A few examples of appraisal values for
WILLIAM OLIVER PUBLISHED PRINTS

• PRINT, WILLIAM TOLLIVER William
  PRINT, WILLIAM TOLLIVER William Tolliver (American, 1951-2000), "Going to Church," lithograph in colors, pencil signed lower right, A.P edition, image: 22.5"h x 36"w, overall (with frame): 39.5"h x 51.75"w
• PRINT, WILLIAM TOLLIVER William
  PRINT, WILLIAM TOLLIVER William Tolliver (American, 1951-2000), "Learning to Play," serigraph, pencil signed lower right, titled lower center, edition 74/350, image: 39"h x 27"w, overall (with frame): 50.25"h x 37.25"w
• WILLIAM TOLLIVER "MASKED",
  WILLIAM TOLLIVER "MASKED", FIGURAL SIGNED PRINT William Tolliver (American 1951-2000), "Masked", offset lithograph on paper depicting a figural composition centering around a male reading, pencil signed, titled, and numbered 268/500 to lower margin, framed. Approx. h. 30", w. 24" (frame), h. 19.75", w. 14" (sight).
• PRINTS, WILLIAM TOLLIVER (lot of 2)
  PRINTS, WILLIAM TOLLIVER (lot of 2) William Tolliver (American, 1951-2000), "Looking for A Game" and "Afternoon Checkers," offset prints, each pencil signed lower right, titled lower center, editions 153/850 and 131/850, largest overall (with frame): 31"h x 27"w
• PRINT, WILLIAM T. WILEY William
  PRINT, WILLIAM T. WILEY William T. Wiley (American, 1937-2021), "Wally's Map," 1984, etching with "Perhaps the Light Only Appears...," monoprint (verso), signed lower left, plate (etching): 19.5"h x 26"w, image (monoprint): 12"h x 12"w, sheet (unframed): 25"h x 30.5"w. Conservation work by Karen Zukor, Zukor Art Conservation, Oakland, 2017. Provenance: Purchased from Clars, February 19, 2017, lot #2331.
• WILLIAM BLAKE, (75) PRINTS
  WILLIAM BLAKE, (75) PRINTS William Blake (English, 1757-1827), 15 color and approx. 60 b&w high quality offset prints, early 20th c., 11"h x 8.75"w (sheet)
• Print by William Olivet, “Classic
  Print by William Olivet, “Classic Primitive, Randolph Center VT”. Image 15" x 21" Frame 18" x 24" Condition: very good CT Transfer Fee $10
• PRINT, WILLIAM THEOPHILUS BROWN
  PRINT, WILLIAM THEOPHILUS BROWN William Theophilus Brown (American, 1919-2012), Untitled (Seated Woman), lithograph, pencil signed lower right , blind stamp embossed chop of the press (Edition Press) lower right, edition 59/200, sheet (unframed): 11"h x 8.5"w
• COLLECTION OF FIVE NEW ORLEANS
  COLLECTION OF FIVE NEW ORLEANS PRINTSCollection of Five New Orleans Prints , including Edith Walker Oliver (American, 1889-1979), Leon Pescheret (British, 1892-1971), Frederick Polley (American, 1875-1957), George New (American, 1894-1963) and Charles C. Svenson (American , 1871-1959), 5 etchings on paper, one hand-colored, each pencil-signed lower margin, 4 titled lower margin, one signed and dated in plate, one titled in plate, one inscribed en verso, one with "Cole Corporation, Chicago" label with artist biography en verso, sheets 6 in. x 8 in. to 15 in. x 10 3/8 in., one matted. (5 pcs.)
• PRINTS FROM THE COLLECTION OF
  PRINTS FROM THE COLLECTION OF ALBERT GROLLPhotogravures, engravings and etchings. After artists Henry Wolf, Eugene Higgins, Oliver Hall, William Shuster, Jack Van Ryder, Karl Lorenz Rettich, Charles Pinet, Wilhelm Frank. 2 prints after Albrecht Durer. 1 print after Arnold Bocklin. Henry Wolf engraving signed in pencil lower left. Jack Van Ryder etching signed in the plate and dated 1929. Oliver Hall dry point engraving signed in the plate and titled Windy Day lower left with The Studio London blind stamp lower right. Man against a wall lithograph signed in the plate L Morow. Photogravure of a landscape with Eastman WD Platinum blind stamp lower left. George Otis Hamlin Christmas card etching signed and dated in the plate John Sloan 1925. Rue Damiette and Fontaine Du Gros Horloge with artist credit lower right, Eau Forte Par Ch. Pinet. Wilhelm Frank self portrait etching signed in pencil lower right. Karl Rettich engraving: Plate: 9 3/4" x 7. Paper: 13 1/2" x 10". Wear to corners, tears to margins. Toning to paper. From the Estate of Albert Groll.
• KATIE OLIVER (AMERICAN 20TH/21ST
  KATIE OLIVER (AMERICAN 20TH/21ST CENTURY) A PRINT, "PAP...KATIE OLIVER (American 20th/21st Century) A PRINT, "Paper Wrap," PUBLISHER'S PROOF, 1998, colored etching on paper, signed and dated L/R, "Katie O. 1998," titled in margin in pencil L/L, and proof marked in pencil in margin center, 3 1/2" x 4 1/2", framed, 15" x 12 1/4". Provenance: Art collection of the late Charles and Geri L. Hooks, owners of Houston’s oldest and most prestigious art gallery, Hooks-Epstein Galleries. Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• TWO REPRODUCTION COLOR PRINTS AFTER
  TWO REPRODUCTION COLOR PRINTS AFTER WILLIAM GOLLINGS, COPYRIGHTED 1905 BY MIEHLE PRINTING PRESS COTwo Reproduction Color Prints After William Gollings, Copyrighted 1905 by Miehle Printing Press Co., Frame: 20-1/2 x 26-1/2 in
• WILLIAM OLIVER (BRITISH
  WILLIAM OLIVER (BRITISH 1804-1853) PERUGIA Signed, inscribed on contemporary label verso, oil on canvas28cm x 36cm (11in x 14in)
• * (ENGRAVINGS) OTTLEY WILLIAM YOUNG
  * (ENGRAVINGS) OTTLEY WILLIAM YOUNG Engravings of the Most Noble of The Marquis of Stafford's Collections of Pictures in London. London: Bensley and Son 1818. 4 vols. in two. Folio full black straight grain morocco with green borders of gilt-stamped vines. With 13 engraved plans and numerous engravings on 126 sheets (some on India paper mounted). Some intermittent brownspotting; bookplates tipped in front pastedowns; minor scratches to boards; otherwise interior is tight and clean.
• WILLIAM CURTIS (BRITISH 18TH
  WILLIAM CURTIS (BRITISH 18TH CENTURY) FOUR HAND COLOURED PLATES FROM THE BOTANICAL MAGAZINE 8 x 5 in. Framed;
• A copy of ''The traveller'' by
  A copy of ''The traveller'' by Oliver Goldsmith with illustrations 1851 together with over twenty prints some coloured mainly of London.
• WILLIAM CURTIS (BRITISH 18TH
  WILLIAM CURTIS (BRITISH 18TH CENTURY) FOUR HAND COLOURED PLATES FROM THE BOTANICAL MAGAZINE 8 x 5 in. Framed;
• William Alexander lot of 4 aquatint
  William Alexander lot of 4 aquatint engravings from Picturesque Representations of the Dress and Manners of the Chinese, c.1823. William Alexander (1767-1816), leading painter of the Macartney expedition and later a conservator of the British Museum. 5" x 7". Very good condition, but unexamined out of frame.
• PRINT, AFTER RICHARD EARLOM After
  PRINT, AFTER RICHARD EARLOM After Richard Earlom (British, 1743-1822), Pastoral Scene, etchings in colors, published by John Boydell Engravers in Cheapside, overall (with frame): 15.5"h x 12.5"w
• WILLARD K. MARTIN FOUR COLOR
  WILLARD K. MARTIN FOUR COLOR LITHOGRAPHS (Oregon 20th century) depicting botanicals: ''Horsetail'' 32/40; ''Gray pine/Digger pine'' 32/40; ''Broad Leaf Maple Tree'' 33/40; & ''Squireling Cucumber'' 32/40. Each signed in pencil by the artist lower left. In wood frames.
• Sir William Jardine (British,
  Sir William Jardine (British, 19th Century) "Ornithological Prints", suite of eleven hand-colored prints, sight 4" x 6", London, 1834. Glazed and presented in burlwood frames.
• PRINT, WILLIAM CRUTCHFIELD
  PRINT, WILLIAM CRUTCHFIELD William Crutchfield (American, b. 1932), "Crutchfield: Watercolors, Prints, Drawings," screenprint exhibition poster, pencil signed lower right, edition 90/100, published by Fort Lauderdale Museum of the Arts, sheet (unframed): 30"h x 22"w
• WILLIAM TOLLIVER, PEARL STREET
  WILLIAM TOLLIVER, PEARL STREET LITHOGRAPH, FRAMED William Tolliver (American/Mississippi, 1951-2000). "House on Pearl Street", lithograph on paper. Pencil signed, titled and numbered AP 15/35 in lower margin. Framed. Approx. 55" x 51" (framed), 35" x 31" (sight)
• PRINT, WILLIAM BEST William R. Best
  PRINT, WILLIAM BEST William R. Best (American, 20th century), "Architectural Facade," intaglio print, pencil signed lower right, titled lower left, edition 2/5, overall (with frame): 24"h x 27.5"w
• PRINT, WILLIAM WOLFSEN William
  PRINT, WILLIAM WOLFSEN William Wolfsen (American, 1894-1966), "Young Aerobats," lithograph, pencil signed lower right, titled lower left, edition 36/50, image: 7.5"h x 10.5"w, overall (with frame): 14"h x 17"w
• 1 vol. Hayter, S.W. About
  1 vol. Hayter, S.W. About Prints. London: Oxford Univ. Press, 1962. First edition. 4to, orig. cloth; minor wear, d/j (minor creasing & chipping to edges). Color plates, other illus. Orig. color etched New Year's Greeting card by Hayter with cognate leaf inserted, card panel signed & dated, "1958," in pencil by Hayter, his 1959 New Year's greeting inscribed in pencil on cognate panel.
• SIR WILLIAM HAMILTON, ENGRAVINGS,
  SIR WILLIAM HAMILTON, ENGRAVINGS, PLATES 65 & 71 Sir William Hamilton (English, 1719-1805) and Pierre-Francois Hugues d'Hancarville (French, 1719-1805), colored aquatint engravings, from "Antiquites Etrusques, Grecques et Romaines", Francois Morelli, Naples,1766-1776, Paris, 1785-1788, matted and framed under glass, 9.75"h x 12"w (sight), 17"h x 20"w (frames)
• Extensive Collection of
  Extensive Collection of Approximately Five Hundred 19th- and 20th-Century Prints and Book Illustrations, depicting birds, animals and sea creatures, many from Sir William Jardine's The Naturalist's Library, sheet 5" x 7" to 14" x 19-1/2". Unframed. Provenance: Mr. Frank Mapes, The Centuries Old Maps and Prints Gallery, New Orleans; being sold to benefit the Louisiana Philharmonic Orchestra.
• KATIE OLIVER (AMERICAN 20TH/21ST
  KATIE OLIVER (AMERICAN 20TH/21ST CENTURY) A PRINT, "PAP...KATIE OLIVER (American 20th/21st Century) A PRINT, "Paper Wrap," PRESENTATION PROOF, 1998, etching in color, signed and dated in margin in pencil, "Katie O. 1998," inscribed with proof and title L/L in pencil in margin, 4" x 4 1/2", framed, 15" x 12 1/4". Note: Spouse: Kermit Oliver Provenance: Art collection of the late Charles and Geri L. Hooks, owners of Houston’s oldest and most prestigious art gallery, Hooks-Epstein Galleries. Condition: In good condition. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS."
• WILLIAM OLIVER PAINTING, EX.
  WILLIAM OLIVER PAINTING, EX. ROYAL ACADEMYWilliam Oliver (English, 1823-1901, sometimes referred to as "William Oliver the Younger") oil on canvas portrait depicting a woman with short brown hair and green eyes, clad in an ivory silk gown with white collar, holding daisies and seated on a rock with tree and landscape in the background. Signed lower right "Wm. Oliver" and dated 1881. Label on back of frame with handwritten inscription "Portrait of Mrs. Temple / Royal Academy 1881 / Harrington Garden South Kensington. " Original giltwood and composition frame with laurel, egg and dart, and cove moldings. Sight - 35 1/2" H x 27 1/2" W. Framed - 49" H x 41" W. (Higher-resolution photos are available at www.caseantiques.com) Condition: Lined. Light craquelure, small 1/4" light stain to subject's sleeve, possible stain/mark to lower skirt, blacklight reveals 4 spots of restoration in background (largest 2 1/2") and a 1/2" spot of restoration to cheek. Frame in very good condition with small loss to upper right corner, likely professionally regilded.
• PRINT, WILLIAM SELTZER RICE William
  PRINT, WILLIAM SELTZER RICE William Seltzer Rice (American, 1873-1963), "Street in Monterey," woodcut in colors, pencil signed lower right, titled lower left, image: 3.25"h x 4"w, overall (with frame): 10.5"h x 11"w
• PRINTS, SAMUAL PROUT, JOHANN
  PRINTS, SAMUAL PROUT, JOHANN H?RLIMANN (lot of 5) Samual Prout (British, 1783-1852), "Lee Mill Bridge," "Sandy Cove," "Ogwell," and "Bawbridge," sound ground etchings, signed in plate, overall (longest): 10.25"h x 22"w / Johann H?rlimann (Swiss, 1793-1850), "Der Alton des Schloosses zu Heidelberg," engraving, unsigned, printed by F. Chardon, Paris, overall (sheet): 12.5"h x 17.75"w
• PRINTS, WILLIAM HOGARTH (lot of
  PRINTS, WILLIAM HOGARTH (lot of 4) William Hogarth (British 1697-1764), "The Four Times of the Day" (Plates 1-4), engravings with hand coloring, each titled in plate lower center, dated 1738, overall (with frame/each): 26.5"h x 22.25"w
• PRINT, MARVIN OLIVER Marvin
  PRINT, MARVIN OLIVER Marvin Oliver (American/Quinault/Pueblo, 1946-2019), Untitled, 1996, embossed serigraph, pencil signed and dated lower right, edition 131/449, overall (with frame): 33"h x 26"w. Provenance: Property from the estate of internationally recognized textile artist and designer, Mr. Julian Tomchin, (San Francisco, CA).
• PRINT, WILLIAM WOLFF William
  PRINT, WILLIAM WOLFF William Wolff (American, 1922-2004), "Night Atom," 1971, woodcut in color, pencil signed, titled, and proof lower margin, overall (with frame): 27"h x 35"w
• PRINT, WILLIAM T. WILEY William
  PRINT, WILLIAM T. WILEY William T. Wiley (American, 1937-2021), "Now Here's that Blame Treaty." 1983, aquatint with soft ground etching and burnishing, pencil signed and dated lower right, edition 14/50, image: 44.5"h x 35.5"w, sheet: 51.5"h x 41.5"w, overall (with frame): 54"h x 44.5"w