A few examples of appraisal values for
WILLIAM MOUNT

• William Mount (died 1769) and
  William Mount (died 1769) and Thomas Page (died 1762) - engraving - ''A Large Draught of the Downes'' 16.75ins x 21.5ins - Map of the Downs off the coast of Kent and Jack Nicholas Bellin (1703-1772) - Engraving - ''Carte Reduite de la Rade de Dunes'' - Map of the Downs off the coast of Kent 22.5ins x 16.25ins dated 1757 both in ebonised frames and glazed
• WILLIAM SIDNEY MOUNT (NY,
  WILLIAM SIDNEY MOUNT (NY, 1807-1868) Man in White Coat, oil on academy board, initialed and dated 1849 lower left, label verso from Alexander Gallery, 980 Madison Ave, NYC. Housed in what appears to be the original ornate gilt gesso frame, OS: 21" x 17", SS: 13" x 10".
• AFTER WILLIAM SIDNEY MOUNT
  AFTER WILLIAM SIDNEY MOUNT 'COMING TO THE POINT' After William Sidney Mount 'Coming to the Point' colored lithograph on paper, after the 1855 original, depicting two men negotiating near a stable. Sight 23" H x 25.5" W. Frame 35.5" H x 37.5" W.
• William Sidney Mount (1807-1868)
  William Sidney Mount (1807-1868) oil on panel of a boy musician titled verso "Vocal and Instrumental", signed Wm. S. Mount, with related newspaper article. 6.5" x 5.75" ss / 16.25" x 15.5" oa Condition: Losses to bottom frame, chips, probably repainted, not original frame.
• William Sidney Mount (American
  William Sidney Mount (American 1807-1868) "The Storm" pencil on paper initialed "W.S.M" dated "July 8.68" and titled lower center 6 in. x 4 in. attractively matted and framed. Provenance: Childs Gallery Boston 1979; from the artist to Mrs. William Jones Seabury Long Island New York; to her grandson Andrew Oliver New York and Boston 1978; thence to Belle Cheniere. Note: This drawing depicts a post-Civil War mother taking shelter under a tree for the duration of the impending storm where she comforts her two children and their dog. The mother's spreading skirts suggest the stability of her mission a point belied by her and her daughter's anxious expressions which are mirrored by that of the dog.
• WILLIAM WILLIAMS OF PLYMOUTH
  WILLIAM WILLIAMS OF PLYMOUTH (BRITISH 1808-1895), MOUNTAIN LANDSCAPE, OIL ON CANVAS, FRAMED, 23 X 18-3/4 INCHESWilliam Williams of Plymouth (British 1808-1895), Mountain Landscape, Oil on Canvas, Framed, 23 x 18-3/4 inches
• ATTRIBUTED TO WILLIAM PRESTON
  ATTRIBUTED TO WILLIAM PRESTON PHELPS (NEW HAMPSHIRE, 1848-1923), "MOUNT MONADNOCK VALLEY"., OIL ON BOARD, 7" X 12". FRAMED 12" X 17".ATTRIBUTED TO WILLIAM PRESTON PHELPS, New Hampshire, 1848-1923, "Mount Monadnock Valley". Unsigned. Titled and attributed on frame plaque. Dimensions: Oil on board, 7" x 12". Framed 12" x 17".
• WILLIAM MELLOR (British 1851-1931).
  WILLIAM MELLOR (British 1851-1931). CATTLE DRINKING AT MOUNTAIN STREAM signed lower left. Oil on canvas - Framed 50 in. x 40 in.
• AFTER WILLIAM S. MOUNT, THE BONE
  AFTER WILLIAM S. MOUNT, THE BONE PLAYER, 1857W. SCHAUS (Publisher, 19th Century American) “THE BONE PLAYER”. Colored lithograph by “Lafosse, IMP. by Fois Delarue, Paris. Published by W. Schaus, New York 1857”. After a painting by William S. Mount. Scene shows a black man in colorful blue coat with red bow tie seated in chair with both hands held up playing two carved ivory bones in each hand. Well framed in gilt with fine ivory matte. Reference: Illustrated as figure 47 in William Sidney Mount by Cowdrey & Williams 1944. A rare print with much debated subject matter. A detailed and flattering depiction of a Black man from a time when this treatment was rare. However the reasoning for this is much debated. A rare, museum quality piece, with the original painting owned by MFA Boston and another copy of this print in the collection of the Metropolitan Museum of Art, New York. SIGHT SIZE: 29-1/2” x 23”. CONDITION: Four tears in margin. Two of which go into image, one appears to be restored. Strong color. shipping info This item will need to be shipped by a packing company of your choice. We maintain a list of reliable shippers, or you may choose your own.
• WILLIAM FREDERICK PASKELL
  WILLIAM FREDERICK PASKELL (MASSACHUSETTS, 1866-1951), MOUNTAIN SCENE., OIL ON CANVAS, 16” X 22”. FRAMED 20” X 26”.WILLIAM FREDERICK PASKELL, Massachusetts, 1866-1951, Mountain scene. Signed lower left. Dimensions: Oil on canvas, 16" x 22". Framed 20" x 26".
• WILLIAM R. DAVIS (MASSACHUSETTS, B.
  WILLIAM R. DAVIS (MASSACHUSETTS, B. 1952), "RAIN + MIST ON MT. WASHINGTON"., OIL ON BOARD, 8" X 10". FRAMED 12.5" X 14.5".WILLIAM R. DAVIS, Massachusetts, b. 1952, "Rain + Mist on Mt. Washington". Signed lower left "W. Davis". Titled verso. Dimensions: Oil on board, 8" x 10". Framed 12.5" x 14.5".
• WILLIAM PRESTON PHELPS,
  WILLIAM PRESTON PHELPS, (AMERICAN, 1848-1923), MONADNOCK MOUNTAIN AT TWILIGHT, OIL ON CANVAS, 14 X 22 IN., FRAME: 23 X 31 IN.WILLIAM PRESTON PHELPS (American, 1848-1923) Monadnock Mountain at Twilight oil on canvas signed WP Phelps lower right; inscribed Monadnock Mt. at Twilight, Marlborough N.H., Stone Pond in pencil on stretcher. 14 x 22 in., frame: 23 x 31 in. oil on canvas Dimensions: 14 x 22 in., frame: 23 x 31 in. Condition: Yellowed varnish, with scattered restoration throughout. Craquelure primarily in upper right corner. Surface dirt and grime. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• ATTRIBUTED TO WILLIAM SIDNEY MOUNT,
  ATTRIBUTED TO WILLIAM SIDNEY MOUNT, AMERICAN 1807-1868, PORTRAIT OF ANDREW MEAD (PUBLISHER OF THE PASSAIC GUARDIAN AND PATERSON ADVERTISER), 1844, OIL ON CANVAS, 30 X 25 IN. (76.20 X 63.50 CM.), FRAME: 38 X 33 1/8 IN. (9ATTRIBUTED TO WILLIAM SIDNEY MOUNT, AMERICAN, 1807-1868 PORTRAIT OF ANDREW MEAD (PUBLISHER OF THE PASSAIC GUARDIAN AND PATERSON ADVERTISER), 1844, Oil on canvas Verso stenciled on canvas: Prepared /by / Edward Dechaux / New York Verso inscribed on canvas: # 18 / GM / Oil on canvas Dimensions: 30 x 25 in. (76.20 x 63.50 cm.), Frame: 38 x 33 1/8 in. (96.52 x 84.14 cm.)
• JOHN MOUNT (ENGLISH, 1725-1786)
  JOHN MOUNT (ENGLISH, 1725-1786) VIRGINIA, MARYLAND, PENNSYLVANIA, EAST AND WEST NEW JERSEY ENGRAVING: 21 3/4 X 39 1/4 IN. (SIGHT)JOHN MOUNT, (ENGLISH, 1725-1786) VIRGINIA, MARYLAND, PENNSYLVANIA, EAST AND WEST NEW JERSEY, Engraving: 21 3/4 x 39 1/4 in. (sight) Framed Provenance: Property of Green Plains Estate, Mathews County, VA
• William Gilpin (British, 1724-1804)
  William Gilpin (British, 1724-1804) Travelers by a Mountain Torrent pen, ink and wash 4 x 6 1/2 inches Property from the Collection of F. Alan Cummings, Tallahassee, Florida
• William Whit
  William Whit
• WILLIAM MATTHEW PRIOR VIEW OF MOUNT
  WILLIAM MATTHEW PRIOR VIEW OF MOUNT VERNONWilliam Matthew Prior (American 1806-1873) , oil on canvas view of Mount Vernon, stamped verso by artist, 19" x 25". Condition: Frame: 31" x 25 1/2". Relined with photo of original artist stamp affixed to backing. Craquelure. Modern frame.
• WILLIAM BARR
  WILLIAM BARR (CALIFORNIA/SCOTLAND, 1867-1933) OILWILLIAM BARR (California/Scotland, 1867-1933) oil on canvas, California pastoral landscape with Mount Tamalpais in the background. Signed lower left. Image measures 18" x 24". In a wood frame; 25.25" x 31.25" overall.
• WILLIAM HENRY TITCOMB (NH/MA,
  WILLIAM HENRY TITCOMB (NH/MA, 1824-1888) View of Mount Washington from the Saco River Valley, oil panel, signed on stretcher, ca. 1830-40, housed in a replica gold molded cove frame, OS: 18 1/2" x 27", SS: 15 1/2' x 23 3/4", cleaned and retouched. "Presented by W.H. Titcomb" inscribed on stretcher.
• William Hart (1823-1894 Mount
  William Hart (1823-1894 Mount Vernon NY) Cows Watering
• WILLIAM POSEY SILVA (1859 -
  WILLIAM POSEY SILVA (1859 - 1948)mountain landscape; 1926; oil on board; signed and dated lower right; 16 x 20 inches; 23 x 27 inches frame Condition:
• William Thornley/St Michaels
  William Thornley/St Michaels Mount/Rochester/a pair/signed/oil on board, 14cm x 21cm
• WILLIAM BREEDON, O/C MOUNTAIN
  WILLIAM BREEDON, O/C MOUNTAIN LANDSCAPE WILLIAM BREEDON MOUNTAIN LANDSCAPE, SIGNED LOWER LEFT; 20"H 25"W
• ROBERT WILLIAM WOOD, THE WHITE
  ROBERT WILLIAM WOOD, THE WHITE MTS (MOUNTAINS)Robert William Wood (American, 1889-1979)The White MTS (Mountains)oil on canvassigned lower left Robert Wood, titled to reverse, with artists stamp24 x 60in (61 x 152cm)
• PHILIP HENRY HOLMES (ME, 1845-1915)
  PHILIP HENRY HOLMES (ME, 1845-1915) "Mounts Madison and Washington from Shelburne, New Hampshire", oil on canvas, signed lower right and dated 1870, a herdsman with cows in foreground, distant village with two church steeples, housed in a modern gilt deep cove frame, OS: 26" x 42", SS: 17 1/2" x 33 1/2". Cleaned.
• WILLIAM PRESTON PHELPS (NH,
  WILLIAM PRESTON PHELPS (NH, 1848-1923) Cows in Autumn Valley Pasture, Mount Monadnock, New Hampshire, oil on canvas, signed lower right, in the original gilt frame with nametag, OS: 33" x 48", SS: 25 1/2" x 40 1/2", cleaned and relined.
• William W. McCullough (North
  William W. McCullough (North Carolina/South Carolina, born 1948) Pine Tre
• WILLIAM HOWARD HART (NY, 1863-1937)
  WILLIAM HOWARD HART (NY, 1863-1937) "Mount Desert", a small oil on academy board, signed lower right, titled verso, in gold molded panel frame, OS: 8 3/4" x 16", SS: 4 1/2" x 11 1/4"
• SCHOOL OF WILLIAM SAMUEL PARROTT
  SCHOOL OF WILLIAM SAMUEL PARROTT oil on canvas. Mount Rainier with lake in foreground. 10'' by 14''. Late 19th century. In period gilt wood and gesso wide frame. N.B. Sold in these rooms as Lot 68 in February 2002.
• WILLIAM H. WEISMAN (MA/PA/NH,
  WILLIAM H. WEISMAN (MA/PA/NH, 1840-1922) Mt. Lafayette and Gale River Falls, White Mountains, oil on canvas, signed lower right, in fancy deep cove gilt gesso matched corner frame, OS: 19 1/2" x 14 1/2", SS: 11 1/2" x 6 1/2".
• IN THE MANNER OF WILLIAM HODGES
  IN THE MANNER OF WILLIAM HODGES (BRITISH, 1744 - 1797),...In the Manner of William Hodges (British, 1744 - 1797), Mountainous landscape with figures, oil on canvas, unsigned, 32 1/2" x 45 1/4". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• After William Hay
  After William Hay
• WILLIAM HORACE (BILL) LITTLEFIELD
  WILLIAM HORACE (BILL) LITTLEFIELD (MASSACHUSETTS, 1902-1969), TWO WORKSWILLIAM HORACE (BILL) LITTLEFIELD, Massachusetts, 1902-1969, Two works: 1) "Diverse Occurrences from a Single Source". Oil on board, 14.5" x 11.5". Framed 15" x 12.5". 2) "Marine". Ink monotype, 7.75" x 7". Framed 14.5 x 12.5". Both signed and titled verso.
• WILLIAM KEITH (AMERICAN
  WILLIAM KEITH (AMERICAN 1838-1911) A PAINTING, "MOUNTAI...WILLIAM KEITH (American 1838-1911) A PAINTING, "Mountain Valley Landscape," oil on canvas, signed L/R. 24" x 36" Note: Beginning his career as an engraver in New York and then in San Francisco, William Keith honed his abilities as a painter under the tutelage of Samuel Marsden Brookes (1816-1892), dedicating his work exclusively to painting in 1868. Keith's friendship with naturalist John Muir expanded his appreciation and passion for the beauty of the American West. As represented in the present painting, Californian mountain vistas became a prominent subject in his work. The quality of his art production provided him the moniker "Dean of California Painters," and by the early 1900's he was one of the wealthiest artists in the country. Though a prolific artist, painting some 4,000 pieces his life, a fire in his studio in 1906 destroyed half of his holdings. Compared to landscapes of similar compositions by Keith and Albert Bierstadt, the present painting is likely a view of Donner Lake in the northern Sierra Nevada mountains. Provenance: Property from a Houston Estate. Condition: Overall in good condition, wax-lined canvas on original stretcher, small areas of inpainting visible under UV light, a few areas of minor craquelure, light varnish soiling and toning, but overall wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• PASKELL William Frederick (American
  PASKELL William Frederick (American 1866-1951) (under pseudonym T. Bailey): White Mountain river Landscape with possibly Mount Chocura in the Background Watercolor Sight size 9 1/2'' x 13 1/2'' signed lower left period frame with wear 17 1/2'' x 22 1/2''.CONDITION: Overall toning moisture damage and staining to the mat.
• Attributed to Jan Baptist Weenix
  Attributed to Jan Baptist Weenix (Dutch 1621-1663) "Cavalier Mounting a Step" black chalk with white highlighting on blue prepared paper unsigned 12 1/4 in. x 7 in. unframed.