A few examples of appraisal values for
WILLIAM PITT

• WILLIAM PITT (UNITED KINGDOM,
  WILLIAM PITT (UNITED KINGDOM, 1818-1900) OIL ON CAWILLIAM PITT (United Kingdom, 1818-1900) oil on canvas, "Llanstephen, Caermarthenshire" (Llansteffan, Carmarthenshire, Wales. Signed lower right and dated 1851, Signed again and titled verso. Canvas measures 22" x 22", circular image measures 21" x 21". In a period gilt wood frame; 29.5" x 29.5" overall. Complements Lot 414 in this auction.
• After Joseph Nollekens
  After Joseph Nollekens (1737-1823) an alabaster bust of William Pitt the Younger (1759-1806), 27cm high/Provenance: The Estate of Anthony J Beeson
• WILLIAM PITT (UNITED KINGDOM,
  WILLIAM PITT (UNITED KINGDOM, 1818-1900) OIL ON CAWILLIAM PITT (United Kingdom, 1818-1900) oil on canvas, "On the Clydach, Glamorganshire," Wales. Signed lower right and dated 1851, Signed again and titled verso. Canvas measures 22" x 22", circular image measures 21" x 21". In a period gilt wood frame; 29.5" x 29.5" overall. Complements Lot 404 in this auction.
• WILLIAM PITT (UNITED KINGDOM,
  WILLIAM PITT (UNITED KINGDOM, 1853-1890), "WHITNASH NEAR LEAMINGTON WARWICKSHIRE"., OIL ON CANVAS, 20" X 30". FRAMED 25" X 35".WILLIAM PITT, United Kingdom, 1853-1890, "Whitnash near Leamington Warwickshire". Unsigned. Noted verso "This painting was inscribed on the back of the original canvas Whitnash near Leamington Warwickshire Will M. Pitt 1854". Dimensions: Oil on canvas, 20" x 30". Framed 25" x 35".
• William Pitt (British
  William Pitt (British 1851-1890)/The Path by the Old Stone Cottage/signed/oil on canvas, 39.5cm x 39.5cm painted circle
• WILLIAM COVENTRY WALL (AMERICAN,
  WILLIAM COVENTRY WALL (AMERICAN, 1810 - 1886) 14.25" x 18.25" (image); 16" x 20" (sheet) "View Of The City Pittsburgh In 1817", 1877. Chromolithograph on paper, early view of Pittsburgh at the confluence, with riverboats, Taken from a sketch drawn by Mrs. E. C. Gibson, wife of Jas. Gibson, Esq. of the Philadelphia Bar, while on her wedding tour in 1817, in wood frame, 19.5" X 23.75". Provenance: Daniel M. Fawcett Estate private collection, Pittsburgh, PA.
• British portrait after Hoppner,
  British portrait after Hoppner, Right Honorable William Pitt, Prime Minister (1759-1806), in white cravat, after John Hoppner, British, 1758-1810, oil on canvas, 30 x 25 in.; gilt wood and composition frame. Lined, repaired tears lower right, 60 percent repaint, draw crackle, craquelure; frame with repairs, loss to composition, abrasions. Estate of the Late Wyatt W. Childs, Barnesville, Georgia.
• FRANCIS DERWENT WOOD, R.A. (BRITISH
  FRANCIS DERWENT WOOD, R.A. (BRITISH 1871-1926), WILLIAM PITT (1708-1778), FIRST EARL OF CHATHAM, CARRARA MARBLE SCULPTUREFrancis Derwent Wood, R.A. (British 1871-1926), William Pitt (1708-1778), First Earl of Chatham, Carrara marble sculpture; together with a gray cast stone base with presentation which reads, This statue of William Pitt, Earl of Chatham, the British champion of American liberty, is presented by American women living in the United Kingdom as a memorial of the one hundred years peace between the two kindred nations and as an expression of their love for the land of their birth, and the land of their adoption. 1815-1915. Provenance: Exhibited at the British Royal Academy of Arts, 1918 Gift of the Duchess of Marlborough and American women living in the United Kingdom National Portrait Gallery, Smithsonian Institution; transfer from the Smithsonian American Art Museum Sculpture: 75 x 49-1/2 x 16-1/4 in (190.5 x 125.7 x 41.3 cm); Base, approximately: 35-1/2 x 38-1/2 x 36-1/2 in (90.2 x 97.8 x 92.7 cm) Dimensions: Sculpture: 75 x 49-1/2 x 16-1/4 in (190.5 x 125.7 x 41.3 cm); Base, approximately: 35-1/2 x 38-1/2 x 36-1/2 in (90.2 x 97.8 x 92.7 cm)
• William W. McCullough (North
  William W. McCullough (North Carolina/South Carolina, born 1948) Pine Tre
• KING GEORGE III AND WILLIAM PITT
  KING GEORGE III AND WILLIAM PITT SIGNED DOCUMENTdated October 27, 1760, on vellum, military commission issued to John Mostyn, signed "George R" [King George III] and "W Pitt" [William Pitt, the elder], framed, sight approximately 15-1/2 x 12 in. Provenance: Private Collection Condition: typical foxing, slight fading, visible folds and curling at edges, not examined out of frame
• PITAINE, WILLIAM DE. B HUMANE
  PITAINE, WILLIAM DE. B HUMANE PRUDENCE: OR, THE ART BY WHICH A MAN MAY RAISE HIMSELF AND FORTUNE TO GRANDEUR London: John Lawrence, 1682. 12mo, collates: [12], 130, [2], contemporary calf, early ownership signature of Donald Simfone to title-page
• William Purser (1790-1852
  William Purser (1790-1852 British) Beduin (sic) Arabs
• After William Hay
  After William Hay
• PRINT, ROBERT SAYER Robert Sayer
  PRINT, ROBERT SAYER Robert Sayer (British, 1725-1794), "The Right Honourable William Pitt Esq., One of the Majesty's Principal Secretairn's of State," engraving with hand coloring, after the painting by William Hoare, overall (with frame): 18.75"h x 14.75"w. Provenance: Estate of Joanna Barnes and Jack Warner (Santa Barbara, California). Ms. Barnes was a Hollywood film actress featured in movies such as "Auntie Mame (1958)" and "The Parent Trap (1961)". Mr. Warner was a prominent architect.
• William John Wainwright
  William John Wainwright (1855-1931)Bust Portrait of a Cavalierinscribed on reversewatercolour 27cm x 19cm (10.75" x 7.5")
• WILLIAM STRANG R.A., R.P.E.
  WILLIAM STRANG R.A., R.P.E. (SCOTTISH 1859-1921) SAND PIT WITH FIGURE Signed, oil on canvas40.5cm x 51cm (16in x 20in)
• William Whit
  William Whit
• WAX PORTRAIT OF THE EARL OF
  WAX PORTRAIT OF THE EARL OF CHATHAM, CA. 19TH CENTURY 9" x 7½" framed William Pitt, 1st Earl of Chatham, PC, FRS (15 November 1708 – 11 May 1778) was a British statesman of the Whig group who served as Prime Minister of Great Britain from 1766 to 1768. Historians call him Chatham or William Pitt the Elder to distinguish him from his son, William Pitt the Younger, who was also a prime minister. Pitt was also known as the Great Commoner, because of his long-standing refusal to accept a title until 1766. Finely carved wax portrait, super dimensional full of fine detail; oval frame; under glass.
• Pennsylvania watercolor portrait of
  Pennsylvania watercolor portrait of William Thompson 1762-1829 seated at a table in a Windsor chair 8 3/4" x 6 1/2". ?
• WILLIAM PITKIN. SET DESIGN, INK AND
  WILLIAM PITKIN. SET DESIGN, INK AND GOUACHE (American, b. 1925). Ink and gouache on paper, set design for the production "The Impossible Years" depicting the den and living room of the Kingsley Home, Old Westbury, Long Island, 1965, signed and dated "William Pitkin" lr, titled ll, inscribed to original cast member, Alan King, "To Alan King, with many thanks for all the hours spent in this room," lc, sight size: 7 x 16 in., framed.
• Henry B. Jones (1889-1973
  Henry B. Jones (1889-1973 Pennsylvania) Pittsburg (sic) Train Going Through Downtown
• William Lionel Wyllie (British
  William Lionel Wyllie (British 1851-1931)/Six etchings including Iron Duke, Battleships in the Firth of Forth/various sizes and three hunting prints (9)
• BILL (WILLIAM) STILSON (AMERICAN,
  BILL (WILLIAM) STILSON (AMERICAN, 1934 - 2012) 18" x 36" board "View of Pittsburgh Skyline through 16th Bridge". Oil on canvas on artist's board, framed with a wide liner, signed in the lower left corner, overall 25 ½" x 43 ½".
• Mayer Francis Blackwell [American
  Mayer Francis Blackwell [American 1827-1899] oil on canvas painting of William Penn signed l.r. and verso on stretcher "F.B. Mayer" and also on stretcher "Pinxt 1887" and "The Planeur" mounted in a gilt frame. 13.5"x10"
• WILLIAM PARTRIDGE BURPEE (ME/MA,
  WILLIAM PARTRIDGE BURPEE (ME/MA, 1846-1940) Crockett's Point, Rockland, Maine; pastel on textured tan paper, unsigned, in modern gold bullnose frame, matted under plexi, OS: 17 1/2" x 15", SS: 12" x 9 1/2".
• WILLIAM DUNLAP (NJ/NY/UK,
  WILLIAM DUNLAP (NJ/NY/UK, 1766-1839) Small Portrait of a Distinguished Gentleman, ca 1815, in a navy blue jacket with white trousers, vest and ruffle, seated; pastel on board, signed lower right, in gold painted molded frame, under old glass, OS: 14 1/2" x 12 1/2", SS: 11" x 9", rippled in background, closed tear in his ruffle.
• WILLIAM HARRY (HENRY) WARREN
  WILLIAM HARRY (HENRY) WARREN BICKNELL (AMERICAN 1860-1947), HOWARD PYLE, ETCHING, FRAME: 33 X 23 1/2 IN. (83.8 X 59.7 CM.)William Harry (Henry) Warren Bicknell (American 1860-1947), Howard Pyle, Etching,, Dimensions: Frame: 33 x 23 1/2 in. (83.8 x 59.7 cm.)
• William Clarkson Stanfield
  William Clarkson Stanfield (British, 1793-1867) Preston Pans on the Firth of Forth watercolor and gum arabic on paper 6 5/8 x 10 57/8 inches.
• William Payne (British
  William Payne (British 1760-1830)/Lime Kiln with Figures and Boats/watercolour over pencil, 15cm x 20cm/Provenance: The Heather Newman Gallery
• 1766 PITT TOKEN HALF PENNY VG
  1766 PITT TOKEN HALF PENNY VG English MP William Pitt was not a fan of things like the Stamp Act which made him popular in the colonies. When they were repealed the Pitt Tokens expressed gratitude for this repeal. The obverse has Pitt wearing a wig with the words around him saying "No Stamps, The Restorer of Commerce and Trade" Reverse has "Thanks to the friends of liberty and trade" And the word America next to a ship. This one has nice details but background corrosion
• WILLIAM HENRY TOMS (ENGLISH,
  WILLIAM HENRY TOMS (ENGLISH, 1700-1765) MAPWilliam Henry Toms (English, 1700-1765), "This Plan of the Harbour, Town and Forts of Porto Bello (Taken by Edward Vernon Esqr. Vice Admiral of the Blue on the 22 of November 1739, With Six Men of War only", London, 1740, engraved map showing an early battle in the War of Jenkins'Ear, 16 1/4 in. x 22 3/4 in Provenance: Collection of Brooke and Maria Fox, Metairie, LA
• WILLIAM STRANG R.A., R.P.E.
  WILLIAM STRANG R.A., R.P.E. (SCOTTISH 1859-1921) THE SAND PIT Signed with initials, oil on panel; and a companion by the same hand 'A River Landscape'(2)20cm x 25.5cm (8in x 10in)
• William Payne (British
  William Payne (British 1755/60-circa 1830)/Four Landscapes/oval/signed W Payne/WP/watercolour, 19cm x 24.5cm
• SIR THOMAS LAWRENCE, P.R.A.
  SIR THOMAS LAWRENCE, P.R.A. (BRISTOL, LONDON, 1769-1830) LADY FITZWILLIAM Oil on canvas. Lady Fitzwilliam, daughter of the Earl of Pembroke.Catalogue Note: Colonel Charles Clifton (American, 1853-1928) was a major figure in shaping the automotive industry during its first decades. In 1897, he joined the George N. Pierce company - at that time a bicycle wheel manufacturer - and stayed on when it was reorganized as the Pierce-Arrow Motor Company, becoming chairman of the company’s board of directors in 1916. Clifton was also the founding president of the National Automotive Chamber of Commerce. Clifton joined the Albright Art Gallery Board in 1914, serving initially on the finance committee before becoming vice president and then president, a role he held from 1918 until his death in 1928. In addition to his dedication to the Buffalo AKG, Clifton also served as president of Buffalo General Hospital, and during World War I, he was president of the Allied War Relief and of the Fatherless Children of France. In recognition of his support, especially for children orphaned by the war, Clifton was made a Chevalier of the Legion of Honor by the French government. Sir Thomas Lawrence, P.R.A. (Bristol, London, 1769-1830) Sir Thomas Lawrence was an English portrait painter and the fourth president of the Royal Academy. Self-taught, he was a brilliant draughtsman and known for his gift of capturing a likeness, as well as his virtuoso handling of paint. Lawrence was also a collector and formed one of the finest collections of Old Master drawings ever known. His first royal commission was from Queen Charlotte, whose portrait he painted in 1789.
• Hobson Lafayette Pittman
  Hobson Lafayette Pittman (American 1899/90-1972) oil on canvas street scene signed lower left bearing a Pennsylvania Museum of Art... ?
• By and after William Hole/Henry,
  By and after William Hole/Henry, Prince of Wales holding a pike, 1612/engraving, 19.5cm x 10.5cm/Note: Hole was the Chief Engraver of the Mint and the print records the death of the Prince, eldest son of James I, in that year/Literature: Arthur M Hind, Engraving in England in the 16th and 17th Centuries, II, The Reign of James I, CUP, 1955, p321-322