A few examples of appraisal values for
WILLIAM T COOPER

• William T. Cooper (1934-2015)
  William T. Cooper (1934-2015) Australia, Culling oysters Hawkesbury River, oil on board, approx 25.5cm x 31.5cm
• William T. Cooper (1934-2015)
  William T. Cooper (1934-2015) Australia, intitled oil on board, signed lower right, approx 14cm x 19cm
• William T. Cooper (1934-2015)
  William T. Cooper (1934-2015) Australia, Untitled oil on board, signed lower right, approx 44cm x 59cm
• William T. Cooper (1934-2015)
  William T. Cooper (1934-2015) Australia, untitled oil on board, signed lower left, approx 35cm x 45cm
• William T. Cooper (1934-2015)
  William T. Cooper (1934-2015) Australia, untitled oil on board, signed lower right, approx 14cm x 19cm
• William Sidney Cooper (1854-1927) -
  William Sidney Cooper (1854-1927) - Oil painting - Canterbury meadow with cows at water canvas 18ins x 24ins signed and dated '87 in ornate gilded frame
• William T. Cooper (1934-2015)
  William T. Cooper (1934-2015) Australia, watercolour & gouche, Nankeen Kestrel, Falco Cenchroides (large than life size), signed lower base and dated 68, approx 57.5cm x 38cm
• WILLIAM COOPER TN PORTRAIT OF A
  WILLIAM COOPER TN PORTRAIT OF A LITTLE BOYWilliam Cooper (Tennessee 1811-1900) oil on canvas portrait of a little boy in brown suit, plain background. Circa 1855. Unsigned. Sight: 30" H x 25" W. Framed: 32 1/2" H x 27 1/2" W. Biography: William Browning Cooper was born near Carthage, TN. in 1811. The younger brother of Washington Cooper, both artists were raised in circumstances William named "unfavorable for artistic culture" having "no schools of art" and "nothing to stimulate us in our chosen pursuits". From a young age, the brothers used charcoal from the fireplace to sketch barn doors and fences. Washington's early success in portraiture helped fund William's formal training. He graduated with honors from the National Academy of Design in New York in 1832, and traveled to Europe in 1838 where he developed an affinity for coloration, sharp contour, and indiscernible lines that characterized his works until the 1860s. He returned to Tennessee in 1840, working predominately between Memphis and Nashville until moving to Kentucky at the start of the war. By the end of his life, he had painted throughout the Southeast and sporadically along the East Coast until his death in Chattanooga in 1900. (Adapted from Tennessee Historical Quarterly Winter, 1987: Portrait Painting in Tennessee, by James C. Kelly) Private Middle Tennessee collection. Condition: Lined with fiberglass, with overpainted restoration including an approximately 7" square tear to center, affecting subject's mouth, chin, neck, and chest, and background. Inpaint restoration to lower right corner. Craquelure throughout. Work was once housed in an oval frame.
• WILLIAM BROWN (W.B.)
  WILLIAM BROWN (W.B.) COOPER(American/Tennessee, 1811-1900) Portrait of George Washington After Gilbert Stuart, signed over shoulder "W Cooper", watercolor on ivory, 6-1/2 x 4-1/4 in.; painted wood frame, 17 x 14-1/4 in. Note: ?This lot contains animal or plant material that may be restricted under federal, state and/or local law. Prospective bidders should check all applicable government wildlife restrictions prior to placing a bid. The buyer is solely responsible for obtaining any necessary licenses or permits from federal, state and/or local authorities applicable to their purchase or transport of the object. Please note that bidders in New Jersey may not bid on any lots containing elephant ivory, mammoth ivory, or rhinoceros horn. Provenance: Charleston Renaissance Gallery, Charleston, South Carolina, 1992; Private Collection Condition: surface is very good, framed under glass, archivally hinged into mat; frame with light wear
• WILLIAM SAVAGE COOPER (BRITISH
  WILLIAM SAVAGE COOPER (BRITISH 1880-1926) A PAINTING, "...WILLIAM SAVAGE COOPER (British 1880-1926) A PAINTING, "River Landscape," oil on board, signed and dated 1910 L/L. 11 1/2" x 8 1/4". Provenance: Purchased October 30, 1979 from Lawrence- England.
• After Abraham Cooper (British,
  After Abraham Cooper (British, 1787-1868) "Daniel Haigh Esq.", color mezzotint, engraved by William Giller (British, ca. 1805-1870), sight 19-5/8" x 24-1/4". Glazed and presented in a giltwood frame.
• William Whit
  William Whit
• William Wolfson (American,
  William Wolfson (American, 1894-1966) "Wading" etching signed in pencil "Wm Wolfson" lr 7 x 5 in., framed
• William Savage Cooper (British,
  William Savage Cooper (British, active 1880-1926) The Three Wise Men, 1893-1894 oil on canvas signed Cooper and dated (lower right) 40 x 24 inches.
• William Coombs (American,
  William Coombs (American, 1946-2006) "Derelict". Oil on board, signed at the lower right corner, approx. sight size 4-3/4" x 6-5/8", matted and framed in a gilt frame overall approx. 12-1/4" x 13-1/2". Label on verso from a Nantucket gallery, ca. 1963.
• WILLIAM COOMBS (AMERICAN/NEW
  WILLIAM COOMBS (AMERICAN/NEW HAMPSHIRE)William Coombs (American/New Hampshire, 1946-2007) , "Earth", mixed media collage mounted to board, pencil-signed and titled lower center, 19 in. x 27 in., framed Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund. Condition: Overall good condition. Ext. Frame: 30 1/4 in. x 40 in. x 1 in
• William E. Williams (American,
  William E. Williams (American, 1818-1897) Folk art painting. Williams executed a number of watercolors as a teen in 1833 living in Wrightstown, Bucks Co., Pa. He died without heirs in 1897. This naive depiction shows two well armed, engaged combatants. Image: 4 7/8" x 7". Good condition. These paintings were acquired from a descendant. There was an accompanying journal from the time describing Williams's activities and current events. It also makes mention of his later years as a gentleman farmer and his association with the Cadwalladers, a well known Revolutionary family.
• THOMAS S. COOPER, C.V.O., RA
  THOMAS S. COOPER, C.V.O., RA (1803-1902) ENGLISHThomas Sidney Cooper, C.V.O., R.A., oil on canvas, cattle in the pasture, signed B/R. 15" x 22".
• After William Hay
  After William Hay
• AFTER WILLIAM HEATON COOPER
  AFTER WILLIAM HEATON COOPER (BRITISH, 1903-1995), VIEW OF LAKE AND MOUNTAIN, COLOR PRINT, 16 X 22-1/2 INAfter William Heaton Cooper (British, 1903-1995), View of Lake and Mountain, Color Print, 16 x 22-1/2 in
• AFTER WILLIAM HEATON COOPER
  AFTER WILLIAM HEATON COOPER (BRITISH, 1903-1995), VIEW OF LAKE AND MOUNTAIN, COLOR PRINT, 16 X 22-1/2 INAfter William Heaton Cooper (British, 1903-1995), View of Lake and Mountain, Color Print, 16 x 22-1/2 in
• THOMAS SIDNEY COOPER (British
  THOMAS SIDNEY COOPER (British 1803-1902). CATTLE GRAZING signed lower left. Oil on board - Framed 12 1/2 in. x 10 in.
• William Wells (British 1872 -
  William Wells (British 1872 - 1923)/Coastal Scene with Fishing Boats/oil on canvas, 29.5cm x 44.5cm
• THOMAS SIDNEY COOPER (BRITISH,
  THOMAS SIDNEY COOPER (BRITISH, 1803-1902)Thomas Sidney Cooper (British, 1803-1902) , "Cattle in Stream", oil on panel, signed lower right, 14 in. x 18 in., framed
• COOPER JAMES FENIMORE A
  COOPER JAMES FENIMORE A collection of uniformly bound works in 33 volumes.
• Thomas Sidney Cooper
  Thomas Sidney Cooper (1803-1902)/Longhorn and Sheep/signed and dated 1862/watercolour, 21cm x 26cm
• William Wells (British 1872 -
  William Wells (British 1872 - 1923)/Coastal Landscape with Buildings to Foreground/oil on artist's board, 29.5cm x 44.5cm
• William E. Williams (American,
  William E. Williams (American, 1818-1897) Folk art painting. Williams executed a number of watercolors as a teen in 1833 living in Wrightstown, Bucks Co., Pa. He died without heirs in 1897. Two dogs battle over their prey in this naive painting. Image: 5 1/2" x 7 1/2". Good condition. These paintings were acquired from a descendant. There was an accompanying journal from the time describing Williams's activities and current events. It also makes mention of his later years as a gentleman farmer and his association with the Cadwalladers, a well known Revolutionary family.
• WILLIAM HENRY DETHLEF KOERNER
  WILLIAM HENRY DETHLEF KOERNER (NJ/NY/MT, 1878-1938) Catalog #2269. "Accusing a Section Worker" A narrative oil sketch white field illustration for an American Western story, "Power" by Arthur Stringer, oil on illustration board laid to upson board, 1925, initialed lower right. Depicts a man in a suit confronting a railroad laborer. Appeared in "The Saturday Evening Post", March 7, 1925. Caption: "Who in Hell are you, he cooly inquired. I am the General Manager of this road. I informed him, and when you take money from it as an honest worker. You are a thief." Housed in a replica gold cove frame with blue-grey velvet liner, OS: 33" x 45", SS: 23 3/4" x 35 3/4". Fine condition.
• William Alan Youngblood (Tenn
  William Alan Youngblood (Tenn
• William Hart (1823-1894 Mount
  William Hart (1823-1894 Mount Vernon NY) Cows Watering
• William Reginald Watkins (American,
  William Reginald Watkins (American, 1890-1985) Baltimore Tugboats graphite on paper signed and dated "W.R. Watkins, 1927" lr 10 x 12 in., framed
• THE WORKS OF WILLIAM COWPER.
  THE WORKS OF WILLIAM COWPER. Southey ed. London: Baldwin and Cradock 1836 15 volumes in green leather over marbled boards.
• Collin Campbell Cooper (American
  Collin Campbell Cooper (American 1856-1937) Canal scene w/train Sgn. lower right Collin Campbell Cooper 1908. W/C. Repaired vertical tear along right side. 18'' x 23''E
• Thomas Sidney Cooper
  Thomas Sidney Cooper (1803-1902)/Cattle and Sheep at Rest/signed and dated 1868/watercolour, 45cm x 61cm
• WILLIAM COOMBS(?), FOR SALE,
  WILLIAM COOMBS(?), FOR SALE, COLOR LITHOGRAPH, FRAME: 23-1/2 X 29-1/2 INWilliam Coombs(?), For Sale, Color Lithograph, Frame: 23-1/2 x 29-1/2 in