produced similar bronze castings in this same period.The circumstances of her childhood, the difficulties of being born an intersexed person and the larger than life persona of sculptor Fiore de Henriquez have inspired more than a few books, articles and documentaries about her life and art. The titles include Art & Androgyny: The Life of Sculptor Fiore De Henriquez, FioreIn Love With Clay, Cigars Get Feminine Puff and'All Woman and Half a Man' to name a few.She eventually conquered and embraced the challenges of having been born with both male and female sexual characteristics, and ultimately considered it an opportunity, seeing herself as a rare and unusual individual.As a young woman in facist Italy, she helped evacuate Jewish refugees to safety and claims she escaped an interrogation through the washroom window after fixing her interrogators pancakes. She left Italy in 1949 and in 1953 became a British citizen. Fiore returned to work and exhibit in Rome and later lived in Tuscany until her passing. Throughout her life, and around the world, she received numerous commissions for public installations while she sculpted the likenesses of thousands of people, including celebrities and dignitaries as well as friends and relatives - some who describe her as having a cigar in one hand and whisky in the other during their sitting.It can be said that her abstract expressionist sculptures speak to the challenges she faced. Some seem to portray concealment while others can be seen as expressions of freedom. Some as themes of struggling with acceptance and others the release of not doing so. There are interpretations of solitude and loneliness (like the sculpture being offered here) or paired heads and conjoined figures, expressions of duality. In her essay on the artist's life, author Jan Short provides poignant insight including the artist's own words, ''The moment I embrace a piece of clay to make a sculpture, I think of how it's going to grow,'' Fiore said. ''Clay is very soft and pliable, so feminine: la creta. It then becomes plaster, more virile and rigid: gesso, that I can carve with a knife. Later it becomes feminine again as la cera, wax, pliable again, with fire this time. Then il bronzo, again masculine, hard. From feminine to masculine, over and again.'' The more one learns about the life and times of Fiore De Henriquez, the more fascinating her works become.Measures 10.75 x 12 x 6.75 inches.Very good condition throughout, no damage, repair or wear.
• (4) AMERICAN ALBANY SLIP REDWARE
  (4) AMERICAN ALBANY SLIP REDWARE JARS & WHISKY JUG(lot of 4) American redware jars and jug, late 19th c., all in an Albany slip, including: (3) graduated jars, cylindrical form, tapered shoulders, flared lip, each with slight chipping to glaze, (1) jug, with loop handle, cylindrical body, narrowing toward spout, chipping to shoulder; largest: approx 11.75"h, 8.25"diam, 18lbs total
• COUTURE. MIU MIU BANDOLIERA SUEDE
  COUTURE. MIU MIU BANDOLIERA SUEDE BAG. Miu Miu whisy suede shoulder or crossbody purse. With silver-tone should strap accented by (9) gems, and a suede cross body strap. Accompanied by (2) dust bags - one for the unused strap and one for the purse; and an authenticity certificate card, "5BH124 Scamosciato Whisky". From a Manhattan, NY estate. Dimensions: purse measures approx. 8" w x 1.25" d x 5.25" h; jeweled shoulder strap measures approx. 17" in length; crossbody strap measures approx. 44.5" in length. Condition: Good, in very good condition.
• ANTIQUE PORCELAIN WHISKY
  ANTIQUE PORCELAIN WHISKY DISPENSER Late 19th century, oval barrel form with porcelain lid, gilt lettering and bands, transfer decorated stag with hand coloring, wood drain peg, unmarked.
• SEALED BOTTLE CUTTY SARK SCOTCH
  SEALED BOTTLE CUTTY SARK SCOTCH WHISKYVintage sealed scotch whiskey bottle in original gift box. Series 112 tax stamp. Please note: This is a collectible bottle. Any contents are incidental and not intended for consumption. See images. Level very high. Paper loss on back label. shipping info This item can be shipped in-house.
• SEALED BOTTLE PASSPORT SCOTCH
  SEALED BOTTLE PASSPORT SCOTCH WHISKYVintage sealed scotch whiskey bottle in original gift box. Series 112 tax stamp. Please note: This is a collectible bottle. Any contents are incidental and not intended for consumption. See images. Level very high. Paper loss on back label. shipping info This item can be shipped in-house.
• ANTIQUE WHISKEY RED TOP RYE
  ANTIQUE WHISKEY RED TOP RYE BARREL PITCHERSilverplate whisky barrel pitcher engraved "Red Top Rye, Compliments of Seth Jones, Ferdinand Westheimer & Sons Distillers Louisville, KY, Cincinnati, OH". Barrel measures approx. 5 1/2" tall. Bottom is marked Homan Silver Plate Co. #1207. Possibly was given as an award or trophy. Tarnish, wear, small dents present. See images for more details on condition. shipping info This item can be shipped in-house.
• FRANK REILLY, OIL ON CANVAS, C.
  FRANK REILLY, OIL ON CANVAS, C. 1947 Frank J. Reilly (American, 1906-1967), "Senators Arriving at Philadelphia for Congressional Session", signed lower right, metal plaque on verso with title and "Philadelphia Whisky Collection", original advertising illustration art for whiskey, 27.5"h x 39.5"w (sight), 34.5"h x 46.5"w (frame)
• SIGNED WJ GORDY DOUBLE-SIDED
  SIGNED WJ GORDY DOUBLE-SIDED WHISKEY & WATER JUG William J. Gordy (American / Georgia 1910-1993), folk art double sided jug, having tan and caramel flambe vase, a strap handle, and two spouts connected to two separate wells, the larger well for whisky and the smaller for a water chaser. signed and dated 1984 to the underside. Approximate dimensions: h. 7.5", w. 5.5".
• AN EARLY 20TH CENTURY ENAMELLED
  AN EARLY 20TH CENTURY ENAMELLED SIGN FOR DEWAR’S WHISKY PERTH the blue and red lettering on a white ground decorated with thistles, 102cm x 92cm
• Eight Various English Silver Spirit
  Eight Various English Silver Spirit Decanter Labels, Richards & Knight, London, 1969-72 'RUM' (2), 'MARTINI', 'SCOTCH', 'WHISKY' (2), 'BOURBON' or 'RYE' largest width 2.4 in — 6 cm
• SHEFFIELD TANTALUS WITH HAND-CUT
  SHEFFIELD TANTALUS WITH HAND-CUT GLASS DECANTERSA silver-plated decanter stand, having a grapevine motif, with three hand-cut ruby & frosted glass Bohemian decanters, labeled "BRANDY.", "GIN.", and "WHISKY." The only mark on the stand is an impressed "177" to the underside. The stand measures 21 1/4" x 11 1/2", and each decanter measures 16" high. Provenance: The Shirley Bush Helzberg and Webster House collections. Condition There is abrasion on the body of each decanter from rubbing against the stand's rings. No cracks or chips.
• STERLING LIDDED GLASS WHISKY
  STERLING LIDDED GLASS WHISKY TOTSA group of 4 sterling lidded glass whisky tots, the conical glass bodies with starburst bases, applied loop handles and sterling silver collars with hinged lids, all with Birmingham hallmarks, 2 with date letters for 1905, 1 dated 1923 by Hukin & Heath, and another dated 1936 by Hukin & Heath. Two with sterling spirit tags. Three measuring 4" high to the lid, one measuring 3.25".
• TWO PIECES STERLING SILVER
  TWO PIECES STERLING SILVER MOUNTED GLASS BARWARETwo pieces of British sterling silver mounted glass barware, consisting of a silver rimmed shot glass or dram glass hallmarked Birmingham 1906, together with a stoppered whisky tot of globular form with a sterling silver collar, hallmarked Birmingham 1928, both measuring 3" high.
• FIVE STERLING SILVER TRAVEL
  FIVE STERLING SILVER TRAVEL ACCESSORIESAll early 20th century, consisting of a monogrammed whisky flask, stamped Sterling on the base and measuring 7 3/8" high, one match cover hallmarked Birmingham and measuring 3 1/8" long, two monogrammed International silver match box covers, one monogrammed Mappin & Webb matchbox cover, and a monogrammed Birks sterling silver handled shoehorn. Weighable silver weight, 353 grams.
• SET OF 2 ROYAL DOULTON STONEWARE
  SET OF 2 ROYAL DOULTON STONEWARE INKWELLSCobalt blue. 1 advertising model for Usher's Scotch Whisky. One unmarked due to restoration to base. Issued: 20th c. Dimensions: 2.25"H x 4"W, largest Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear
• DOULTON LAMBETH MINIATURE DEWAR'S
  DOULTON LAMBETH MINIATURE DEWAR'S WHISKY PITCHEREmbossed design with windmills, dogs, and nature. Impressed Doulton Lambeth England 8672 on bottom. Issued: 19th c. Dimensions: 1.75"H Manufacturer: Doulton Lambeth Country of Origin: England Condition: Hairline cracks, interior
• 2 DOULTON LAMBETH STONEWARE
  2 DOULTON LAMBETH STONEWARE WHISKY JUGSIncludes Graham's Old Highland with stopper and King George IV. Pitchers were commissioned by European liquor companies and manufactured by Doulton. Impressed Doulton marks to both. Issued: Early 20th c. Dimensions: 11"H, tallest Manufacturer: Doulton Lambeth Country of Origin: England Condition: Age related use and wear; no cork stopper for King George IV jug
• ROOKWOOD POTTERY CERAMIC WHISKY
  ROOKWOOD POTTERY CERAMIC WHISKY JUGModel no. 512A. Hand painted leaf design. Rookwood backstamp. Issued: 20th c. Dimensions: 10.25"H x 7"W Manufacturer: Rookwood Pottery Country of Origin: United States Condition: Overall good
• DOULTON LAMBETH STONEWARE WHISKY
  DOULTON LAMBETH STONEWARE WHISKY JUG, KING GEORGE IVTwo tone, salt glazed with portrait. Marked KING GEORGE IV OLD SCOTCH WHISKY. Impressed Royal Doulton England to bottom base. Issued: Early 20th c. Dimensions: 7.75"H Manufacturer: Doulton Lambeth Country of Origin: England Condition: Age related use and wear
• COPELAND LATE SPODE KING GEORGE V
  COPELAND LATE SPODE KING GEORGE V AND QUEEN MARY BOTTLE...Coronation whisky bottle. Andrew Usher & Co. Copeland backstamp. Issued: 20th c. Dimensions: 10"H Condition: Age related wear
• 6 ROYAL DOULTON WHISKEY ADVERTISING
  6 ROYAL DOULTON WHISKEY ADVERTISING WARE2 ash trays and 4 miniature bottles. Jim Beam bottles, Sandman ash tray, Heatherdale Soft & Mellow Scotch Whisky. Issued: 20th c. Dimensions: 4"W, largest Manufacturer: Royal Doulton Country of Origin: England Condition: Overall good
• SET OF 4 ROYAL DOULTON ASHTRAYS AND
  SET OF 4 ROYAL DOULTON ASHTRAYS AND BIBELOTSAdvertising models. 2 ashtrays, 2 bibelots. Doulton backstamps. Includes McCallum's Scots Whisky, Stooke and Sparks Ltd, Royal Edinburgh T.Y.O., London Electric Wire Co. Issued: 20th c. Dimensions: 6"W, largest Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear
• 3 ROYAL DOULTON ADVERTISING WARE
  3 ROYAL DOULTON ADVERTISING WARE CERAMIC PIECESMatch striker, ashtray, and small dish. Philip Morris ashtray, Dunville's Old Irish Whisky, Londres L'eau de France. Royal Doulton backstamp to bottom on each. Issued: 20th c. Dimensions: 5.25"L, largest Manufacturer: Royal Doulton Country of Origin: England Condition: Age and use related wear
• GROUP OF 3 ROYAL DOULTON
  GROUP OF 3 ROYAL DOULTON ADVERTISING ASHTRAYSHandpainted stoneware, marked. Varies in shapes. Includes a Sandeman Port & Sherry with a man-in-black Sandeman scene. A Jacob's Lager with Fred K. Jacob & Co. Ltd. London designed. A Johnstone's "Square Bottle" Whisky Napier with windmill scene. Overall good except the Jacob's larger ashtray has repair. Issued: 20th c. Dimensions: 6"D, largest Manufacturer: Royal Doulton Country of Origin: England Condition: Age related wear
• 3 ROYAL DOULTON ADVERTISING WARE
  3 ROYAL DOULTON ADVERTISING WARE ASHTRAYSOld Smuggler Scotch Whisky, Reid's Special Stout, Vimto. Each marked Royal Doulton on bottom. Issued: Early 20th c. Dimensions: 5.5"L, largest Manufacturer: Royal Doulton Country of Origin: England Condition: Age and use related wear