A few examples of appraisal values for
WHITEFRIARS

• Two Derby figures of seated
  Two Derby figures of seated friars and a figure of a nun, circa 1760, one monk with incised no. 104, the nun 14.3cm high, the monk 15cm high (some areas of restoration, damages)
• Pair cloaked Capo di Monte monks;
  Pair cloaked Capo di Monte monks; one bearded friar carries a wring necked goose and appropriate libation; the second holy man carries his beads and bible, ink marked. 6 1/2" Good condition.
• Frank Dillon (British, 1823-1909)
  Frank Dillon (British, 1823-1909) watercolor of a friar; 12 3/4" x 7"; signed lower left.
• FREDERIC WHITING (BRITISH,
  FREDERIC WHITING (BRITISH, 1874-1962), PROVENCE FARMSTEAD Watercolor on handmade paper, signed lower right, matted, unframed.
• A Whitefriars blue wave glass
  A Whitefriars blue wave glass bowl and brown sherry decanter and an American eagle glass coaster a Wedgwood Fairlyland lustre bowl Worcester style bowl and four naturalistic teacups.
• 18th century European portrait,
  18th century European portrait, portrait of a Cardinal, hand raised in blessing, with sapphire ring, note verso states the portrait is of Reverend George Whitefield, one of the founders of Methodism, oil on laid paper, 18-1/2 x 15-1/2 in.; modern 19th century style cove molding frame. Tears, grime, holes, laid on canvas; frame with abrasions. Private Collection, Flat Rock, North Carolina
• Whitefriars Green Bark Vase
  Whitefriars Green Bark Vase designed by Geoffrey Baxter height 23cm
• S.J. (Toby) Nash (1891-1960) -
  S.J. (Toby) Nash (1891-1960) - Watercolour - ''View of Blackfriars'' 9ins x 6.25ins apparently unsigned in gilt frame and glazed
• GERMAN BAROQUE CARVED AND PAINTED
  GERMAN BAROQUE CARVED AND PAINTED WOOD FIGURE OF A FRIAR With head facing forward wearing a hooded robe with foliate scroll border arms upraised; 33 3/4 x 16 x 10 3/4 in.
• Thomas Edward Francis (British,
  Thomas Edward Francis (British, act. 1897-1937) Abingdon, Vale of White Horse District, Oxfordshire, view of St. Helens Church. Watercolor on paper, signed at the lower left, approx. 10-3/4" x 14-3/4" sight size, matted and framed under glass overall approx. 18-1/2" x 22". "Abingdon" written in pencil on verso.
• S Middiman & F Jukes, after James
  S Middiman & F Jukes, after James Wathen/View of the Ruins of the West Tower and Front of Hereford Cathedral/published April 12 1788/engraving, 28cm x 36cm
• 18C. ITALIAN OLD MASTER'S
  18C. ITALIAN OLD MASTER'S PAINTING OF A FRANCISCAN Italy,18th-Early 19th CenturyDepicting a Franciscan Monk with halo caressing a crucifix in front of a bible and skull.
• THEODORE VAN SOELEN (D.1964)
  THEODORE VAN SOELEN (D.1964) WHITE DOVE OF DESERTFramed oil on canvas board painting, St. Francis de Xavier Catholic Church (White Dove of the Desert), signed lower left Van Soelen (Theodore Van Soelen, New Mexico, Minnesota, 1890-1964), sight: approx 20.75"h, 26"w, overall: approx 29"h, 34.25"w, 11lbs
• William Whit
  William Whit
• Whitefriars Green Bark Vase
  Whitefriars Green Bark Vase designed by Geoffrey Baxter height 15cm
• ITALIAN SCHOOL (18th century).
  ITALIAN SCHOOL (18th century). ST. FRANCIS WITH THE CHRIST CHILD ink on paper - Framed 5 1/2 in. x 4 in.
• FRANK WHIPPLE (CALIFORNIA,
  FRANK WHIPPLE (CALIFORNIA, 20/21ST CENTURY) THREEFRANK WHIPPLE (California, 20/21st century) three oils on board: two nuns on a path, a nun scarecrow, a figure seated in the woods. Each signed. Images measure 5" x 5". In wood frames.
• 7 Pcs. Goebel: ''Friar Tuck''
  7 Pcs. Goebel: ''Friar Tuck'' Figural Monksitems & tray includes unusual card holder and 4'' creamer stylized bee excellent.
• THOMAS WHITCOMBE (UNITED KINGDOM,
  THOMAS WHITCOMBE (UNITED KINGDOM, 1752-1824), THE 44-GUN FRIGATE MEDINA IN TWO POSITIONS, CIRCA 1810., OIL ON CANVAS, 39" X 60.25". FRAMED 45.75" X 67".THOMAS WHITCOMBE, United Kingdom, 1752-1824, The 44-gun frigate Medina in two positions, circa 1810. Dimensions: Oil on canvas, 39" x 60.25". Framed 45.75" x 67". Provenance: Jack Partridge, Edgecombe, Maine.Purchased from the above at the Winter Antiques Show, New York, January 26, 1986.The Kelton Collection of Marine Art & Artifacts.The Medina was a fine example of an East Indiaman constructed after the turn of the 19th Century. Painting a ship from more than one perspective, as seen here, was a common practice in ship portraiture. Whitcombe accomplishes this while presenting a detailed composition of a ship leaving its pilot and with its crew busily engaged in setting sails for her voyage.Thomas Whitcombe was one of the important maritime chroniclers during the French Revolutionary War period, and he made paintings for at least 150 wartime engravings, in addition to his peaceful subjects and other war pictures. He exhibited 56 paintings at the Royal Academy between 1783 and 1824. Thirty-five of his paintings are in the National Maritime Museum at Greenwich.
• LORD FREDERIC LEIGHTON P.R.A.,
  LORD FREDERIC LEIGHTON P.R.A., R.W.S. (BRITISH 1830-1896) AN ABBEY IN THE MOUNTAINS Oil on canvas39.5cm x 25cm (15.5in x 9.75in)Note: While the exact location of this study remains unidentified, it was perhaps exhibited at the Royal Society of British Artists in 1895 as Convent on Capri (no. 32). If so, it would most likely represent the charterhouse of San Giacomo, with the characteristic white cloisters surrounded by barrel vaulted buildings on the left and a church seen to the right. From the hill where the abbey is located Leighton painted also an untraced study of the famous Faraglioni Rocks in 1875, in the company of Giovanni Costa. On the other hand, the vantage point in Leighton’s painting seems improbable unless he applied an artificially foreshortened perspective, given that the abbey is situated very close to the plunging cliffside. Alternative locations could perhaps include Greece or Spain. The emphatically upright format and the extremely high horizon seem to be an extension of Leighton’s experiments at the mountainous Cervara di Roma in the 1850s, and the treatment of architecture and the flowing brushwork of the landscape are typical of his open-air work.Discover more about the landscapes of Leighton and Corbet by clicking below to read a fascinating introduction by art historian Pola Durajska. Read More
• F. da Ponte Clair (19th Century
  F. da Ponte Clair (19th Century British) - Watercolour - ''Whitby'' 8.25ins x 16.75ins signed in ebonised and gilt frame and glazed Note : Exhibition label to verso gives title and address of artist as 4 Langham Chambers Portland Place London and Price 9 Guineas
• SANTOS STATUE, THE FRIARA matte
  SANTOS STATUE, THE FRIARA matte sculpture of a friar figure crafted in pottery clay and wood. The religious figure stands on a beige pottery square base holding a dark wooden rod as a walking stick, and chalice made out of carved wood. #SantosStatue #Santo #Santos #Santero #Friar Dimensions: 6.25"L x 5.5"W x 23"H Condition: Age related wear, and right missing hand.
• WHIPPLE, Frank, (American, - 2016):
  WHIPPLE, Frank, (American, - 2016): Four Nuns in a Tree, Oil/Masonite, 5'' x 5'', signed lower right, framed 10'' x 10''.
• English School, 18th
  English School, 18th Century/Miniature Portrait of Fenelon, Archbishop of Cambrai/watercolour on card, 7cm x 5.5cm
• Winifred Knights (English
  Winifred Knights (English 1899-1947) three male figure studies one with figure study en verso graphite on paper unsigned Hari Gurung Picture Framing Tunbridge Wells UK stamp en verso of each mat largest 15 3/4 in. x 10 in. each matted.
• John Frederick Physick (born
  John Frederick Physick (born 1923) - Pen and ink drawing - ''The South West View of Canterbury Cathedral'' 24.5ins x 36.5ins signed and dated 1947 in ebonised frame and glazed
• NINE FRANK WHIPPLE NUN
  NINE FRANK WHIPPLE NUN PAINTINGS(California, 1923-2016) Humorous views of nuns, each signed "Whipple", oil on fiberboard, 5 x 5 in.; matching original wood frames, 7-1/2 x 7-1/2 in. Condition: minor surface dirt
• 1 piece. Etching. Schiavonetti,
  1 piece. Etching. Schiavonetti, V.A. & Heath, James after Stothard, Thomas. "Pilgrimage to Canterbury." London: W.H. Worthington, Oct. 1, 1817. 14 x 38 1/2 inches (355 x 978 mm), mtd. on large blank sheet. Light to moderate dampstaining - mostly outside image. In later 19th-Century frame. Not examined out of frame.
• Joan Farrar (American/New
  Joan Farrar (American/New Orleans, Mid-20th Century) "Two Nuns in Elaborate Wimples", charcoal on paper, sight 23" x 17", signed lower right "Farrar". Glazed, matted and presented in a giltwood frame.
• 19th Century Northern European
  19th Century Northern European School - Pair of miniature paintings on card - Shoulder length profiles of monks 4ins x 3ins in gilt frames (frames overpainted)
• RARE DOULTON PRINKNASH FIGURINE,
  RARE DOULTON PRINKNASH FIGURINE, SAINT FRANCISModeled after Saint Francis, 13th c. founder of the Poor Friars. Produced by Doulton for the Benedictine Monks of Prinknash Priory, Gloucestershire until 1945. Stamped DOULTON PAX with Keys mark to base. Issued: c. 1935 Dimensions: 8.75"H Manufacturer: Doulton Country of Origin: England Condition: Good.
• A book of sermons in an early
  A book of sermons in an early vellum binding by a Swiss pastor, Johann Heinrich Friess, printed in Zurich in 1732.
• Thomas Charles Barfield (1858-1927)
  Thomas Charles Barfield (1858-1927) - Villagers and a Pilgrim Monk, signed and indistinctly dated, watercolour, 20 x 34cm More Information Localised foxing
• FRIS, Jan, (Netherlands,
  FRIS, Jan, (Netherlands, 1627-1672): Portrait of Marcellis Witewael, age 76, wearing costume with white collar and cuffs, Oil/Wood Panel, 17'' x 13.5'', signed and dated 1650, inscribed with a coat of arms, gilded gesso frame, 24.5'' x 21'', Ringling Museum of Art exhibition label verso, several older Christie's tags lower right on the frame. Witewael was a Tax Collector in the town of Vreeswijk, in the province of Utrecht. CONDITION: Scattered inpaint throughout, frame has some repairs and cracks with minor loss.
• Edward Francis Wells
  Edward Francis Wells (1876-1952)/Portrait of a Monk/signed and dated upper right EF Wells 1937/oil on canvas, 61.5cm x 51.5cm
• Two Haala watercolors: men, three
  Two Haala watercolors: men, three in costumes from the Pyrenees and one friar or monk, inscribed under one, Der guizotte and Sancho Panza Cherihants l'apre er la gloire au er la ors Pyrenees (?), watercolor over pencil on paper, both approximately 7 x 8 in.; unframed. Foxing, toning, both affixed to card at one edge. Descended in the House of Schwarzenberg