A few examples of appraisal values for
WILLIAM MOORE

• William I Moore (1790-1851)/A
  William I Moore (1790-1851)/A Family Within An Interior/signed and dated 1839 lower right/pencil and crayon, 50cm x 40cm/see illustration
• Attributed to William Moore
  Attributed to William Moore (1790-1851)/Portrait Miniature of a Young Man/half-length, in blue coat and white waistcoat/watercolour on ivory, 11cm x 8cm/and 19th Century School/Portrait Miniature of a Bewhiskered Gentleman/wearing a black coat/watercolour on paper, 12.5cm x 10.5cm
• WILLIAM MELLOR (ENGLISH,
  WILLIAM MELLOR (ENGLISH, 1851-1931), ON THE WHARFE, NORTH YORKSHIRE Oil on canvas, signed at lower left, faint inscription to verso, presented in a period gilt frame.
• William Whit
  William Whit
• William Sidney Morrish
  William Sidney Morrish (1844-1917) - Gorse Bushes by a Moorland Stream, signed, watercolour, 25.5 x 35cm More Information Slightly mount stained
• After William Hay
  After William Hay
• William Purser (1790-1852
  William Purser (1790-1852 British) Beduin (sic) Arabs
• William Moore Davis (NY
  William Moore Davis (NY 1829-1920) Beachedoil on canvas signed and dated ''Wm. M. Davis / 04 '' on original stretcher presented in gilt wooden frame.Davis a self-taught painter briefly operated a gallery in New York City. In 1872 he returned to his Long Island home and concentrated on rural scenes landscapes and seascapes.SS 15.5 x 23.5 in.; DOA 22 x 30.25 in.Surface grime and some yellowing to varnish; 3/4 inch abrasion to sky above boat; no evidence of touch-ups visible under black light inspection; frame with later gold paint.
• HENRY S. MOORE (1898-1996)
  HENRY S. MOORE (1898-1996) BRITISHHenry Spencer Moore, reclining figure, lithograph in colours on rag paper, numbered 51 / 65, signed & dated 67 in graphite lower left, mirrored lithographic signature lower right, 11.75" h x 12" w.
• 19TH C. WILLIAM WIDGERY, MOORLAND
  19TH C. WILLIAM WIDGERY, MOORLAND SCENE WATERCOLOR William Widgery (British, 1822-1893). "Moorland Scene", watercolor and gouache. Signed lower left, framed. Note: Purchased from W.R. Harvey & Co Antiques Ltd, London in 1983. Paperwork from Harvery indicate the company purchased it from
• WILLIAM "BILL" (HORACE) MUIR
  WILLIAM "BILL" (HORACE) MUIR (ME/NC, 1902-1964) Head of William Donovan, bronze painted plaster on wooden plinth, signed on back, subject provided by consignor, 21" x 11" x 7", a few minor flakes.
• Claude T. Stanfield Moore
  Claude T. Stanfield Moore (British 1853-1901) Off Whitby Harbor. Oil on canvas signed and dated 76 at the lower left corner apprx. 20" x 30" framed in a wide gilt frame overall apprx. 26-1/2" x 36". Depicting a shipwreck and rescue just off the coast in roiling waters. The boat to the right has "W.H." on its bow indicating the home port of Whitby Yorkshire UK. Great attention to the details of the buildings on the coast; Whitby Abbey at the upper left to the port with two lighthouses at the right.
• POSSIBLY WILLIAM WILLIAMS (AMERICAN
  POSSIBLY WILLIAM WILLIAMS (AMERICAN SCHOOL, 18TH CENTURY) AN ELDERLY QUAKER 1770 GRAPHITE AND PEN AND INK ON PAPER: 8 X 6 1/2 IN.POSSIBLY WILLIAM WILLIAMS, (AMERICAN SCHOOL, 18TH CENTURY) AN ELDERLY QUAKER 1770, Graphite and Pen and ink on paper: 8 x 6 1/2 in. Framed; upper inscribed: taken from the life June 9th -70; verso inscribed: Quaker Eccentric/ Benjamin Lay 1682-
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 7'' x 9'', signed, titled and numbered 892 verso, fine contemporary gilt frame, 12.25'' x 13.25''.
• William Etty (1787-1849 British)
  William Etty (1787-1849 British) Odalisque (Nude Male)
• MOORE, Benson Bond, (American,
  MOORE, Benson Bond, (American, 1882-1974): Phillipi Creek, O/M, 8'' x 10'', signed, titled and numbered 790 verso, fine contemporary gilt frame, 13.5'' x 15.5''.
• William W. McCullough (North
  William W. McCullough (North Carolina/South Carolina, born 1948) Pine Tre
• WILLIAM MORRIS (1834-1896) FOR
  WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. 'BATCHELOR'S BUTTON' ORIGINAL WALLPAPER PANEL, CIRCA 1892 hand-blocked paper, marked to selvedge MORRIS & CO., later framed133cm x 55cmLiterature: V&A accession no. E597-1919
• Mayer Francis Blackwell [American
  Mayer Francis Blackwell [American 1827-1899] oil on canvas painting of William Penn signed l.r. and verso on stretcher "F.B. Mayer" and also on stretcher "Pinxt 1887" and "The Planeur" mounted in a gilt frame. 13.5"x10"
• C.B. EASLEY (AMERICAN 19TH CENTURY)
  C.B. EASLEY (AMERICAN 19TH CENTURY) A PAIR OF PORTRAITS OF WILLIAM AND NANCY MOORE Pastel on paper: 21 x 17 in. Framed; both signed C. B. Easley
• William Moise (American
  William Moise (American 1922-1980) "Snow Forest". Oil on canvas signed and dated '79 at the lower right corner apprx. 36" x 24" in a wooden floater frame overall apprx. 37-3/4" x 25-3/4". Prov: from the collection of Frederick Hale McDuff.
• WILLIAM MELLOR (UNITED KINGDOM,
  WILLIAM MELLOR (UNITED KINGDOM, 1851-1931) OIL ONWILLIAM MELLOR (United Kingdom, 1851-1931) oil on canvas, "Cattle Watering on the Wharfe, Yorkshire, England." Faintly signed lower left. Image measures 24" x 18". In a gilt wood frame; 28" x 22" overall.
• William Hogarth (British,
  William Hogarth (British, 1697-1764) Marriage-a-la-Mode six framed engravings 14 x 17 1/2 inches (each).
• C.B. EASLEY (AMERICAN 19TH CENTURY)
  C.B. EASLEY (AMERICAN 19TH CENTURY) A PAIR OF PORTRAITS OF WILLIAM AND NANCY MOORE Pastel on paper: 21 x 17 in. Framed; both signed C. B. Easley
• Henry Moore (British, 1898-1986)
  Henry Moore (British, 1898-1986) collotype "Shelter Sketch Book", "Man and Woman Talking in Dark Corner", collotype on paper, RM copyright mark lower left corner, 7-1/4" x 6-3/8" sheet, framed 19-3/4" x 15-3/4", very good condition
• WILLIAM MORRIS (1834-1896) FOR
  WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. ‘WILLOW BOUGHS’, FRAMED ORIGINAL WALLPAPER PANEL, CIRCA 1887 hand-blocked paper, printed by Jeffrey & Co., later framed88cm x 28cmLiterature: Schoeser M. The Art of Wallpaper: Morris & Co in Context, ACC 2022, p.93, no. 83 illus. Note: Willow Boughs was inspired by an afternoon walk taken by Morris and his daughter May near Kelmscott manor in Oxfordshire. May Morris later wrote that her fathers “keenly observed rendering of our willows has enbowed many a London living room”
• WILLIAM STEPHEN COLEMAN (BRITISH
  WILLIAM STEPHEN COLEMAN (BRITISH 1829-1904) FARAWAY THOUGHTS Signed, watercolour23cm x 28cm (9in x 11in)Provenance: The Bellamy Collection, County Down, Northern Ireland
• JAMES FRANCIS WILLIAMS (SCOTLAND,
  JAMES FRANCIS WILLIAMS (SCOTLAND, 1785-1846), "MOORLAND LANDSCAPE"., OIL ON CANVAS, 14" X 21". FRAMED 18" X 25".JAMES FRANCIS WILLIAMS, Scotland, 1785-1846, "Moorland Landscape". Signed lower left "J.F. Williams". Titled on label on stretcher. Dimensions: Oil on canvas, 14" x 21". Framed 18" x 25".
• WILLIAM MOYERS (NM, 1916-2010),
  WILLIAM MOYERS (NM, 1916-2010), BACKSCRATCHERS Patinated bronze, signed and dated 1985, numbered 17/50, with "A & S / USA" foundry mark, mounted on a shaped wood base with brass gallery plaque to front.
• William Aiken Walker (Charl
  William Aiken Walker (Charl
• WILLIAM MELLOR (1851-1931)
  WILLIAM MELLOR (1851-1931) WINDERMERE FROM THE HILLS, LANGDALE PIKE IN THE DISTANCE Signed, signed and inscribed verso 'Westmoreland', oil on canvas51cm x 76cm (20in x 30in)
• WILLIAM H. WEISMAN (AMERICAN,
  WILLIAM H. WEISMAN (AMERICAN, 1840-1922), OIL ON CANVAS, MOODY FOREST SCENE, DIRT PATH THROUGH MIDDLE RUNS BY LARGE BOULDERS THROUGH...William H. Weisman (American, 1840-1922), oil on canvas, moody forest scene, dirt path through middle runs by large boulders through dark woods, leading towards deep woods with a warm glow, signed lower left, not examined out of frame, wear consistent with age, ss: 17 1/2" h. x 9 1/2" w.
• William J. McCloskey (1859-1941
  William J. McCloskey (1859-1941 Orange CA) Apples on a Table
• WILLIAM NEWCOMBE IN AND OUT Medium:
  WILLIAM NEWCOMBE IN AND OUT Medium: watercolour signed 22" (height) 55cm (height) 30" (width) 75cm (width)
• William Forsyth (American,
  William Forsyth (American, 1854-1935), "A Willow of Winona", view from the island, oil on board; 27 1/2" x 21 1/2"; signed and dated '28 lower right, titled verso. Forsyth taught summer classes for Herron at Winona Lake in the 20s and 30s. He served as a major figure in the Hoosier School of painters, exhibiting with T.C. Steele, Otto Stark, Richard Gruelle and J. Ottis Adams.
• WORK ON PAPER, WILLIAM T. WILEY
  WORK ON PAPER, WILLIAM T. WILEY William T. Wiley (American, b. 1947), Untitled (Having a Nice Stay), charcoal rubbing with pencil and colored pencil, signed "Sir Vant" lower right, inscribed lower left/right, sheet (unframed): 24"h x 18"w