A few examples of appraisal values for
WOOD AND TAYLOR

• Taylor Oughton (American, b.
  Taylor Oughton (American, b. 1925) Dark Hollow Woodies, 1999 acrylic on panel signed Oughton and dated (lower left) 13 x 18 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• Taylor (James), The Pictorial
  Taylor (James), The Pictorial History of Scotland, London: James S Virtue, 8vo, 2 volumes, half calf and faux shagreen, half titles and frontispiece to both volumes, bw plates and maps; together with James (GPR.), A History of the Life of Edward the Black Prince, London: Longman, Rees, Orme, 1836, 8vo, 2 volumes, full calf with gilt tooling, red and green title blocks, AEG, volume 1 with half title, fold out map and vignette to title page; and Thackeray, (WM), The History of Pendennis, London: B
• Taylor (I and J) pub. Rudiments
  Taylor (I and J) pub. Rudiments of Ancient Architecture, 8vo., cont. green half calf, 1794, plates
• William Redd Taylor (Virginia, late
  William Redd Taylor (Virginia, late 20th/early 21st century) Wood Ducks Dropping In, signed lower left "Wm. Redd Taylor '76", watercolor on paper, 15 x 22-1/2 in.; painted wood frame,
• F. TAYLOR. FIGURES IN A FOREST, OIL
  F. TAYLOR. FIGURES IN A FOREST, OIL (British, 19th/20th century). Oil on canvas, signed "F.Taylor" ll, 13 x 22 in., framed.
• J.C. Taylor (American, 19th
  J.C. Taylor (American, 19th Century) "Forest Grove, Catskill Mountains". Oil on canvas, signed in the lower right corner, framed in a partially gilt frame. Inscribed on the back of the frame "A1258/Forest Grove Catskill Mts/J.C. Taylor"; stamped brass nameplate on the lower rail of the frame. Image size approx. 17-1/2" x 11-1/2" and overall approx. 26-1/2" x 20-1/2".
• William Redd Taylor (Virginia, late
  William Redd Taylor (Virginia, late 20th/early 21st century) Bird Studies: Sharp-Shinned Hawk, Sparrow Hawk, Woodcock, each signed lower right "Wm Redd Taylor/May 27, 1976", watercolor over pencil on card, 5-1/4 x 5-7/8 in.; wood frame,
• TWO CONTEMPORARY WOOD PIECES Both
  TWO CONTEMPORARY WOOD PIECES Both signed on bottom.
• GRANT WOOD (1891 - 1942), TREE
  GRANT WOOD (1891 - 1942), TREE PLANTING GROUP, 1937, LI...Grant Wood (1891 - 1942), Tree Planting Group, 1937, lithograph, signed in pencil, edition of 250, published by Associated American Artists, New York, 8 1/2" x 10 7/8", sheet size 11 7/8" x 16". Exhibited: Austin, Texas, The Archer M. Huntington Art Gallery, College of Fine Arts, The University of Texas at Austin, The Fath Collection: Selected prints from the United States and Mexico, 1915 - 1950, May 15 - July 6, 1986, no. 79. C The Creekmore and Adele Fath Charitable Foundation Collection. Sold at Doyle's, New York, November 8, 2011, #255. Condition: : Pale matstain, old paper tape at top sheet corners recto, some unobtrusive foxing mainly outside the image and back, otherwise in good condition, with full margins, framed. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• TWO WOODCUT PRINTS - ALLEN W. SEABY
  TWO WOODCUT PRINTS - ALLEN W. SEABY AND ERNEST W. WATSON The first: Allen W. Seaby (British, 1867-1953), Trout, pencil signed, titled, and numbered 65/100 lower margin, unframed; the second: Ernest W. Watson (American, 1884-1969), Rocks and Spray, pencil signed, titled, and numbered 39/100 lower margin, unframed.
• Wood (Anthony) Athenae
  Wood (Anthony) Athenae Oxoncensis, London 1691-2, 2 vols in 1, Folio, full contemporary calf (1)
• THOMAS WATERMAN WOOD (NEW
  THOMAS WATERMAN WOOD (NEW YORK/KENTUCKY, 1823-1902THOMAS WATERMAN WOOD (New York/Kentucky, 1823-1902) etching, two figures negotiating. Pencil signed lower right, copyright 1887. Image measures 20" x 14". In a wood frame; 36.5" x 31.25" overall.
• WORK ON PAPER, WILLIAM WOOD William
  WORK ON PAPER, WILLIAM WOOD William Wood (American, b. 1960), Untitled, 1999, oil on paper, signed and dated verso, paper: 15"h x 11.5"w, overall (with frame): 23"h x 19.5"w. Provenance: Danese Gallery, New York. Proceeds from the sale to benefit Make It Home.
• 2pc Norm Taylor (b.1940 WA)
  2pc Norm Taylor (b.1940 WA) Abstract Drawing and Woodcut Framed 14''x12'' Largest
• GRANT WOOD (1891 - 1942),
  GRANT WOOD (1891 - 1942), APPROACHING STORM, 1940, LITH...Grant Wood (1891 - 1942), Approaching Storm, 1940, lithograph, signed in pencil, edition of 250, published by Associated American Artists, New York, 12" x 9", sheet size 17 1/2" x 12 1/2". Exhibited: Austin, Texas, The Archer M. Huntington Art Gallery, College of Fine Arts, The University of Texas at Austin, The Fath Collection: Selected prints from the United States and Mexico, 1915 - 1950, May 15 - July 6, 1986, no. 86. C The Creekmore and Adele Fath Charitable Foundation Collection. Sold at Doyle's, New York, November 8, 2011, #268. Condition: : Pale matstain, old paper tape at top sheet edge near corners recto, minor printer's ink and foxing in the margins and verso, otherwise in good condition, with full margins, framed. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• W.T. Wood (19th/20th Century
  W.T. Wood (19th/20th Century British) - Oil painting - Wooded river landscape canvas 30ins x 36ins signed in gilt frame
• TWO BARBARA A WOOD (AMERICAN,
  TWO BARBARA A WOOD (AMERICAN, 20TH C.), LITHOGRAPHS, FL...Two Barbara A Wood (American, 20th C.), lithographs, flappers edition 324/350, along with women having tea edition 266/350, each pencil signed lower right "Barbara A. Wood", both sight size 26" x 32". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• THOMAS WATERMAN WOOD(American,
  THOMAS WATERMAN WOOD(American, 1823-1903) Election Returns, 1881, signed and dated upper right "T.W.Wood 1881", oil on canvas, 10 x 12 in.; fine period carved gilt wood and composition frame, 21-1/2 x 23-1/2 in. Condition: stretcher marks, two small patch repairs verso with corresponding retouch: frame in overall good condition, evidence of some repairs, minimal cracking commensurate with age
• A MICHAEL TAYLOR STONE AND CAST
  A MICHAEL TAYLOR STONE AND CAST IRON TABLEA Michael Taylor hewn stone and grey painted cast iron tablethird quarter 20th centuryheight 29 1/2in (75cm); width 73in (186cm); depth 36in (91.5cm) Provenance:Sold The Collection of Michael Taylor,
• Wood (JT) 'Discoveries at Ephesus',
  Wood (JT) 'Discoveries at Ephesus', 8vo, London, 1877. Orig. cloth binding, rather worn (1)/Provenance: The Estate of Anthony J Beeson
• TWO CONSTRUCTION ABSTRACTS ON
  TWO CONSTRUCTION ABSTRACTS ON WOODTwo Construction Abstracts on Wood,
• E Taylor (1780-1830)/Portrait
  E Taylor (1780-1830)/Portrait Miniature of a Gentleman/wearing a black coat, white shirt and black stock/signed and dated 1828/watercolour on ivory, 54mm x 42mm/with red Morocco leather outer case/Ivory registration reference: 9XYXUEQZ/Provenance: The Estate of Anthony J Beeson
• HENRY TAYLOR WYSE (1870-1951) BEECH
  HENRY TAYLOR WYSE (1870-1951) BEECH TREES pastel on paper, 26.5cm x 30cm; and another by the same hand, pastel on paper, signed and dated lower right H.T. WYSE, 19cm x 14cm(2)
• WOODRUFFS & DOWNEYS, BLACK AND
  WOODRUFFS & DOWNEYS, BLACK AND WHITE PHOTOGRAPH W.A. Wood (American, 20th century). Black and white photograph of the Woodruffs, Morton Downey Sr with wife Peggy Schulze and others. Signed on mount. 16" x 20" (mount), 10.5" x 13.5" (image)
• PAIR WOODCUTS- Two female nudes one
  PAIR WOODCUTS- Two female nudes one with martini the other with rose by Fred Schmidt (NY 1892-1957) signed lr both series 1/25 brightly rendered in magenta black and green unframed matted under acetate SS: 13'' square each OS: 20'' square each
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) "Tall Pines, Covington", etching, sheet 10-1/4" x 8-1/2", monogrammed and dated lower right "EW '35". Glazed, matted and presented in a parcel-gilt and ebonized frame.
• DARK TREES, KATHERINE TAYLOR,
  DARK TREES, KATHERINE TAYLOR, PAIR OF PAINTINGS Katherine Taylor (American, 20th/21st century). "Indexical View Dark Palm #1 and #11" -2009, a pair of oils on canvas. Both signed and dated verso. Provenance: From the Estate of JoAnn Hunsinger of Atlanta, Georgia. Approx. 24.25" x 29" (frame), 11.5" x 15.75" (canvas)
• WOODEN SCULPTURE - 'Duet 1952' by
  WOODEN SCULPTURE - 'Duet 1952' by William (Horace) Muir (ME 1902-1964) an Abstract Expressionist form derived from a maple burl on integral base 18 1/2'' tall 11 1/2'' x 10'' fine condition.
• TAYLOR BOOK LOTTwo different
  TAYLOR BOOK LOTTwo different editions of "Lectures & Best Literary Productions", two editions of "Life and Careers of Robert Love Taylor (R. Bob)", and "Memorial Addresses"
• TWO LITHOGRAPHSTwo lithographs,
  TWO LITHOGRAPHSTwo lithographs, to include a J. Baillie of Brigidier General Zachary Taylor, 14" x 10", and Currier & Ives The Little Highlander . Condition: Taylor large tear through center, small surface abrasions in lower corners, small edge tears. Currier - toning, stains.
• Wood Engravings by Timothy Cole
  Wood Engravings by Timothy Cole Timothy Cole (American 1852-1931).  Lot of 10 wood engravings printed on Japan paper between 1888-1892 and 1909: Music (detail) after a painting atributed to Taddeo Gaddi The Visitation of Mary to Elizabeth after Giotto The Expulsion From Paradise after Masaccio Three Heads (detail) after Simone Martini Burial of the Virgin after Duccio Battle of St. Ephesius after Spinello Two Angels after Andrea del Sarto The Visitation after Albertinelli The Annunciation after Fra Angelico and La Maternite after Carriere all signed in graphite l.r. four are also signed in graphite by JC Bauer l.l.; largest 6.75 x 8.25 in. (plate) Property of the Toledo Museum of Art Sold to Benefit the Acquisition Fund Condition: Two Angels: slight crease.  La Maternite: poor condition torn l.l.
• Grant Wood (American 1891-1942)
  Grant Wood (American 1891-1942) "Two Women" pencil on paper signed lower right 15 5/8 in. x 7 1/4 in. in a giltwood frame; together with a large group of ephemera related to Grant Wood much of it signed including Joan Liffring-Zug This is Grant Wood Country 1977 published by the Davenport Municipal Art Gallery softcover signed by the author and by Nan Wood Graham Grant Wood's sister and the model for his painting "American Gothic"; Sinclair Lewis Main Street 1937 illustrations by Grant Wood published by Lakeside Press limited to 1500 copies signed by Grant Wood; Madeline Darrough Horn Farm on the Hill 1936 published by Scribner's Sons illustrated by Grant Wood signed by Wood; a 1935 exhibition catalogue from Ferargil Galleries NY signed by Wood; two copies of Farm Journal 1939 both signed by Wood several reproductions signed by Wood and various newspaper clippings relating to Wood and his sister.
• William Thomas Wood/Woodbridge
  William Thomas Wood/Woodbridge Mill, Suffolk/watercolour, 25cm x 36cm and another watercolour
• WORK ON PAPER, WILLIAM WOOD William
  WORK ON PAPER, WILLIAM WOOD William Wood (American, b. 1960), Nothing Joins, It Flows, 1982, black resin on paper, unsigned, sheet: 29.5"h x 41"w, overall (with frame): 34"h x 45.25"w. Provenance: Property from a Private Collection, San Francisco.
• WORK ON PAPER, WILLIAM WOOD William
  WORK ON PAPER, WILLIAM WOOD William Wood (American, b. 1960), Nothing Joins, It Flows, 1982, black resin on paper, unsigned, sheet: 29.5"h x 41"w, overall (with frame): 34"h x 45.25"w. Provenance: Property from a Private Collection, San Francisco.
• Wayne Taylor (NC b. 1931)
  Wayne Taylor (NC b. 1931) ''Portico''acrylic on canvas signed on the verso on stretcher dated 1972 simple wooden frame.Like Dick Wayne Taylor was also a Rome Prize Scholar. He then returned to his alma mater serving as a professor in the School of Design at NC State University. Dick recalls that this painting ''was Wayne's abstraction of a Greek column.''DOA 68 x 68 in.Impression at lower left of canvas.Collection of Mary Jo & Dick Bell founders of Garden Gallery and the Water Garden Raleigh NC