A few examples of appraisal values for
WILLIAM BAL

• William Whit
  William Whit
• After William Hay
  After William Hay
• William (Bill) Undery (1955-.)
  William (Bill) Undery (1955-.) Australia, A/P "City Palms" '07. 28 x 30 cm
• William (Bill) Undery (1955-.)
  William (Bill) Undery (1955-.) Australia, A/P "City Palms" '07. 28 x 30 cm
• William Alan Youngblood (Tenn
  William Alan Youngblood (Tenn
• WILLIAMS. "BILLIARDS," ENGRAVING
  WILLIAMS. "BILLIARDS," ENGRAVING Hand colored engraving, sight size: 9 x 12 1/2 in., framed.
• William Ballantine Dorsey
  William Ballantine Dorsey (American, b. 1942). Landscape with Bluebells. Oil on canvas, signed at the lower right corner, approx. 24" x 30", framed in a wide gilt frame overall approx. 32-1/8" x 38".
• BILL BOND (AMERICAN, B. 1923)Bill
  BILL BOND (AMERICAN, B. 1923)Bill Bond American, b. 1923 Last Cup Bronze Signed and editioned 6/15. Cowboy with cigarette and coffee mug reclining on his saddle, mounted to wooden base. Bronze: 5 1/2 x 10 1/4 x 5 1/4 in. (13.97 x 26.04 x 13.34 cm.), overall: 7 x 12 3/4 x 7 1/4 in. (17.78 x 32.39 x 18.42 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• WILLIAM "BILL" THON (ME/NY/ITALY,
  WILLIAM "BILL" THON (ME/NY/ITALY, 1906-2000) Untitled, ink on paper, 1987, signed lower right, labeled verso with an original price of $1,200. Two notes taped to back in Thon's hand: "To Roz! Congratulations on your new doctorate, Helen & Bill" & "Happy Anniversary to Roz & Sumner, July 16, 1989". In a black stick frame, matted & glazed, OS: 15 1/2" x 18 1/2", SS: 9" x 12", good condition.
• WILLIAM "BILL" (HORACE) MUIR
  WILLIAM "BILL" (HORACE) MUIR (ME/NC, 1902-1964) Head of William Donovan, bronze painted plaster on wooden plinth, signed on back, subject provided by consignor, 21" x 11" x 7", a few minor flakes.
• WILLIAM GOTTLIEB (AMERICAN/NEW
  WILLIAM GOTTLIEB (AMERICAN/NEW YORK, 1917-2006)William Gottlieb (American/New York, 1917-2006), "Billie Holiday", c. 1948 negative creation date, 1979 print date, gelatin silver print, signed lower left, signed, titled, dated and 2 artist stamps one with print date en verso, partial artist label on backing board, sheet 14 in. x 11 in., framed, overall 22 1/4 in. x 18 1/4 in. x 1 in. Provenance: Estate of Warren A. Goldstein, Esq., New Orleans.
• WILLIAM BARRON (AMERICAN,
  WILLIAM BARRON (AMERICAN, CONTEMPORARY) 48" x 70" "Bill's Dichotomy", 1983. Oil on canvas, signed and dated lower right corner, signed, titled, and dated, in wood frame.
• WILLIAM HORACE (BILL) LITTLEFIELD
  WILLIAM HORACE (BILL) LITTLEFIELD (MASSACHUSETTS, 1902-1969), TWO WORKSWILLIAM HORACE (BILL) LITTLEFIELD, Massachusetts, 1902-1969, Two works: 1) "Diverse Occurrences from a Single Source". Oil on board, 14.5" x 11.5". Framed 15" x 12.5". 2) "Marine". Ink monotype, 7.75" x 7". Framed 14.5 x 12.5". Both signed and titled verso.
• WILLIAM (BILL) CONDON
  WILLIAM (BILL) CONDON (AMERICAN/TEXAS 1923-1998) A PAIN...WILLIAM (BILL) CONDON (American/Texas 1923-1998) A PAINTING, "Vienna," 1965, oil and mixed media on board; 20'' x 16'', framed 26 3/4'' x 22 3/4''. Provenance: Estate of the late Dr. Wiley and Gloria Biles, Houston, Texas; Proceeds to benefit the Contemporary Arts Museum Houston Condition: No visible signs of damage, appears to be unsigned. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS.”
• William E. Williams (American,
  William E. Williams (American, 1818-1897) Folk art painting. Williams executed a number of watercolors as a teen in 1833 living in Wrightstown, Bucks Co., Pa. He died without heirs in 1897. This naive depiction shows two well armed, engaged combatants. Image: 4 7/8" x 7". Good condition. These paintings were acquired from a descendant. There was an accompanying journal from the time describing Williams's activities and current events. It also makes mention of his later years as a gentleman farmer and his association with the Cadwalladers, a well known Revolutionary family.
• BILL (WILLIAM) STILSON (AMERICAN,
  BILL (WILLIAM) STILSON (AMERICAN, 1934 - 2012) 18" x 36" board "View of Pittsburgh Skyline through 16th Bridge". Oil on canvas on artist's board, framed with a wide liner, signed in the lower left corner, overall 25 ½" x 43 ½".
• Will James (1892-1942 Billings
  Will James (1892-1942 Billings MT) Protecting the Herd
• William (Bill) Ronald Reid
  William (Bill) Ronald Reid (1920-1998) and Various Artists , Canadian THE SALMON - CANADA'S PLEA FOR A THREATENED SPECIES THE SALMON - CANADA'S PLEA FOR A THREATENED SPECIES
• WILLIAM "BILL" LEIZMAN (AMERICAN
  WILLIAM "BILL" LEIZMAN (AMERICAN 20TH CENTURY), ABSTRACT, ACRYLIC ON CANVAS, FRAME: 20-3/4 X 16-3/4 INWilliam "Bill" Leizman (American 20th Century), Abstract, Acrylic on Canvas, Frame: 20-3/4 x 16-3/4 in
• William Hart (1823-1894 Mount
  William Hart (1823-1894 Mount Vernon NY) Cows Watering
• WILLIAM "BILL" LEIZMAN (AMERICAN
  WILLIAM "BILL" LEIZMAN (AMERICAN 20TH CENTURY), PORTRAIT OF A MAN, OIL ON CANVAS, FRAME: 17-1/2 X 6-1/2 INWilliam "Bill" Leizman (American 20th Century), Portrait of a Man, Oil on Canvas, Frame: 17-1/2 x 6-1/2 in
• William E. Williams (American,
  William E. Williams (American, 1818-1897) Folk art painting. Williams executed a number of watercolors as a teen in 1833 living in Wrightstown, Bucks Co., Pa. He died without heirs in 1897. This is a naive depiction of a hunter and his dog bagging a duck. Image: 6" x 7 3/8". Good condition. These paintings were acquired from a descendant. There was an accompanying journal from the time describing Williams's activities and current events. It also makes mention of his later years as a gentleman farmer and his association with the Cadwalladers, a well known Revolutionary family.
• William E. Williams (American,
  William E. Williams (American, 1818-1897) Folk art painting. Williams executed a number of watercolors as a teen in 1833 living in Wrightstown, Bucks Co., Pa. He died without heirs in 1897. Two dogs battle over their prey in this naive painting. Image: 5 1/2" x 7 1/2". Good condition. These paintings were acquired from a descendant. There was an accompanying journal from the time describing Williams's activities and current events. It also makes mention of his later years as a gentleman farmer and his association with the Cadwalladers, a well known Revolutionary family.
• William Ballantine Dorsey
  William Ballantine Dorsey (American, b. 1942) Valley and shoreline. Oil on canvas, approx. 24" x 30", signed in the lower right corner, framed in a wide gilt frame overall approx. 32-1/4" x 38".
• WILLIAM HORACE (BILL) LITTLEFIELD
  WILLIAM HORACE (BILL) LITTLEFIELD (MASSACHUSETTS/NEW YORK, 1902-1969), PORTRAIT OF A MAN IN A CONTEMPLATIVE POSE., INK ON PAPER, 10" X 6.5" SIGHT. FRAMED 17" X 13".WILLIAM HORACE (BILL) LITTLEFIELD, Massachusetts/New York, 1902-1969, Portrait of a man in a contemplative pose. Signed and dated lower right "Littlefield 1928". Dimensions: Ink on paper, 10" x 6.5" sight. Framed 17" x 13".
• WILLIAM BAILEY (AMERICAN, B.
  WILLIAM BAILEY (AMERICAN, B. 1930) 18 ½" x 22 ¼" paper "Still Life", 2001. Etching, aquatint, and softground etching on Hahnemhule copperplate warm white paper, signed and dated in pencil lower right, published by the Print Club of Cleveland number 80, 2002, printed by Felix Harlan, New York, Print Club of Cleveland blindstamp lower left, unframed. Cleveland Print Club bio and label included.
• WILLIAM BAILEY (AMERICAN,
  WILLIAM BAILEY (AMERICAN, 1930-2020), STILL LIFE, OSTIA Lithograph in colors, 1994, pencil signed, dated, and numbered 87/108 lower margin, published by List Art Posters and the Lincoln Center for the Performing Arts, New York, matted and presented in gilt frame.
• WILLIAM "BILL" IRVINE (ME/SCOTLAND,
  WILLIAM "BILL" IRVINE (ME/SCOTLAND, 1931 - ) "Seabreeze", oil on museum board, signed lower center right, exhibition label verso gives title, in bleached birch box frame, matted and glazed, OS: 31 1/4" x 41 1/4", SS: 24" x 34", fine condition.
• Bill Warl (20th century) Adobe
  Bill Warl (20th century) Adobe House mixed media on canvas signed (lower right) 36 x 42 inches.
• FOWLER, WILLIAM WORTHINGTON Ten
  FOWLER, WILLIAM WORTHINGTON Ten Years of Wall Street Estimate:$150-$250
• WILLIAM WALCOT (British 1874-1943).
  WILLIAM WALCOT (British 1874-1943). PORT SCENE signed in pencil lower right. Etching - Framed plate: 4 1/4 in. x 6 3/4 in.
• WILLIAM "BILL" LEIZMAN (AMERICAN
  WILLIAM "BILL" LEIZMAN (AMERICAN 20TH CENTURY), ABSTRACT, OIL ON CANVAS, FRAME: 19 X 19 INWilliam "Bill" Leizman (American 20th Century), Abstract, Oil on Canvas, Frame: 19 x 19 in
• BILL NEBEKER (AMERICAN, B.
  BILL NEBEKER (AMERICAN, B. 1942)Bill Nebeker American, b. 1942 Tombstone Reckoning , 2009 Bronze Signed, dated, and editioned 14/30. Full-length portrait of Wyatt Earp in long duster with pistols drawn, mounted to wooden base. Purchased in 2010 from the Prix de West Exhibition and Sale. Bill of sale accompanies this lot. Bronze: 20 1/2 in. (52.07 cm.), overall: 22.40 in. (56.90 cm.) The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways. Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
• William Hart (American,
  William Hart (American, 1823-1894) Landscape oil on canvas signed Wm. Hart (lower left) 30 x 50 inches
• BILL (WILLIAM) G. SULLIVAN
  BILL (WILLIAM) G. SULLIVAN (AMERICAN, CONTEMPORARY) 32" x 21" "Welcome to the Monkey House." 3D sculptural plaque, ca. 2004. Assemblage of wood, polychrome paint, with jigsaw border frame with gold leaf finish, signed and titled on the back. Provenance: private collection, Pittsburgh, PA, acquired at Hal Marcus Gallery, El Paso, TX in 2004.
• BILL (WILLIAM) G. SULLIVAN
  BILL (WILLIAM) G. SULLIVAN (AMERICAN, CONTEMPORARY) 32" x 21" "Welcome to the Monkey House." 3D sculptural plaque, ca. 2004. Assemblage of wood, polychrome paint, with jigsaw border frame with gold leaf finish, signed and titled on the back. Provenance: private collection, Pittsburgh, PA, acquired at Hal Marcus Gallery, El Paso, TX in 2004.