A few examples of appraisal values for
WINTERLING

• A DERBY WHITE FIGURE OF WINTER FROM
  A DERBY WHITE FIGURE OF WINTER FROM THE FOUR INFANT SEASONS as a naked amorino enveloped in a mantle and crouching on rocks, warming his hands over a brazier, 9.5cm h, c1750-55
• WOODLANDS IN WINTER BY CURRIER &
  WOODLANDS IN WINTER BY CURRIER & IVES. Handcolored lithograph on paper. Small folio C# 6779. Two children fending off wolves. Minor imperfections. Unframed 10 7/8''h. 14 7/8''w. Overall paper toning some foxing loss of top right corner. Margins: T- 1'' B- 1 14/16'' L - 1 4/16 '' R- 1''
• Winter Wolf Photograph Framed
  Winter Wolf Photograph Framed 9''x11''
• AFTER BERTEL THORVALDSEN "WINTER"
  AFTER BERTEL THORVALDSEN "WINTER" BAS RELIEF After Bertel Thorwaldsen (Danish, 1768-1844) large cast composite bas relief of the Classical personification of Winter from the "Four Season" series, depicting a seated man and woman standing before a cauldron with a cat, together with a brown bow surmounted by a composite rose. 29" diameter.
• Wan Ding (Chinese b. 1955) "The
  Wan Ding (Chinese b. 1955) "The Sadness of Winter's Passing: Melting Snow" ink and color on paper inscribed signed and sealed middle to lower right sealed middle left 27 1/4 in. x 54 in. mounted and framed.
• Wilhelm Goebel (American, b.
  Wilhelm Goebel (American, b. 1960) Winter Kestrel, 1997 oil on canvas signed W Goebel and dated (lower right) 24 x 12 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• German porcelain allegorical
  German porcelain allegorical figures of the four seasons first half 20th century Spring with basket of flowers; Summer holding torch and wheat; Autumn as Bacchus with grapes; and Winter in huddled cloak warming herself by brazier; each with pseudo-Frankenthal mark. H6'' (4pcs) Provenance: Private collection Mount Pleasant South Carolina Winter figure with chip to middle finger on left hand and missing ewer handle; all others in good original condition with minor losses to applied fruit and floral decorations.
• DON BALKE (B. 1933) "WINTER
  DON BALKE (B. 1933) "WINTER WREN"Don Balke (North Carolina, B. 1933) "Winter Wren" Signed lower right. Original Watercolor on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. Rain Forest 33c Winter Wren stamp issued March 29, 2000. The melodious song of the Winter Wren defies its plain appearance. A small, roundish bird with a short, stubby tail, this secretive bird is easily identified by its delightful chimp-chimp call and rapid series of high trills. The Winter Wren displays brown plumage, with darker shades along the flanks and a lighter buff on its breast and underparts. Its eyebrow stripe is short and narrow, and its wings feature distinctive barring. A denizen of coniferous forests, this tiny bird is found among dense undergrowth, wooded hedges, and boreal swamps and bogs. Although the Winter Wren favors spruce and fir forests, it is a ground-feeding bird and is occasionally found in cultivated areas. In constant motion, this sprightly bird probes among rocks and undergrowth for spiders, ants, beetles and slugs. The Winter Wren may build its nest in a tangled, upturned tree root, underneath a stump, in a brush heap or in a rocky crevice. Unlike other wren species, the Winter Wren does not nest in an enclosed cavity such as a woodpecker hole. The male builds several nests of twigs, grass and moss, leaving it up to the female to decide which one is best. The young are fed by both parents and leave the nest about 19 days after hatching. Sometimes another female settles into one of the decoy nests. If there is sufficient food, the male becomes polygamous, taking a second mate. Image Size: 7 x 6 in. Overall Size: 12 x 11 in. Unframed. (B16721) Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• Winter Landscape by Gulbrand Sether
  Winter Landscape by Gulbrand Sether Watercolor Gulbrand Sether (American 1869-1941) signed l.l.; 7 x 12 in.
• Two Staffordshire pearlware figures
  Two Staffordshire pearlware figures ''Winter'' and ''Summer '' probably Ralph Clews late 18th century; 1) ''Winter'' - modeled as youth with cape shivering 8 in. H.; 2) ''Summer'' - modeled as youth crushing grapes into chalice 7 3/4 in. H. Estimate $ 200-300 ''Winter'' - chips to hat paint loss; ''Summer'' - repair to base and figure appropriate wear.
• Henrik Hillbom (Swedish 1863-1948)
  Henrik Hillbom (Swedish 1863-1948) ''Winter Landscape'' signed and dated LL ''Hillbom To Linnie 7-31-1926'' impressionistic study of snowy path framed cracquelure ss: 9 1/8'' h. x 13 1/4'' w.
• STAFFORDSHIRE POTTERY ALLEGORICAL
  STAFFORDSHIRE POTTERY ALLEGORICAL FIGURINE, WINTERA hand painted pearlware figure representation of Winter gripping his cape. Artist: Enoch Wood Issued: c. late 18th century Dimensions: 3"L x 3"W x 7.75"H Manufacturer: Staffordshire Pottery Country of Origin: England Provenance: Collection of Edward Flower Condition: Age related wear.
• STOW WENGENROTH (1906-1978) OWL
  STOW WENGENROTH (1906-1978) OWL LITHOGRAPHFramed lithograph on paper, "Winter Moon," signed lower right Stow Wengenroth (American, 1906-1978), edition of 75, c.1968, sight: 15.5"h, 11"w, overall: 23"h, 17.25"w, 3.75lbs
• Victorian parian allegory figure of
  Victorian parian allegory figure of Winter modeled as shivering woman with firewood bundle on back 7 in. H. Estimate $ 100-200 Wear dirt roughness at edge of stick bundle chip on base.
• CONRAD SCHWIERING
  CONRAD SCHWIERING (AMERICAN/WYOMING, 1916)Conrad Schwiering (American/Wyoming, 1916-1986) , "Softly Comes the Winter", oil on masonite, signed lower right, "Schwiering, Jackson Hole, Wyoming" label, additional typed artist label, artist stamps and inscribed en verso, 24 in. x 36 in., framed with brass artist and title plaque
• Stanislav Nikirieyev (Russian
  Stanislav Nikirieyev (Russian 1932-2007) "Winter". Etching on paper the plate size apprx. 8-1/4" x 10" signed in Cyrillic titled dated 1972 and numbered 52/80 in pencil in the lower margin matted overall apprx. 17-3/4" x 19-1/2".
• WALT DISNEY CLASSICS COLLECTION
  WALT DISNEY CLASSICS COLLECTION FIGURAL, NESTLED IN THE...Wintry snow-covered scene of idyllic cottage in the woods from Peter and the Wolf. Minimal age-related spotting is seen. #disney #winter
• Lynn Sanguedolce (20th-21st c
  Lynn Sanguedolce (20th-21st c American) Painting "Winter", depicting a young girl gathering holly boughs in the snow, oil on canvas, signed LR Sanguedolce, mounted in custom carved gilt wood frame, 40" x 30", framed 49" x 39"
• ETHELINDA "WINTERGREEN" HORSE IN
  ETHELINDA "WINTERGREEN" HORSE IN LANDSCAPE O/C Ethelinda (American 20th / 21st century) "Wintergreen", oil on canvas depicting a white horse in a winter landscape, signed to lower right, not framed. Note: Acquired from Manitou Galleries, Santa Fe New Mexico and accompanied by receipt from February 9, 2009 Approximate measurements: canvas h. 62", w. 52", d. 1. 5".
• ELLING WILLIAM "BILL" GOLLINGS,
  ELLING WILLIAM "BILL" GOLLINGS, WINTER TIME, 1928Elling William "Bill" Gollings, (1878 - 1932) Winter Time, 1928, etching, drypoint signed lower left in plate: Gollings [artist's cipher] etching, drypoint Dimensions: 9 3/4 x 7 7/8 in. (24.8 x 20 cm.), Frame: 15 1/8 x 13 1/4 x 3/4 in. (38.4 x 33.7 x 1.9 cm.) Provenance: Private Collection, California
• Walter Greer (South Carolina,
  Walter Greer (South Carolina, born 1920) "Summer Snow", snowy egret, signed faintly lower left "Walter Greer", titled verso on canvas, oil on canvas, 46-1/2 x 47 in.; gilt silver frame,
• PATINATED BRONZE WILDLIFE SCULPTURE
  PATINATED BRONZE WILDLIFE SCULPTURE the study of a timber wolf in howling seated pose. Height 37 inches.
• Thelma Frazier Winter (American,
  Thelma Frazier Winter (American, 1905-1997) Kitten princess. Enamels in color and gilt on copper, signed at the lower right, approx. 6" x 4", mounted onto black velvet and framed overall approx. 10-5/8" x 8-3/4".
• FRANK WESTON BENSON, (AMERICAN,
  FRANK WESTON BENSON, (AMERICAN, 1862-1951), WINTER WILDFOWLING, ETCHING, PLATE: 11 3/X 4 9 1/2 IN., FRAME: 19 X 16 IN.FRANK WESTON BENSON, (American, 1862-1951) Winter Wildfowling, etching signed Frank W. Benson in pencil, l.l. plate: 11 3/x 4 9 1/2 in., frame: 19 x 16 in. Provenance: The Collection of a Massachusetts Lady. Condition:
• A Pair of Antique English Lead
  A Pair of Antique English Lead Sculptures of "Spring" and "Winter" probably Walter Gilbert (English/Scottish 1871-1946) unsigned one cradling a bird's nest height 42 in. width 16 in. depth 10 1/2 in.; the other clutching a dead bird to his chest height 41 in. width 12 in. depth 9 in. together with painted wood fluted columnar plinths height of bases 28 in. Note: These charming lead statues represent two of the Four Seasons from the series produced by the "Bromsgrove Guild of Applied Arts" of which Gilbert was the founder and chief sculptor. They reveal evident influence of Baroque and Neo-Classical models while also displaying a firm sense of figural and iconographic independence. "Winter" especially with his vulnerable pose and affecting gestures transmits a real sense of childish appeal. These are worthy three-dimensional parallels to the protagonists of J.M. Barrie Kenneth Grahame and A.A. Milne.
• Edward Winter (American
  Edward Winter (American 1908-1976) A 17-1/2"D enamel on copper charger signed verso with a loop for hanging on back decorated in a complex array of blossoms in white and pink over blue stars with a "jeweled" gold background cobalt and robins egg blue rim.
• ELLING WILLIAM GOLLINGS
  ELLING WILLIAM GOLLINGS (AMERICAN, 1878-1932) WINTER NIGHT, 1928 OIL ON CANVAS: 14 X 10 IN.ELLING WILLIAM GOLLINGS, (AMERICAN, 1878-1932) WINTER NIGHT, 1928, Oil on canvas: 14 x 10 in. Framed; lower right signed and dated: Gollings / 1928; verso inscribed on canvas: WCG#4: verso Kennedy Gallery Label Provenance: Kennedy Galleries stock no. WCG#4; Private Collection Baltimore
• WINTER 01005220 - LLADRO
  WINTER 01005220 - LLADRO PORCELAIN FIGURESeasons series. Pastel blue coloration; glazed. Child bundled up in scarf w. dog. Lladro backstamp. Artist: Juan Huerta Issued: 20th c. Dimensions: 8.25"H Manufacturer: Lladro Country of Origin: Spain
• WINTER FROST 1005287 - LLADRO
  WINTER FROST 1005287 - LLADRO PORCELAIN FIGURINEGirl dressed in a blue winter coat with scarf and hat attending a bird and its birdhouse in the snow. Glazed finish. Lladro backstamp. No original box. #winter #birdhouse #snow Artist: Antonio Ramos Issued: 1985-2007 Dimensions: 10"H x 6.75"W Manufacturer: Lladro Country of Origin: Spain Condition: Good.
• RONAU WOICESKE (1887 - 1953)Ronau
  RONAU WOICESKE (1887 - 1953)Ronau Woiceske (1887 - 1953), four etchings, to include "Winter" edition 45; "Spring in the Catskills" artist proof; "Hemlocks in the Winter" trial proof #2; along with "Solitude", all signed and titled in pencil, each having Kleemann Galleries label on back, largest 9 3/4" x 12 1/2". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Modest Gavrilov (Russian, born
  Modest Gavrilov (Russian, born 1966) "Winter Beauty. Ohio City." 2003. Watercolor on paper. Image size approx. 9"H x 12"W, matted overall approx. 16"H x 19"W.
• Peter Hanks (American, 20th/21st
  Peter Hanks (American, 20th/21st century) "Spring Thaw", bobwhit
• WINTER SUN BY MICHAEL LYNCH
  WINTER SUN BY MICHAEL LYNCH (COLORADO B. 1950). Oil on masonite signed and dated 1997 lower right and back. Impressionistic winter landscape with pueblos. 20 1/2''h. 30''w. in a frame 26 3/4''h. 36 1/2''w.
• JOHN WHORF, (AMERICAN,
  JOHN WHORF, (AMERICAN, 1903-1959), WINTER MORNING THROUGH THE BIRCHES, WATERCOLOR ON PAPER, SHEET: 22 1/4 X 30 1/4 IN., FRAME: 30 X 37 1/2 IN.JOHN WHORF, (American, 1903-1959) Winter Morning Through the Birches, watercolor on paper signed John Whorf lower right numbered 139 and titled Winter Morning Through the Birches verso watercolor on paper Dimensions: sheet: 22 1/4 x 30 1/4 in., frame: 30 x 37 1/2 in. Provenance: By descent within a New England family. Condition: mat burn around edges; otherwise in good condition; hinge mounted along top edge. Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• Joseph G. Winter (German 1751-1789)
  Joseph G. Winter (German 1751-1789) ink study of an elk initialed and dated 1789 7 1/4" x 7 1/4". ?
• Elinor Bellingham-Smith
  Elinor Bellingham-Smith (1906-1988)Winter Landscapeinitialled; 1996 exhibition label versooil on canvas 90cm x 122cm (35.5" x 48")