A few examples of appraisal values for
WILFRED C APPLEBY

• APPLEBY (british school 19th
  APPLEBY (british school 19th century) "NORTH WALES" Inscribed and titled verso, oil on canvas 26 x 18 in. provenance: Mrs. Betty Anderson, Wenonah, New Jersey. - uneven varnish - surface grime, needs cleaning - cracquellure - overall good condition
• William J. McCloskey (1859-1941
  William J. McCloskey (1859-1941 Orange CA) Apples on a Table
• Theodore Franklin Appleby
  Theodore Franklin Appleby 1923–1985. Untitled. oil on canvas. 39½ h × 32 w in. result: $1,750. estimate: $600–800. Signed to lower right ‘Appleby’.
• Edwin Penny (born 1930) AARBLUE
  Edwin Penny (born 1930) AARBLUE TITperched on a branch of apple blossomsigned lower rightwatercolour and bodycolour 24cm x 17.5cm (9.25" x 6.75")Provenance: Label verso for Frost & Reed No S5225 dated 20-12-69
• Wilfred Berg (American,
  Wilfred Berg (American, 1908-2002) Marsh with Cattails watercolor on paper signed lower right 21 1/4 x 29 inches.
• SIR FREDERICK ABEL BY JOHN WARD
  SIR FREDERICK ABEL BY JOHN WARD DUNSMORE (MICHIGAN/MASSACHUSETTS 1856-1945) Oil on canvas initialed and dated 1886 above left shoulder. The British chemist (1827-1902) sporting grey mutton chops and wearing a black tie. Imperfections. In a frame 29.75''h. 24.5''w. Several tears including one above right ear. Inked on reverse ''Sketch made by John Ward Dunsmore London 1887'' along with information about the sitter.
• Wilfred Rene Wood
  Wilfred Rene Wood (1888-1976)/View up a Side Street/signed and dated '24/watercolour, 28cm x 19cm/Provenance: The Estate of Anthony J Beeson
• William Whit
  William Whit
• Harold Everette Bayer outsider
  Harold Everette Bayer outsider art (Ohio, born 1900), Apple Harvest, signed lower right "H.E. Bayer 1978", oil over pencil on Masonite, American, 20th century, 16 x 20 in.; painted wood frame. Crayon accretion left side, light grime.
• CHARLES ARCHER (1855-1931) STILL
  CHARLES ARCHER (1855-1931) STILL LIFE WITH APPLES GRAPES PLUMS AND A WALNUT BEFORE A WOODLAND BANK signed, panel, 33 x 47.5cm
• Frank Charl
  Frank Charl
• Frederick Hale McDuff (American
  Frederick Hale McDuff (American 1931-2011) Apple. Oil on canvas signed and dated '65 at the lower left in a decorative gilt frame with linen liner overall 13" x 15".
• Frank Charl
  Frank Charl
• PERCIVAL GOODMAN (AMERICAN/NEW
  PERCIVAL GOODMAN (AMERICAN/NEW YORK, 1904-1989)Percival Goodman (American/New York, 1904-1989) , "Ahab + Jezebel", watercolor and graphite on paper, unsigned, titled lower right, artist estate stamp and inscriptions en verso, 24 in. x 18 in., framed Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall good condition. Ext. Frame: 31 in. x 24 1/4 in. x 1 3/8 in
• After William Hay
  After William Hay
• Wilfred Campbell (1860-1918),
  Wilfred Campbell (1860-1918), Canadian CANADA: PAINTED BY T. MOWER MARTIN; DESCRIBED BY WILFRED CAMPBELL 8vo.; with 77 colour plates, in tooled red cloth boards, A. & C. Black, 1907 8.75 x 6.5 x 1.75 in — 22.5 x 16.5 x 4.4 cm
• EDWIN BENNETT, ALBION WARE
  EDWIN BENNETT, ALBION WARE POTTERY CAMEL FLASK Round flask form with two applied handles, obverse and reverse sides depicting two camels resting within a faint Bedouin style landscape, signed "AB" and dated 8-3-95.
• APPLEFORD G. (British 19th
  APPLEFORD G. (British 19th Century): ''Broxbourne on the Lea'' Oil/Canvas 12'' x 16'' faint signature lower right encased in worn gilded and over-painted liner 14'' x 17''.CONDITION: Small puncture cracklure throughout needs cleaning sold AS IS.
• NELSON, William, (American,
  NELSON, William, (American, 1942): Apples in a Basket resting in a Trailer set in a Rural Farm Landscape, Watercolor, sight size is 19'' x 27.25'', signed lower right, 30'' x 35.50''.
• William M. Apple post Civil War
  William M. Apple post Civil War historical memorabilia including two tintypes (Apple in civilian clothes and also his two sisters), five Indiana ribbons (4 G.A.R.), wedding rings, a pin, gingham fabric from his mother's cape, and an album of Washington, D.C. Tintype: 3 1/4" x 2 1/2".
• WILBUR G. KURTZ WATERCOLOR "BOY
  WILBUR G. KURTZ WATERCOLOR "BOY WITH RED APPLE" Wilbur G. Kurtz (American 1882-1967), 1918, "Boy with Red Apple" executed in watercolor and gouache on paper, depicting a dapper young man in a blue suit and polkadot tie sitting on a stool and holding a red apple, signed K in pencil at lower right and dated Feb 19, 1918. From the private collection of the niece of Wilbur G. Kurtz, thence by descent. Sight approx: h. 10", w. 7.5". Overall: h. 14.5", w. 12.5", d. 1".
• J. Carelton Wiggins (1848-1932,
  J. Carelton Wiggins (1848-1932, NY/CT/FR) oil on canvas titled "Under the Apple Trees at Barbizon" signed lower left and dated 1883 verso. Provenance: Chapellier Galleries, Inc. NY, NY to Thomas A. Campbell, Jr. & Mildred M. Campbell to their son Timothy John Campbell to the consignor. 11.5" x 15.5" ss / 17" x 21" oa Condition: See black light photo, not examined out of frame.
• Michael Lyne (1912-1989 United
  Michael Lyne (1912-1989 United States/United Kingdom) Meet of the Pytchley at Ashby Manor Home of Lord Wimborne
• WINFRED REMBERT(American/Georgia,
  WINFRED REMBERT(American/Georgia, 1945-2021) Silas Green of New Orleans, inscribed bottom center "Winfred Rembert", dye on carved and tooled leather, 28-1/2 x 25 in.; metal frame 29-3/4 x 23-3/4 in. Note: Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist's Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 coming out show at Adelson Galleries in New York. His work has entered major museum and private collections. Provenance: The Estate of Peter H. Tillou, Litchfield, Connecticut [[southernart]] [the_american_south] Condition: color is very good, slight surface abrasion lower right corner; frame with minor scratches
• AL (ALFRED) JACKSONAmerican
  AL (ALFRED) JACKSONAmerican 1940-2001Still life of apples and a crock. Signed lower right Al Jackson''.Provenance: Arts International LTD Chicago. Private Collection Cape Cod Massachusetts.Oil on canvas 16'' x 20''. Framed.''
• Wilfred R.E. Fairclough (British,
  Wilfred R.E. Fairclough (British, 1907-1996) Figures on a Beach oil on canvas signed and dated "Fairclough, '59" ll 14 x 32 in., framed
• Franklin Moody painting
  Franklin Moody painting (Florida/North Carolina, born 1924), still life with two apples in a Delft bowl, candlestick, inscribed verso "Apple - Red + Delft - blue…", signed lower left "Franklin Moody", oil on canvas, 9-3/4 x 8 in.; modern frame. Good condition. The Nu-Wray Inn, Burnsville, North Carolina (accompanied by brochure).
• WINFRED REMBERT(American/Georgia,
  WINFRED REMBERT(American/Georgia, 1945-2021) Cotton Pickers with Overseer, signed lower right "Winfred Rembert", dye on carved and tooled leather, 34-3/4 x 40-3/4 in.; white painted wood frame 43 x 48 in. Note: Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist's Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 coming out show at Adelson Galleries in New York. His work has entered major museum and private collections. [[southernart]] [the_american_south] Condition: color and surface are excellent; floating in frame
• Reginald Marsh American,
  Reginald Marsh American, 1898-1954 Apple Cider Tavern: A Double-Sided Work, 1946 Estimate:$12,000-$18,000
• WINFRED REMBERT(American/Georgia,
  WINFRED REMBERT(American/Georgia, 1945-2021) Picking Cotton, inscribed bottom center "Winfred Rembert...REV", dye on carved and tooled leather, 28 x 27 in.; metal frame 29-1/4 x 27-3/4 in. Note: Born in rural Georgia, raised in a community tied to the cotton fields, Winfred Rembert survived a childhood of poverty in the segregated South of the 1940s. He would go on to be a nationally recognized artist, and his biography - Chasing Me to My Grave: An Artist's Memoir of the Jim Crow South - was awarded the Pulitzer Prize in 2022. It was not a well paved path. In 1966, after a demonstration in Americus, Georgia, Rembert was arrested and put in jail without being charged. A year later, he escaped but was caught and hung up by a group of deputy sheriffs. They stuck him with a knife but did not kill and burn him as he had anticipated. He spent the next seven years in a chain gang. Remarkably, he met his wife while building roads and bridges in rural Georgia as part of his prison sentence. While in prison, a man named TJ taught him how to carve wallets out of leather, a skill that he would use decades later in his embossed leather paintings. After his release, Rembert and Patsy married and they moved to New York, then Connecticut, where he worked a variety of jobs. Not until in his 50s after a second round in prison, did he begin to draw and paint the scenes of his youth, carving the stories into tactile leather canvases. In 2000, Rembert had a well publicized show at the Yale University Art Gallery. In 2002, he was introduced to Peter Tillou after speaking about his artwork at a school in Waterbury, Connecticut. A short time later they agreed to a working relationship that included numerous exhibitions and his 2010 "coming out" show at Adelson Galleries in New York. His work has entered major museum and private collections. Provenance: Purchased from Peter Tillou; Private Collection Condition: excellent color, surface abrasions as made, laid down on foam core; frame with light wear
• Richard Gilkey (1925-1997
  Richard Gilkey (1925-1997 Washington) ''Chalice and Apples'' 1959 Oil on Masonite 14''x10'' Image. Northwest mystic still life composition. Signed and dated l.r. with Foster/White Gallery, Seattle label on verso. Custom made Allison & Ross gilt framing by Eric Leggett 20''x16''. Excellent condition.
• BUELL WHITEHEAD (AMERICAN,
  BUELL WHITEHEAD (AMERICAN, 1919-1993), APPLE MARKET AND CHENILLE FACTORY (TWO WORKS) Lithographs in color, pencil signed and titled, labels on the verso indicate these used to hang at the Grove Park Inn in Asheville, North Carolina.
• Wayne Beam Morrell (American,
  Wayne Beam Morrell (American, 1923-2013) "Apple Blossoms", oil on masonite, signed "Wayne Morrell", Newman Galleries label on reverse, 12" x 16", framed 16-1/2" x 20-1/2", very good condition, frame has spotting on linen
• FRED FELLOWS (1934- ), WINTER
  FRED FELLOWS (1934- ), WINTER CAMP ON BEAVER CREEK Fine Art
• Wycliffe Eggington (1875-1951). A
  Wycliffe Eggington (1875-1951). A large watercolour of a distant view of a castle monogram WE bottom right. 98 x 65 cm.
• Nicholas Richard Brewer portrait,
  Nicholas Richard Brewer portrait, (Minnesota, 1857-1949), "Dr. Joseph Charles Appleton" (Virginia), signed verso canvas "N.R. Brewer-1880", oil on canvas, 30 x 25-1/8 in.; modern gilt wood frame. Original stretcher with Shattauck keys and tacking edge, craquelure, flaking, retouch at flaking in background and at bottom edge; frame with abrasions. The Collection of Gene and Linda Kopf.