A few examples of appraisal values for
WILLOW

• Willow gathering basket.
  Willow gathering basket.
• Frank E. Romero (Mexican, b.1941)
  Frank E. Romero (Mexican, b.1941) "Willow". Ink and pastel on paper, signed, titled and dated 1/23/92 along the lower edge, approx. 22" 30", not framed.
• Ivy Anne Ellis (act.
  Ivy Anne Ellis (act. 1920-1939)/Willows/numbered 5 of 35/wood block print, 16cm x 22.5cm/and four etchings including examples by Charles Philip Slocombe and William Renison
• Royal Worcester Figure Willow
  Royal Worcester Figure Willow Princess limited edition for Compton Woodhouse
• David Jan Curtis (born
  David Jan Curtis (born 1948)/Willows in a Field, Misson/signed/oil on board, 16.5cm x 24cm/Provenance: purchased Richard Hagen Gallery, Broadway, 1995
• A rectangular needlework and gilt
  A rectangular needlework and gilt beadwork picture willow pattern scene in blue 24cm x 50cm (9.5" x 19.75")
• Stanislav Nikireyev (Russian,
  Stanislav Nikireyev (Russian, 1932-2007) "Pussy Willow Silence." Etching on paper, signed in pencil and dated '83 in the lower right margin, numbered 13/80 in the lower center margin, titled in Cyrillic in the lower left margin, also with the artist's monogram in the lower left corner of the plate. The plate measures approx. 12-3/4"H x 11-3/4"W, the paper measures approx. 16" x 15". The print is hinged into a 2-ply rag presentation mat but not framed, overall approx. 19-3/4"H x 18-3/4"W.
• 1 vol. Grahame, Kenneth. The Wind
  1 vol. Grahame, Kenneth. The Wind in The Willows. London: Methuen, (1931). Thirty-eighth ed. Illus. by Ernest H. Shepard. 8vo, orig. gilt-pictorial green cloth, gilt-lettered spine; light wear, very slightly dusty. Endpaper maps, illus. in text. Internally generally clean. First Shepard illus. ed. Signed in full on title page by Grahame & Shepard. Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid, prior to placing a bid. All transactions are governed by Freeman''s Conditions of Sale. ,500
• CARROLL CLOAR ACRYLIC ON BOARD,
  CARROLL CLOAR ACRYLIC ON BOARD, WEEPING WILLOWCarroll Cloar (American/Tennessee, 1913-1994) framed acrylic on board titled "Weeping Willow," depicting a solitary older man sitting on the porch of a white Victorian house, under a bright sky, with verdant and immaculately clipped lawn in the foreground. An expansive weeping willow encroaches on the left side of the house, creating shadows across the porch. Signed lower left "Carroll Cloar" and additionally signed, titled, and dated July 1967 en verso. Housed in the original painted wooden frame with gilt liner. Sight - 22 1/2" H x 33 1/2" W. Framed - 29" H x 39 1/2" W. Biography (Courtesy of The Johnson Collection): Arkansas-born Carroll Cloar was known for incorporating nostalgic images from his Southern childhood, often merged with dreamlike motifs, into powerful "magic realist" scenes. Cloar graduated from Southwestern College (now Rhodes College) in Memphis, Tennessee, and went on to study at the Memphis Academy of Arts under the artist George Oberteuffer. In 1936, he moved to New York to attend the Art Students League. There, Cloar's achievements earned him a McDowell fellowship which he used to travel across the American Southwest, West Coast and Mexico. Cloar served with the Army Air Corps during World War II and was deployed to Saipan and Iwo Jima. Upon his return from the war, he was awarded a Guggenheim traveling scholarship to fund an extended sojourn to Central and South America in 1946. Two years later, several of his images were featured in a Life Magazine article titled "Backwoods Boyhood," and Cloar's career went on to receive additional national acclaim. By the mid 1950s, Cloar had settled permanently in Memphis, where he produced paintings, often executed in casein tempera and acrylic paints. His works are in the collections of the Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Museum of Modern Art, Brooks Museum of Art, and Library of Congress. In 1993, Cloar's painting "Faculty and Honor Students, Lewis Schoolhouse" was one of six paintings by American artists selected to commemorate the inauguration of President Clinton. (Higher-resolution photos are available at www.caseantiques.com) Condition: Painting overall excellent condition. Frame with some chips to corner.
• William Forsyth (American,
  William Forsyth (American, 1854-1935), "A Willow of Winona", view from the island, oil on board; 27 1/2" x 21 1/2"; signed and dated '28 lower right, titled verso. Forsyth taught summer classes for Herron at Winona Lake in the 20s and 30s. He served as a major figure in the Hoosier School of painters, exhibiting with T.C. Steele, Otto Stark, Richard Gruelle and J. Ottis Adams.
• Fine Silk Chenille and Painted Silk
  Fine Silk Chenille and Painted Silk Needlework Early 19th cent. Stylized weeping willow tree w/urn lake scene in distance. Daughter's tribute to the memory of her beloved mother. Written in pencil on backboard From Miss B...G... Charlotte Gray 13 December 1797. Made by her daughter Harriet Gray...Condition: Original frame. Minor toning. Dimensions: 17 1/2'' x 14 1/2''Provenance: Period Label: Nathan Ruggles Main St. Hartford Connecticut. Rochester Historical Society.E
• Frank Charles Peyraud (American,
  Frank Charles Peyraud (American, 1858-1948) "Willows By the Water", oil on canvas, 16" x 20", signed lower right. Presented in a handsome contemporary giltwood frame. Exhibited: Corcoran Gallery Biennial, 1910; Medal winner at the Pan-Pacific Expo, San Francisco, 1915. Reference: Peter Falk, Who Was Who in American Art.
• SPLIT WILLOW BASKETA split willow
  SPLIT WILLOW BASKETA split willow gathering basket in original condition. Minor loss to the willow in 2-3 places around the rim and on the base. Circa 1930. Measuring, 8" high x 15.75" long x 12" wide.
• William Johanes Martens (Dutch
  William Johanes Martens (Dutch 1838-1895) "Under the Willow Tree" oil on beveled wood panel signed lower right 14 3/4 x 18 1/4 in. in a later frame.
• 1 vol. Grahame, Kenneth. The
  1 vol. Grahame, Kenneth. The Wind in The Willows. New York: Charles Scribner's, 1908. First American edition. 8vo, orig. gilt-lettered & paneled green cloth, t.e.g., other edges untrimmed; lightly to moderately scuffed, spine faded to brown, occasional minor dust soiling, a few small ink stains along edges of covers. Frontis., tissue guard. Front endpapers a little discolored, some discoloration to edges of tissue guard, ink gift inscription dated, "Dec. 25, 1908," on front free endpaper recto, bookplate on front pastedown.
• PRINT, STOW WENGENROTH Stow
  PRINT, STOW WENGENROTH Stow Wengenroth (American, 1906-1978), "Brooks and Willows," lithograph, pencil signed lower right, from edition of 75, image: 10.5"h x 16.5"w, overall (with mat): 18"h x 22"w
• A quantity of blue and white willow
  A quantity of blue and white willow pattern and other china
• WATERCOLOR, WILLIAM T WILEY William
  WATERCOLOR, WILLIAM T WILEY William T Wiley (American, 1937-2021), Tree Hollow, 1979, watercolor, monogrammed and dated lower left, sheet: 10"h x 7"w, overall (with frame): 19"h x 15"w
• JAMES SWANN (AMERICAN 1905-1985),
  JAMES SWANN (AMERICAN 1905-1985), WILLOW, ETCHING, FRAMED, 18-1/2 X 15-1/2 INCHESJames Swann (American 1905-1985), Willow, Etching, Framed, 18-1/2 x 15-1/2 inches
• CARLIE DAMON WILLOW BAY PAINTING:
  CARLIE DAMON WILLOW BAY PAINTING: ''Willow Bay, 1932, North of Boston'', Oil/Canvasboard, 8'' x10'', signed verso and titled, framed, 14.25'' x 16''.
• 19th c. blue and white platter
  19th c. blue and white platter signed ''Willow Johnson Brothers England''. 20'' W.
• BIRGER SANDZEN 'OLD WILLOW'
  BIRGER SANDZEN 'OLD WILLOW' PENCIL-SIGNED LITHOGRAPHBirger Sandzen (Swedish-American, 1871-1954) Old Willow, 1925 Lithograph on paper Edition of 100 6" x 8 7/8" A pencil-signed and titled depiction of a particularly unique willow tree, executed on laid paper. Framed to archival standards in a wooden frame with an acid free mat, museum mount, and conservation glass, by the American Legacy Gallery in Kansas City, Missouri, measuring 15" x 17 1/4" in total. Literature: Charles Pelham Greenough, The Graphic Work of Birger Sandzen, Birger Sandzen Memorial Foundation, 2001, L - 109 Condition Not removed from the frame. Mild overall toning, otherwise excellent condition.
• Willow, oak split baskets: oak
  Willow, oak split baskets: oak split basket with tapered body and fine carved bentwood handles, wooden bottom, 18-1/2 x 20 in., extensive losses and wear, one handle off but present, some stains, body is loose ; circular willow basket, twisted openwork handles, 12 x 20 in., loose construction, some rim and body breaks , late 19th/early 20th century. Deaccessioned from MESDA and Old Salem to benefit the Acquisition Fund.
• Cary Sappenfield (American, 20th
  Cary Sappenfield (American, 20th Century) Vase black willow burl and turquoise signed Cary Sappenfield, numbered 590 and inscribed Black Willow Burl Turquoise to the underside Height 9 inches. Property from the Flagg Collection, Whitefish Bay, Wisconsin
• WILLIAM MORRIS (1834-1896) FOR
  WILLIAM MORRIS (1834-1896) FOR MORRIS & CO. ‘WILLOW BOUGHS’, FRAMED ORIGINAL WALLPAPER PANEL, CIRCA 1887 hand-blocked paper, printed by Jeffrey & Co., later framed88cm x 28cmLiterature: Schoeser M. The Art of Wallpaper: Morris & Co in Context, ACC 2022, p.93, no. 83 illus. Note: Willow Boughs was inspired by an afternoon walk taken by Morris and his daughter May near Kelmscott manor in Oxfordshire. May Morris later wrote that her fathers “keenly observed rendering of our willows has enbowed many a London living room”
• Charles H. Chapin
  Charles H. Chapin (American/Louisiana 1830-1889) "In the Willows Lake George" oil on canvas signed lower left titled en verso 12 1/8 in. x 20 in. original giltwood frame.
• Beswick Ware Tableau Figure The
  Beswick Ware Tableau Figure The Wind in the Willows on the River WIW1 limited edition boxed with certificate
• Apache Polychromed Coiled Willow
  Apache Polychromed Coiled Willow Tray Basket, ca. 1900, with a flattened base and flaring side, woven in willow and decorated in devil's claw and yucca root with geometric designs enclosing crosses, quadrupeds and human figures, h. 5", dia. 24-1/4".
• SCHOOL GIRL WATERCOLOR OF A HOME
  SCHOOL GIRL WATERCOLOR OF A HOME Colonial Home with Weeping Willow, "John Sumnerhay" plaque above attached side shed front. Watercolor on paper, unsigned, in mitered grain painted frame, under old glass, OS: 11" x 15 1/2", SS: 7 1/4" x 11 3/4". Edge stained.
• Frame of 10 willow leaf points.
  Frame of 10 willow leaf points. Largest; 4 1/8".
• BIRGER SANDZEN, LITHOGRAPH
  BIRGER SANDZEN, LITHOGRAPH PRESENTATIONBirger Sandzen (American, 1871-1954), "Willow and Cottonwood" woodcut print, titled, inscribed, dated, signed "With best wishes to Helen Louise 1934 Birger Sandzen". Framed, not examined out of frame. Sight size: 9 1/2" high, 12 1/2" wide to 15 1/2" high, 18 1/4" wide. Condition: : tears, restoration.
• Fiona Watson (British, born
  Fiona Watson (British, born 1952)/Willow/The Artist's Proof/each from an edition of 40, signed and inscribed/two etchings
• Joel Fisher (American, b. 1947)
  Joel Fisher (American, b. 1947) Drawing for Vine (Willow), 1987 pencil with found fiber on paper 6 1/3 x 6 1/2 inches.
• Four Staffordshire blue Willow
  Four Staffordshire blue Willow platters together with a charger. ?
• PAINTING, BILL BENDER Bill Bender
  PAINTING, BILL BENDER Bill Bender (American, 1919-2016), "Desert Willow in the Wind," oil on canvas, signed lower right, artist label with title affixed stretcher bar verso, canvas: 16"h x 24"w, overall (with frame): 22.5"h x 30.5"w. Provenance: Private Collection (Northern California).
• JO-ANN LOWNEY (AMERICAN, B. 1948)
  JO-ANN LOWNEY (AMERICAN, B. 1948) 44" x 24" Weeping Willows. Oil on canvas, no signature found, gallery wrapped.