Roger Wagner (British, b. 1957)
ElijahRoger Wagner (British, b. 1957)
Elijah and Eliska (two works), 1988
oil on Masonite
Each: 6 x 7 inches.
Sir Frank Brangwyn RA (1867-1956)/Roger/monogrammed/redSir Frank Brangwyn RA (1867-1956)/Roger/monogrammed/red chalk on paper, 18cm x 23.5cm/Provenance: Christie's, William de Belleroche Sale (Part I) July 18th 1961, Lot 8 (part lot)/Note: Roger was a favourite dog of Sir Frank Brangwyn. This picture is marked 'W de B' which denotes that it was part of the de Belleroche collection
Roger Medearis American, 1920-2001Roger Medearis American, 1920-2001 Home on Wig Hill, 1970
Estimate:$5,000-$7,000
MARJORIE RODGERS (BRITISH, B. 1927)MARJORIE RODGERS (BRITISH, B. 1927) Worcester China; Old Minton Breakfast Cups; Stitched Ware a set of three, each signed with initials 'MR' (lower right), one dated '1951', another dated '195-'; each titled and inscribed with artist's name and address on old labels (attached to the backboards) watercolour and bodycolour on paper one 8.5 x 7cm; one oval 9 x 7.5cm; the other circular 7cm diameter (3) Provenance Wilfred Billinghame, MD of Amoa Chemical Company, Hinckley; Thence by family descent
ROGER WORMS (FRENCH, 1907-1980)RogerROGER WORMS (FRENCH, 1907-1980)Roger Worms
French, 1907-1980
Two Farriers
Oil on canvas, signed mid-lower left
The post-cubist, dynamic scene of two men in a blacksmith's shop, one preparing to shoe the horse, the other poised with the horseshoe on his anvil, the bone-white horse delicately positioned over their heads with front leg raised. The wooden frame with foliate gilding.
Stretcher: 38 1/2 x 30 3/4 in. (97.8 x 78.1 cm.), frame: 46 x 37 3/4 in. (116.8 x 95.9 cm.)
Condition:
Any condition statement is given as a courtesy to a client, is an opinion, and should not be treated as a statement of fact. Reference to condition written, oral or within a condition report shall not be regarded as a full account of condition and may not include all defects, alterations, or restorations. Absence of a condition report does not imply a lot is flawless or lacking imperfections or damage. Selkirk Auctioneers & Appraisers shall have no responsibility for any error or omission. Returns shall not be accepted on the basis of condition.
ROGER MUHL (1929-2008): WHEATFIELDROGER MUHL (1929-2008): WHEATFIELD Watercolor on paper signed lower right. 5 1/2 x 9 1/8 in. (sight) 11 3/8 x 15 1/8 in. (frame). Provenance: David H. Findlay Galleries NY. Property from a Connecticut Collector.
ROGER WILLIAM CURTISAmerican 1910-2000CapeROGER WILLIAM CURTISAmerican 1910-2000Cape Ann marshes. Signed lower right Roger Curtis''.Oil on canvas 16'' x 30''. Framed.''
Phil Rogers (1951-2020), a largePhil Rogers (1951-2020), a large stoneware vessel or vase, tenmoku glaze with finger wipe decoration, impressed potter's mark to base rim, 39cm high
WENDELL M. ROGERS (MASSACHUSETTS,WENDELL M. ROGERS (MASSACHUSETTS, 1890-1973), SHORE SCENE WITH CRASHING WAVES., OIL ON BOARD, 12” X 16”. FRAMED 14.75” X 18.75”.WENDELL M. ROGERS, Massachusetts, 1890-1973, Shore scene with crashing waves. Signed lower left "Wendell Rogers". Dimensions: Oil on board, 12" x 16". Framed 14.75" x 18.75".
ROGER MEDEARIS (1920-2001) ARTIST'SROGER MEDEARIS (1920-2001) ARTIST'S PROOF WITH COLORSRoger Norman Medearis (1920-2001)Family Reunion (1990)The ambitious hand-colored lithograph filled with figures is signed Roger Medearis and dated 1990 lower right in pencil, along with the inscription ''color added by hand.'' The title is on lower center and on the lower left is the artist proof designation of VII/XV near the embossed printer's mark. On the back side in pencil is written 90-134/waterleaf. The Roman numeral inscription designates this as an artist's proof aside from the public edition.Artist's proofs are made under the direct supervision of the artist and considered to be of higher quality than the regular numbered edition. They give the artist a chance to refine details before embarking on the larger edition.Roger Medearis was considered one of Benton's most promising students during their tenure at The Kansas City Art Institute. But following the War, Medearis, like so many Regionalists, became disillusioned with the societal changes that saw the public turn away from the old: Regionalism, and embrace the new: Abstraction. Life happened and it wasn't until decades later that the artist found himself making art once again. This print and others in this auction by Roger Medearis are the result of his return to Regionalism.Image size 14 x 20, sheet size 18.5 x 24, frame is 21.5 x 30 inches.Very good to fine condition, the full untrimmed sheet with four deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.Provenance: The Constable Family Collection.
Roger Prince (American, 20th century),Roger Prince (American, 20th century), Figural Bronze Sculpture, 1962 stood on a red marble base height 15.7 in — 40 cm
Roger Remington oil on board 'WestminsterRoger Remington oil on board 'Westminster Pier' signed Chelsea Art Society label verso 17.5 x 21in. Estimate ?100-200 Descriptions provided in both printed and on-line catalogue formats do not include condition reports. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear imperfections or the effects of aging. Interested bidders are strongly encouraged to request a condition report on any lots upon which they intend to bid prior to placing a bid. All transactions are governed by Gorringes Conditions of Sale.Sold for ?110
ROGER WILLIAM CURTIS (MASSACHUSETTS,ROGER WILLIAM CURTIS (MASSACHUSETTS, 1910-2000), WAVES CRASHING AGAINST ROCKS., OIL ON CANVAS, 18” X 28”. FRAMED 21” X 31”.ROGER WILLIAM CURTIS, Massachusetts, 1910-2000, Waves crashing against rocks. Signed lower right "Roger Curtis". Dimensions: Oil on canvas, 18" x 28". Framed 21" x 31".
WENDELL M. ROGERS (MASSACHUSETTS,WENDELL M. ROGERS (MASSACHUSETTS, 1890-1973), PREPARING FOR A DAY OF FISHING., OIL ON CANVAS, 34" X 42". FRAMED 39" X 46".WENDELL M. ROGERS, Massachusetts, 1890-1973, Preparing for a day of fishing. Signed lower left "Wendell M. Rogers". Dimensions: Oil on canvas, 34" x 42". Framed 39" x 46".
WENDELL M. ROGERS (MASSACHUSETTS,WENDELL M. ROGERS (MASSACHUSETTS, 1890-1973), PREPARING FOR A DAY OF FISHING., OIL ON CANVAS, 34" X 42". FRAMED 39" X 46".WENDELL M. ROGERS, Massachusetts, 1890-1973, Preparing for a day of fishing. Signed lower left "Wendell M. Rogers". Dimensions: Oil on canvas, 34" x 42". Framed 39" x 46".
ROGER MEDEARIS (1920-2001) SIGNEDROGER MEDEARIS (1920-2001) SIGNED LITHOGRAPH WITH COLORRoger Norman Medearis (1920-2001)The Farmer Takes a Wife (1989)The hand-colored lithograph, an advanced state in at least seven colors, is numbered 91 from an edition of only 100 prints, titled below the image, and signed by the artist in pencil lower right with the date of '89. The words COLOR ADDED BY HAND are below the signature. A printer's embossed chopmark and RM artist's monogram are found lower left corner of the sheet.Roger Medearis was considered one of Benton's most promising students during their tenure at The Kansas City Art Institute. But following the War, Medearis, like so many Regionalists, became disillusioned with the societal changes that saw the public turn away from the old: Regionalism, and embrace the new: Abstraction.Life happened and it wasn't until decades later that the artist found himself making art once again - thus the reference found on the back of this print: 'Based on a drawing I made in 1940 - RM.' This print and others in this auction by Roger Medearis are the result of his return to Regionalism. In the market, some of his stone lithographs are found with no color added. Others are found with only a few colors. The prints up for auction here display the full range of ''color added by hand,'' and in great detail.Image measures 11 x 13, sheet size 14.25 x 16.25, the frame is 21.25 x 23 inches.Very good to fine condition, the full untrimmed sheet with four original deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.Provenance: The Constable Family Collection.
ROGER MEDEARIS (1920-2001) SIGNEDROGER MEDEARIS (1920-2001) SIGNED LITHOGRAPH WITH COLORRoger Medearis (1920-2001)Wild Roses (1989)The hand-colored lithograph in ten or more colors is numbered 89 from an edition of 100, signed and dated by the artist in pencil below the image lower right and titled lower center. The inscription, 'color added by hand' is written in pencil below the image.Image size 10 x 14.5, sheet measures 13.25 x 17.75, frame is 20.5 x 24.5 inches.Very good to fine condition with four deckle edges, the full untrimmed sheet, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.Provenance: The Constable Family Collection.
MIXED MEDIA, ROGER WEIK Roger WeikMIXED MEDIA, ROGER WEIK Roger Weik (American, b. 1949), "Helix," 2005, mixed media on paper, signed, titled, and dated on verso of frame, sheet: 30"h x 22"w, overall (with frame): 35.5"h x 28"w
Raymond Woog (French, born 1875)Raymond Woog (French, born 1875) Pair of landscapes: one with monogram "W" lower left within a circle and inscribed verso panel "39" and "37", oil on panels, 10-3/8 x 6-7/8 in.; original matching gold-painted wood frames,
WILLIAM WEGMAN (American b. 1943).WILLIAM WEGMAN (American b. 1943). ROLLER ROVER POSTER signed lower right. - Framed 23 1/2 in. x 19 1/2 in.
W.A. Rogers (American, 1854-1931)W.A. Rogers (American, 1854-1931) Two original caricatures: "Mother's vision of WWI soldier's ghost", approx. 16" x 13-3/8" and overall framed 24-1/8" x 21-2/8". Second is "McAdoo tries to lasso Democratic Donkey being befuddled by Al Smith", approx. 16" x 13-3/8" and overall framed approx. 23-5/8" x 20-3/4". Both are india ink on paper, signed in the lower left corner; double matted under glass and framed.
ROGER MEDEARIS(California/Missouri,ROGER MEDEARIS(California/Missouri, 1920-2001)
The White Tree, 1975, signed lower left "Medearis", inscribed, signed and dated verso, polymer tempera on hardwood panel, 12 x 18 in.; silver finished carved wood frame, 18-1/4 x 24-1/2 in., Provenance: Capricorn Galleries, Bethesda, Maryland, purchased in 1977 for $1350 (accompanied by a facsimile of the original receipt); Jerry and Deena Kaplan Collection of Modern Art and Crafts
Condition:
painting in good condition; frame with abrasions
ROGER MUHL, BLOSSOMING TREES INROGER MUHL, BLOSSOMING TREES IN A LANDSCAPERoger Muhl(French, 1929-2008)Blossoming trees in a landscapegouache on papersigned lower right: Mühlsight: 20 x 27in (50.8 x 68.6cm)
WILLIAM P. ROGERS. ROWING TO SHORE,WILLIAM P. ROGERS. ROWING TO SHORE, OIL (Irish, fl. 1842-1872). Oil on canvas, signed "W. Rogers" lr, sight size: 20 x 31 in., framed size: 23 x 42 inches.
ROGER MEDEARIS (1920-2001) ARTIST'SROGER MEDEARIS (1920-2001) ARTIST'S PROOF WITH COLORSRoger Norman Medearis (1920-2001)Tom Benton Painting a Portrait - 1939 (1992)The hand-colored lithograph from an Artist's Proof edition (AP) is signed and dated by the artist in pencil below the image lower right and titled lower center. The inscription, 'color added by hand' is written in pencil below the signature. Artist's proofs are made under the direct supervision of the artist and considered to be of higher quality than the regular numbered edition and only a few are pulled. They give the artist a chance to refine details before embarking on the larger edition.There is added significance to this print. Roger Medearis tells the story of being invited to a surprise birthday party for his instructor of art, Thomas Hart Benton. Unsure of his place in the setting, he was relieved and delighted to find the group at Benton's house standing around an earlier version of this image, making much ado of the artist's lithograph hanging on the wall of their teacher's home.An inscription on this print speaks to this: ''Based on a lithograph I made in 1940 while a student of Thomas Hart Benton - most of those prints were later lost, or destroyed - R. M.''Roger Medearis was considered one of Benton's most promising students during their tenure at The Kansas City Art Institute. But following the War, Medearis, like so many Regionalists, became disillusioned with societal changes that saw the public turn away from the old: Regionalism, and embrace the new: Abstraction.Life happened and it wasn't until decades later that the artist found himself making art once again. This print and others in this auction by Roger Medearis are the result of his return to Regionalism.Image size 14 x 11, sheet measures 18 x 13.75, frame is 24 x 20 inches.Very good to fine condition, very clean, the full untrimmed sheet with four deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.Provenance: The Constable Family Collection.
ROGER BROER, IN THAT ONE PLACE,ROGER BROER, IN THAT ONE PLACE, 2008Roger Broer, (Oglala Lakota, b. 1947) In That One Place, 2008, oil on board signed and dated lower right: BROER / © 08 inscribed verso: -in that one place- / © 2008 BROER oil on board Dimensions: 16 x 20 in. (40.64 x 50.80 cm.), Frame: 21 3/4 x 25 3/4 x 2 in. (55.25 x 65.41 x 5.08 cm.) Provenance: The Estate of Buddy and Connie S. Sanchez
RODGER MCPHAIL(British, born 1953)
WildRODGER MCPHAIL(British, born 1953)
Wild Boar in a Snowy Woodland, signed lower right "R. McPhail", watercolor on paper, sight 9-7/8 x 13-1/2 in.; wood frame, 17-5/8 x 20-5/8 in.
Condition:
good condition, not examined out of frame; frame with abrasions
ROGER MEDEARIS (1920-2001) SIGNEDROGER MEDEARIS (1920-2001) SIGNED LITHOGRAPH WITH COLORRoger Norman Medearis (1920-2001)Rhode Island Reds (Circa 1980s)The hand-colored lithograph, numbered 42 from an edition of only 50 prints, is signed by the artist in pencil below the image lower right and titled lower center.The pencil inscription, ''Hand Painted / RM'' suggests that Roger Medearis applied the colors to this stone lithograph.Roger Medearis was considered one of Benton's most promising students during their tenure at The Kansas City Art Institute. But following the War, Medearis, like so many Regionalists, became disillusioned with the societal changes that saw the public turn away from the old: Regionalism, and embrace the new: Abstraction. Life happened and it wasn't until decades later that the artist found himself making art once again. This print and others in this auction by Roger Medearis are the result of his return to Regionalism. In the market, some of his stone lithographs are found with no color added. Others are found with only a few colors. The prints up for auction here display the full range of ''color added by hand,'' and in great detail.Image measures 12 x 18, sheet size 16 x 21.5, the frame is 22 x 28 inches.Good condition, the full untrimmed sheet, not laid down, no damage, punctures, tears or repair. Toning from a previous mat frames the image.Provenance: The Constable Family Collection.
SCOTT ROGERS (AMERICAN, B. 1960/61)ScottSCOTT ROGERS (AMERICAN, B. 1960/61)Scott Rogers
American, b. 1960/61
Hombre de Palabra (Man of His Word) , 2015
Bronze
Signed, dated, and editioned 4/30. Full-length standing figure in sombrero and poncho, mounted to a revolving wooden base.
Bronze: 17 x 9 1/2 x 8 in. (43.18 x 24.13 x 20.32 cm.), overall: 19 x 11 x 9 in. (48.26 x 27.94 x 22.86 cm.)
The Wallace Estate: Lee Renfrew Wallace and her husband Mahlon Brookings Wallace III lived an extremely happy and luxurious life filled with world travels, safaris, collecting, and philanthropy. From backgrounds in race-horse breeding and championship cattle ranching, the socialite couple paid homage to the St. Louis area community in a variety of ways.
Mr. Wallace served as Director of Commerce Bank, President of the St. Louis Zoo Friends Board, and was charitable to numerous organizations he believed in. Behind every great man is a better woman, and his wife Lee was renowned for being the glue of the family while she warmly served as Director of Development for local educational institutions and made an impact with her lasting spirit. The couple’s art collection ranges in style and period and spans a broad price-point.
WM. ROGERS & BROS. PLATED WELLWM. ROGERS & BROS. PLATED WELL AND TREE PLATTER AND A SHEFFIELD PLATED ENTREE DOMEWM. ROGERS & BROS. PLATED WELL AND TREE PLATTER AND A SHEFFIELD PLATED ENTREE DOME, the large oval platter with molded 'well and tree' design enclosed within a band of spaced floral design, all atop four scrolling feet, l: 18 in., the tall domed cover with a gadrooned band at waist and surmounted with a scrolling heart-shaped handle, h: 9.5 in. (2)
ROGER BEZOMBE (1913-2004): "GREENROGER BEZOMBE (1913-2004): "GREEN FISH" Mixed media on paper 28 5/8 x 20 in. (sheet) signed and numbered 8/150.
Roger Mark Walton (American/SavannahRoger Mark Walton (American/Savannah 20th/21st c.) "Posing Male Nude" graphite white and black chalk on cardstock signed lower right and en verso 20 1/2 in. x 14 1/2 in. unframed.
ROGER MEDEARIS (1920-2001) SIGNEDROGER MEDEARIS (1920-2001) SIGNED LITHOGRAPH WITH COLORRoger Norman Medearis (1920-2001)The Secret (Circa 1980s)The hand-colored lithograph, numbered 57 from an edition of only 90 prints, is signed by the artist in pencil below the image lower right and titled lower center.The pencil inscription, ''Hand Painted / RM'' suggests that Roger Medearis applied the seven-plus colors to this stone lithograph.Roger Medearis was considered one of Benton's most promising students during their tenure at The Kansas City Art Institute. But following the War, Medearis, like so many Regionalists, became disillusioned with the societal changes that saw the public turn away from the old: Regionalism, and embrace the new: Abstraction. Life happened and it wasn't until decades later that the artist found himself making art once again. This print and others in this auction by Roger Medearis are the result of his return to Regionalism. In the market, some of his stone lithographs are found with no color added. Others are found with only a few colors. The prints up for auction here display the full range of ''color added by hand,'' and in great detail.Image measures 9 x 13.5, sheet size 14 x 18, frame is 19.5 x 23.25 inches.Very fine condition, the full untrimmed sheet with deckle edges, not laid down, no damage, stain, punctures, tears or repair; framed to archival standards in acid free mounts.Provenance: The Constable Family Collection.
ROGER FRY (british 1866-1934)ROGER FRY (british 1866-1934) A WOODLAND PATH-EPPING FOREST Inscribed 'This picture was painted by my father Roger Fry-P. Diamond' verso, oil on board 15 1/2 x 12 1/4 in. (39.4 x 31.1cm) provenance: From the collection of Philip Rieff and Alison Douglas Knox, Philadelphia, Pennsylvania. ,000-
ROGER HERMAN (B. 1947): DISTORTEDROGER HERMAN (B. 1947): DISTORTED BLUE & YELLOW CERAMIC2012; glazed ceramic; dated to lower edge; Provenance: The Estate of Juliet McIver, Los Angeles, CA; 15 inches wide; 12 inches deep; 24 inches high Condition:
RAY ROGERS(Australian, born 1935)
Sphere,RAY ROGERS(Australian, born 1935)
Sphere, signed "Ray Rogers" on base, pit fired stoneware with mottled glaze, approximately 13-1/2 x 22-1/2 in.
Provenance: Ragland, purchased in 2000 for 1,800 AUD (accompanied by consignor's inventory document); Jerry and Deena Kaplan Collection of Modern Art and Crafts
Condition:
good overall, some surface dirt and accretion, edge roughness as made