A few examples of appraisal values for
WILLIAM A ROGERS NEW YORK

• William P. Rogers oil painting on
  William P. Rogers oil painting on canvasdepicting a seascape. Canvas: 16''H x 24''W; Frame: 23''H x 31''W. Signed lower right ''W Rogers''. William P. Rogers (British fl. 1842-1872).
• WILLIAM P. ROGERS (IRISH, FL.
  WILLIAM P. ROGERS (IRISH, FL. 1842-1872), MARITIME SCENE Oil on canvas (lined), signed at lower right, presented in an attractive later gilt frame.
• John Rogers (American, 1829-1904).
  John Rogers (American, 1829-1904). "A Matter of Opinion," molded and painted plaster figural group, dated 1884 title impressed in base, inscribed "John Rogers New York 1884," 22 in. H., 15 in. W.
• Attributed to William P. Rogers
  Attributed to William P. Rogers (Irish, 1842-1872) Ships at Sea oil on canvas 20 x 30 inches. Property from the Collection of Mary Southworth, Lake Forest, Illinois
• Will Rogers typed letter, photos:
  Will Rogers typed letter, photos: 36 lines to Mr. Watson Webb, undated, "I just learned…that you were in the insurance business. I had no idea in the world that you had any business outside polo, But it was a relief to know there was one Polo man that at least retained some degree of business, Now that old insurance racket is a great thing. They all think there [sic] house is going to burn, but they are seldom ever lucky enough to have it happen…my wife has a nephew…(who) has worked in this same business out in the buckwheat belt, and those old babies are hard to talk out of a premium even if they see the blas [sic] headed toward the hay mound…", signed "Will Rogers" in brown ink, 11 x 8-3/8 in.; with two studio photographs of Rogers, each a print with his signature in image, 6-3/4 x 4-7/8 in. and 9-1/2 x 7-1/2 in. (Three pieces). Laid down on cardstock, fold through "Wi" of "Will", slight blurring to portions of signature. Early American History Auctions, June 11, 2005, Lot 78 (letter); Collection of Donald Nelson, Williamsburg, Virginia.
• WILLIAM P. ROGERS (IRELAND, FL.
  WILLIAM P. ROGERS (IRELAND, FL. 1842-1872), BEACHED SAILBOAT., OIL ON BOARD, 7.75” X 10.25”. FRAMED 14.5” X 17”.WILLIAM P. ROGERS, Ireland, fl. 1842-1872, Beached sailboat. Signed lower right "W. Rogers". Dimensions: Oil on board, 7.75" x 10.25". Framed 14.5" x 17".
• WILLIAM WALCOT (british 1874-1943)
  WILLIAM WALCOT (british 1874-1943) VIEW OF NEW YORK FROM BROOKLYN BRIDGE Pencil signed, inscribed and numbered Ed 50/35 ww in the margin. Etching and aquatint. 11 x 22 in. (image) 17 1/2 x 28 in. (sheet) Framed and matted behind glass. Light staining. Edges of sheet are folded over glass, discolored and brittle. Small scattered 1/4 in. tears along edges. Brown tape along front and verso of edges. No damages or restorations to note within image.
• Franklin Whiting Rogers painting
  Franklin Whiting Rogers painting (Massachusetts, 1854-1917), winter landscape with town visible through trees, signed lower right "F.W. Rogers", oil on canvas, remnant of exhibition label verso "The Pennsylvania Academy of the Fine Arts…", 25 x 30 in.; 20th century gilt wood and composition frame. Original stretcher and tacking edge, canvas slightly loose, crackle, some cupping and cleavage; frame with losses to composition. Private Collection.
• WILLIAM P. ROGERS. ROWING TO SHORE,
  WILLIAM P. ROGERS. ROWING TO SHORE, OIL (Irish, fl. 1842-1872). Oil on canvas, signed "W. Rogers" lr, sight size: 20 x 31 in., framed size: 23 x 42 inches.
• John Rogers (America, 1829-1904)
  John Rogers (America, 1829-1904) Union Refugees pale brown-painted plaster Stamped JOHN ROGERS/NEW YORK; APRIL 19, 1864, titled below. Height 23 x width 13 x depth 10 inches. Property from the Collection of Harry Peterson, Lantana, Florida
• W.A. Rogers (American, 1854-1931)
  W.A. Rogers (American, 1854-1931) Two original caricatures: "Mother's vision of WWI soldier's ghost", approx. 16" x 13-3/8" and overall framed 24-1/8" x 21-2/8". Second is "McAdoo tries to lasso Democratic Donkey being befuddled by Al Smith", approx. 16" x 13-3/8" and overall framed approx. 23-5/8" x 20-3/4". Both are india ink on paper, signed in the lower left corner; double matted under glass and framed.
• Robert Rogers Colonial Frontiersman
  Robert Rogers Colonial Frontiersman ANS 1778 Robert Rogers (1731-1795). Colonial frontiersman and soldier who fought for the British in the French & Indian Wars and the American Revolution; founder and commander of Rogers' Rangers a highly effective militia in the French & Indian Wars which produced several important leaders in the Continental Army who fought against their former commander. ANS 1p on laid paper 8.25 x 6.5 in. August 20 1778 at Middleton addressed to William Arnold Inn Holder of Greenwich (RI) asking him to retrieve clothing and wafers from a box stored in the inn's cave and to forward the items to Mr. Gideon Mumford who will deliver them. Condition: Scattered stains and soiling with minor holes along the folds.
• William P Rogers, 19th C Irish,
  William P Rogers, 19th C Irish, "Unloading the Catch", oil on canvas, signed "W. Rogers", 24" x 42", framed 32-1/4" x 50-1/4", good condition, area of paint loss on right edge, gesso damages on frame
• JOHN ROGERS (NEW YORK,
  JOHN ROGERS (NEW YORK, 1906-1985), FLY FISHERMAN BY A COVERED BRIDGE., WATERCOLOR, 20.5" X 27” SIGHT. FRAMED 30” X 37”.JOHN ROGERS, New York, 1906-1985, Fly fisherman by a covered bridge. Signed lower right "John Rogers". Dimensions: Watercolor, 20.5" x 27" sight. Framed 30" x 37".
• WILLIAM RICKARBY MILLER(New York,
  WILLIAM RICKARBY MILLER(New York, 1818-1893) A Pair of New York Landscapes; one signed lower right "W.R. Miller" and dated 1872 lower left; one signed and dated lower left "W.R. Miller 1874", both oil on board, 4-1/2 x 6-1/2 in.; matching period carved gilt wood frames, 9 x 11 in. Provenance: A Private New Jersey Estate Condition: both with very slightly yellowed varnish; frames with wear commensurate with age
• ROGERS GROUP - Rogers Group
  ROGERS GROUP - Rogers Group 'Checkers Up at the Farm' titled on integral plinth marked 'John Rogers New York' & 'Patented Dec 28 1875' in plaster with later full color paint treatment depicting young man holding hoe pointing out move to his father
• WILLIAM CHARLES BAKER (American
  WILLIAM CHARLES BAKER (American 1872 - 1958). WINTER LANDSCAPE UPSTATE NEW YORK signed lower right. Oil on board - Framed 10 in. x 13 1/ 4 in.
• AFTER JOHN ROGERS (AMERICAN,
  AFTER JOHN ROGERS (AMERICAN, 1829-1904), PLASTER GROUP 'COUNCIL OF WAR'AFTER JOHN ROGERS (AMERICAN, 1829-1904), PLASTER GROUP 'COUNCIL OF WAR', bearing signature 'JOHN ROGERS / NEW YORK /PATENTED MARCH 31, 1868' on base, and "COUNCIL OF WAR' on front edge Rogers created the 'Council of War' a few years after the end of the Civil War. It depicts the Union leaders discussing possible military actions. President Lincoln studies a map while General Grant points out his plan and and Secretary of War Stanton listens from behind. This is a 20th century reproduction. h:24.50in.
• Roy Rogers watch.
  Roy Rogers watch.
• WILLIAM RICKARBY MILLER(American,
  WILLIAM RICKARBY MILLER(American, 1818-1893) Bay of New York from the Heights of Hoboken, 1860, signed and dated lower left "W.R. Miller 1860", original artist label verso, oil on canvas, 25-1/4 x 37 in.; fine reproduction gilt wood and composition frame, 31-1/4 x 43-1/4 in. Note: Literature : American Landscape and Genre Paintings in the New York Historical Society 2, 2. New York: New York Historical Society, 1982, p. 357; William Rickarby Miller: 19th Century Landscape Painter, Art & Antiques, May-June 1983, p. 66, ill. Provenance: Jordan-Volpe Gallery, New York, NY, (label verso); Hirschl & Adler Galleries, New York NY (label verso) until 1980; Private Collection; Questroyal Fine Art, LLC, New York, New York (label verso), purchased in 2005 for $142,500 (includes original receipt); Property from an Important Charleston Collection Condition: wax and linen lined, evidence under black light of repaired vertical tear left side sky, stabilized crackle; frame with wear and abrasions
• WENDELL M. ROGERS (MASSACHUSETTS,
  WENDELL M. ROGERS (MASSACHUSETTS, 1890-1973), ROCK HARBOR, ORLEANS, MASSACHUSETTS., OIL ON CANVAS, 25" X 36". FRAMED 30" X 41".WENDELL M. ROGERS, Massachusetts, 1890-1973, Rock Harbor, Orleans, Massachusetts. Signed lower left "Wendell Rogers". Dimensions: Oil on canvas, 25" x 36". Framed 30" x 41".
• "Views of New York, Plt. 1",
  "Views of New York, Plt. 1", after William James Bennett (American, 1787-1844), "Broadway from the Bowling Green, 1828” engraved by J.R. Hutchinson. 11" x 16 1/2".
• John Rogers (American 1824-1904)
  John Rogers (American 1824-1904) (New York/Connecticut 1824-1904) IS IT SO NOMINATED IN THE BOND? (The Merchant of Venice) and COMING TO THE PARSON painted plaster signed and inscribed: on base H24'' W19'' D12'' and H24'' W17'' D9 1/2'' (2pcs) Provenance: Abbeville South Carolina private collection.
• Rogers figural group, "Going for
  Rogers figural group, "Going for the Cows", horse with boy, dog digging a hole, marked "John Rogers, New York", patent date 1871, 12 x 13-3/4 in. Extensive losses to boy, surface abrasions and chips throughout. Former Collection of a Mid-Atlantic Museum
• WENDELL M. ROGERSAmerican
  WENDELL M. ROGERSAmerican 1890-1973Harbor scene with docked fishing boats. Signed lower right Wendell Rogers''.Oil on canvas board 16'' x 20''.''
• WILLIAM RONALD R.C.A. MEMORIES
  WILLIAM RONALD R.C.A. MEMORIES NEW YORK 1959 Medium: oil on canvas signed 33" (height) 82.5cm (height) 45" (width) 112.5cm (width)
• WILLIAM JACK LAYCOX NEW YORK IN
  WILLIAM JACK LAYCOX NEW YORK IN WINTER WATERCOLOR William Jack Laycox (American, 1921-1984) watercolor painting on paper depicting a city landscape scene of Central Park in winter, signed lower left, housed under glass in a gilt wood frame carved with a foliate design. Image: 21.5" H x 30" W; frame: 33" H x 43.5" W. Provenance: From a 50 Madison Avenue estate.
• William Walcott (American
  William Walcott (American 1874-1943) "Battery Park New York City". Etching on paper signed in pencil in the lower right margin the plate size apprx. 5-3/4" x 5-3/4" in original matting with blind stamp and framed in a wood frame under glass overall apprx. 15-1/4" x 13-1/2". Prov: from the collection of Frederick Hale McDuff.
• William Lester Stevens American,
  William Lester Stevens American, 1888-1969 View from the Riverbank and New England Town: A Double-Sided Work Estimate:$500-$700
• Peter Warren RogersAmerican
  Peter Warren RogersAmerican (1944-2018)oil on board15 1/4 x 12 1/2 inches
• Laussat Rogers (DE 1866-1957)
  Laussat Rogers (DE 1866-1957) Landscapeoil on board labeled on the verso ''November Wood / circa 1935 / Laussat R. Rogers / Hannali A. Rogers '' presented in a painted frame.Born in California Laussat Richter Rogers is admired for both his artistic talent and his preservation work in New Castle Delaware during the early 20th century.SS 23.5 x 28.25 in.; DOA 30 x 34.75 in.
• JAMES ABOTT MCNEILL WHISTLER
  JAMES ABOTT MCNEILL WHISTLER (American 1834-1903). JOLIE NEW YORKAISE lithograph - Framed image: 9 in. x 6 in.
• WILLIAM WEGMAN (American b.
  WILLIAM WEGMAN (American b. 1943). ROLLER ROVER POSTER signed lower right. - Framed 23 1/2 in. x 19 1/2 in.
• 2 vols. American Abolitionists:
  2 vols. American Abolitionists: Rogers, Nathaniel Peabody. A Collection from The Newspaper Writings. Concord: John R. French, 1847. First edition. 12mo, orig. brown cloth, gilt-lettered spine; light to moderate edge wear. Frontis. portrait (moderately foxed). A few signatures sprung. Internally generally clean. Sabin 72715; Blockson 9311. * Brown, William Wells. Sketches of Places and People Abroad. Boston: John P. Jewett, 1855. 1st Am. ed. 12mo, orig. green cloth, gilt-lettered spine; light to moderate wear. Frontis. portrait (light foxing). Some spotting & foxing to title page, other scattered minor internal spotting. Sabin 8586; Blockson.
• WILLIAM RICKARBY MILLER(American,
  WILLIAM RICKARBY MILLER(American, 1818-1893) The Mill, New York, 1851, signed and dated lower right "W. R. Miller 1851/NY(?)", watercolor on paper, 15 x 21 in.; carved gilt wood and composition frame, 28 x 34 in. Note: Exhibited: The Glory of Landscape, Pelham Art Center, Pelham, New York, May 9-June 21 2008. In 1840, tobacco magnate Pierre Lorillard built the first tobacco processing mill in the country, on the Bronx River. That building was constructed out of field stone, and remains on the site of the New York Botanical Gardens. In the 1852 American Art Union catalog, entry #304 is a watercolor William Rickarby Miller titled "Lorillards's Mills", with the size 21 3/4 X 15 3/4. While the mill in this image is clearly wood and not stone, it is possible that this is the same painting in the collection of the American Art Union in 1852. Provenance: (possibly) the American Art Union, 1852 (see note); Private Collection, Mount Vernon, New York Condition: archivally supported on Japan paper, hinged at top, possible repaired tear at upper edge; frame with wear and small losses to decoration
• JO DAVIDSON (1883-1952): WILL
  JO DAVIDSON (1883-1952): WILL ROGERS LIFE MASK Terracotta. 10 x 5 1/2 x 5 in.