A few examples of appraisal values for
WOODBURY

• CHARLES H. WOODBURY (AMERICAN, 1864
  CHARLES H. WOODBURY (AMERICAN, 1864 - 1940), LATE 19TH/20TH C. WATERCOLOR, DEPICTS LANDSCAPE WITH HILLS, AND BLUE SKY WITH CLOUDS, S...Charles H. Woodbury (American, 1864 - 1940), late 19th/20th C. watercolor, depicts landscape with hills, and blue sky with clouds, signed lower left, framed and matted under glass, condition consistent with age including light toning, foxing, and wear, ss: 16 1/2" h. x 21" w.
• CHARLES WOODBURY (AMERICAN,
  CHARLES WOODBURY (AMERICAN, 1864-1940) ETCHING & ENGRAVINGS All pencil signed.
• Charles Woodbury (American
  Charles Woodbury (American 1864-1940) lithograph of clouds around a volcanic peak pencil signed plate framed under glass without foxing or toning 13'' h. x 9'' w.
• CHARLES H. WOODBURY YOUNG WOMAN
  CHARLES H. WOODBURY YOUNG WOMAN PORTRAIT PAINTING Maine, Massachusetts1864-1940Depicts a girl with short hair dressed in red seated by a window with a book in her lap. Woodbury was the youngest person ever elected to the Boston Art Club, graduating from the Massachusetts Institute of Technology. Not long after, Woodbury left for Paris to study at the Academie Julian only to return and become a prominent plein air painter.
• CHARLES H. WOODBURY OCEAN WAVES
  CHARLES H. WOODBURY OCEAN WAVES SEASCAPE PAINTING Maine, Massachusetts,1864-1940Impressionist depiction of ocean swells and crested waves beneath an overcast sky. Woodbury was the youngest person ever elected to the Boston Art Club, graduating from the Massachusetts Institute of Technology. Not long after, Woodbury left for Paris to study at the Academie Julian only to return and become a prominent plein air painter.
• GROUP OF CONNECTICUT INTEREST
  GROUP OF CONNECTICUT INTEREST BOOKSincluding Anderson, The Town and City of Waterbury, 3 volumes, 1896, and Cothren, History of Ancient Woodbury, 1st edition, 1854. 11 volumes in various bindings. Largest: 9 3/4" high, 7"wide. Damage, splitsand wear to binding, crude repairs to some. Provenance: Property from a Woodbury CT Estate. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• AMERICAN SCHOOL, O/C, PORTRAIT OF
  AMERICAN SCHOOL, O/C, PORTRAIT OF ELIZABETH WOODBURYAmerican School (anon), oil on canvas, portrait of Elizabeth Williams Woodbury (nee Clapp) (1796-1873), wife of Levi Woodbury who in his career was a Supreme Court Justice, a U.S. Senator, Governor of New Hampshire, and cabinet member in three presidential administrations. Her granddaughter, Virginia Woodbury Lowery married Jose Brunetti y Gayoso, XV Duke de Arcos, and loaned the painting to the Smithsonian Institute until 1920. Labels affixed to back read, "The De Arcos Collection. Portrait of a Lady. No. 8" and "Duchesse De Arcos Loan Collection Accession 51701 June 1910. Portrait of a Lady (Mrs. Levi Woodbury of New Hampshire) (25 x 30)", in original frame. Painting appx 30 1/2" x 25 1/4', frame 38" x 33 1/4". Very good condition, minor loss to paint on subject's shoulder.
• CHARLES WOODBURY (1864-1940
  CHARLES WOODBURY (1864-1940 NATIONAL ACADEMY)etching, titled "The Cliff". Signed lower left in pencil, 16/100, edition 100. Initialed in plate. Painted wooden frame with gilded highlights, ornate gilded liner, UV glass. Sight size 6 1/2" x 7 1/2", overall 18" x 19".
• CHARLES WOODBURY (1864-1940
  CHARLES WOODBURY (1864-1940 NATIONAL ACADEMY)etching, titled "Birches". Signed lower left in pencil, 30/100. Painted and gilded frame, UV glass, ornate gilded liner. Sight size 6 1/2" x 7 1/4", overall 18 1/4" x 19".
• THE STILES FAMILY CONNECTICUT
  THE STILES FAMILY CONNECTICUT CHIPPENDALE BONNET TOP HI...Woodbury, Connecticut, 1770-1780, an exceptional example in fine condition and probably retaining its original surface, upper case with closed bonnet with scrolled finial plinth, probably original flame finials, central shell carved drawer, drawers flanked by fluted pilasters, probably original bat wing brasses, lower case with central shell carved drawer, C-scroll carved cabriole legs with ball and claw front feet, dovetailed and rosehead nail construction, poplar secondary throughout, pad rear feet, 94 x 43 x 22 in., Provenance: Descended in the Stiles family of Woodbury, Connecticut; Acquired in the 1980s from Avis Hicock, who was living in the Main Street home that had belonged to her great-grandfather David J. Stiles. The highchest descended from his father, David Stiles, or his grandfather Benjamin Stiles, who lived across the street at Ragland Farm; The Ann and Joel Finn Collection; Note: Illustrated inÿMaking Furniture in Pre-Industrial America: The Social Economy of Newtown and Woodbury, Connecticut,ÿJohns Hopkins University Press, 1996, pg. 139, fig. 24.Illustrated in the Jeffery Tillou Antiques catalog,ÿThe Ann and Joel Finn Collection, pg. 10-11 (lot accompanied by copy of catalog). Condition: in fine largely original condition throughout, early dry surface and probably original brasses, right skirt drop probably restored (patches at skirt caps for pendants), bottom right drawer with area of possible surface restoration (slight discrepancy under blacklight), lower right drawer with minor repair at drawer lip, scattered minor patches at drawer lips, typical age, cracks, and other scattered minor flaws
• ATTRIBUTED TO CHARLES H. WOODBURY
  ATTRIBUTED TO CHARLES H. WOODBURY (AMERICAN, 1864 - 1940), WATERCOLOR, DEPICTS BLUE WAVES, UNSIGNED, EXECUTORS STAMP TO VERSO ATTRIB...Attributed to Charles H. Woodbury (American, 1864 - 1940), watercolor, depicts blue waves, unsigned, executors stamp to verso attributes to Charles H. Woodbury, condition consistent with age including toning, foxing, and light wear, ss: 14 1/2" h. x 20 1/4" w. [VERBAL PROVENANCE: Purchased directly from the artist]
• Walton, New York lithograph,
  Walton, New York lithograph, bird's-eye view drawn and published by L.R. Burleigh (1853-1923), Troy, New York, 1887, key in title margin identifies 33 businesses, churches, and other points of interest, 19-1/8 x 27-7/8 in. (page); matted in modern wood frame. Hinged at top with two-sided cellophane tape, 2 x 4-1/4 in. separation at top margin, rippling, toning, smudges, stains, creases, minor foxing; frame with abrasions. Private Collection, Tryon, North Carolina.
• Charles Herbert Woodbury painting
  Charles Herbert Woodbury painting (Massachusetts/Maine, 1864-1940), road by the coast, Oqunquit, Maine, signed lower right "Charles Herbert Woodbury…", oil on canvas, 9 x 13-1/8 in.; modern gilt and painted wood frame. Restretched on old stretcher, lined, crackle; frame with abrasions. The Estate of the Late Parker B. Poe to Benefit the Thomasville Cultural Center, Thomasville, Georgia
• M. VAN HART (AMERICAN, 20TH
  M. VAN HART (AMERICAN, 20TH CENTURY) 19 ¼" x 15 ¼" image "A Street Scene in Woodbury, NJ." Oil on canvas artistic board, ca. 1940's, signed lower right corner, titled on the back; framed in antique selvedged wood frame with distress finish, overall 25 ½" x 21 ¼". Provenance: old private collection, acquired from Whiskey Ron Antiques Southpointe, Cannonsburg, PA, in 2001.
• M. Weston, American, 20th c, 2
  M. Weston, American, 20th c, 2 black and white prints from Batstow NJ and Moorestown NJ, 8 1/4" x 11 1/4" Estimate $50-100
• CONNECTICUT FAMILY RECORD
  CONNECTICUT FAMILY RECORD NEEDLEWORK. Philura Williams Holbrook West Haven New Haven County 1873 wool on paper. Grapevine border circles the family history above the green shuttered house. In a frame 21''h. 26 1/4''w. Philura listed her parents and twelve siblings dates thirteen years after she married Burton Holbrook in 1860 but surprisingly did not record her husband or two young sons. The West Haven 1870 census lists Burton as a well-to-do brick mason and includes her parents living with them. Old veneered frame with loss on corners. A few lost stitches and splits in the punch cardstock.
• Danbury, Connecticut lithograph,
  Danbury, Connecticut lithograph, bird's-eye view drawn and published by L.R. Burleigh (1853-1923), Troy, New York, circa 1884, Beck & Pauli, lithographers, Milwaukee, Wisconsin, key in title margin identifies 59 businesses, churches, and other points of interest, 22-1/8 x 39-1/8 in. (page). Loose, toning, moisture stains, creases with separations, curling, minor foxing, rodent damage, approximately 1 in. of end loss on right. Private Collection, Tryon, North Carolina.
• MURPHY, O/B NEW JERSEY WOODLAND
  MURPHY, O/B NEW JERSEY WOODLAND SCENEJohn Francis Murphy NA (Am. 1853-1921), unsigned. Frame size: 8 1/4" high, 6 5/8" wide. Very dark, murky. Close-up image has been lightened to show details. Provenance: Doyle Galleries NYC Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• BURLINGHAM, O/C THE PASSMartha L.
  BURLINGHAM, O/C THE PASSMartha L. Burlingham (Am.1889-1981) depicting a covered bridge and cut down trees. Outsider style. Signed and titled and inscribed verso. Frame size: 15 5/8" high, 19 1/2 wide. Condition: Auction buying is wholesale and not the same as retail store or retail internet buying. There are no returns based on condition. Our auction items are mostly vintage, mostly from estates, and are not in perfect condition. The items are sold "as is", and we are acting as agents, not as principals. Accordingly, prospective buyers are entirely responsible for determining the physical condition of lots prior to and as a condition to bidding. Bidders are obligated to determine their level of interest in and value of the items based solely on their own review. To assist prospective bidders in this endeavor, we offer in person open-house preview days prior to the auction, and also provide written condition reports in response to emailed requests submitted to condition@woodburyauction.com at least two days prior to the auction. The printed catalog lot information is a best efforts presentation of our opinion, rendered on a time-sensitive schedule, and is provided for guidance only, without legal obligation, and does not constitute a "statement of fact". The absence of condition statements in a lot catalog entry does not mean that the item is in perfect condition or is without defects. Please understand that our duty is to present the items fairly for bidder consideration and that the bidder's duty is to make independent investigation of the condition of items before bidding.
• WESTTOWN BOARDING SCHOOL SILK ON
  WESTTOWN BOARDING SCHOOL SILK ON LINEN SAMPLERWesttown Boarding School silk on linen sampler dated 1839 , initialed {RBM}, possibly executed in Burlington County, New Jersey. The present sampler is an unusual and possibly unique example showing a side view of the main Westtown building and additional embellishments of a man riding an ostrich, cheetah, reindeer, and sleigh which are not found on other examples. The style and coloring of the building, as well as the general layout, do have similarities with a group of Burlington County, New Jersey samplers. Illustrated in Ring, Girlhood Embroidery , fig. 432. For a discussion on the Burlington examples, see also Ring, Girlhood Embroidery , pgs. 476-484. Condition: Overall very good with a couple minor foxing spots.
• SABRA FIELD WOODBLOCK, THE GREEN AT
  SABRA FIELD WOODBLOCK, THE GREEN AT WOODSTOCK. Sabra Field woodblock print featuring the town green of Woodstock Vermont in winter, titled lower left 'The Green at Woodstock', and signed lower right, Sabra Field. Image 10” x 24”, Overall framed 16” x 30”.
• MARY WOODRUFF'S GEORGE WASHINGTON
  MARY WOODRUFF'S GEORGE WASHINGTON MEMORIAL SAMPLER DATED 1835, NEW JERSEY Worked in multi-color silk on linen ground at Miss Barton's School, Elizabeth Town, New Jersey, centered with a large scale urn "In / Memory of / Washing / ton" beneath the branches of a weeping willow tree, under the inclining lawn, the maker stitched, "Mary Woodruffs Sampler March 8 AD 1835 / Elizabeth Town N J Taught by Mrs Barton," encircled by a floral and foliate wreath all within a Greek Key border, conservation mounted and presented in a molded gilt frame. Previous research that accompanied the lot indicates that the teacher of Miss Barton's school, Maria M. Barton (1805-1861), lived in Elizabeth Town throughout her life and is buried at the Burying Grounds of the First Presbyterian Church and St. Johns Church. The research also found two young ladies of the appropriate age for the sampler named Mary Woodruff living in Elizabeth Town in 1835, so the exact identity of the maker is unknown.
• Danbury, Connecticut lithograph,
  Danbury, Connecticut lithograph, bird's-eye view drawn and published by L.R. Burleigh (1853-1923), Troy, New York, circa 1884, Beck & Pauli, lithographers, Milwaukee, Wisconsin, key in title margin identifies 59 businesses, churches, other points of interest, 22-1/8 x 40 in. (page). Loose, toning, soiling, moisture stains, smudges, curling, corner creases and loss, chipping, tears and losses in margins, pencil inscriptions in margin and verso. Private Collection, Tryon, North Carolina.
• ENGLISH SCHOOL, O/C PORTRAIT OF
  ENGLISH SCHOOL, O/C PORTRAIT OF YOUNG MANunsigned. Oil on canvas laid down on board, restoration. Frame size: 28" high, 25" wide. Provenance: Property of a Woodbury, CT Collector. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
• WILLIAM MONK ETCHINGWilliam Monk
  WILLIAM MONK ETCHINGWilliam Monk (British 1863-1937)- ''Downtown New York''- etching, 1915, signed in pencil, laid down onto board with heavy staining and adhesive residue in the margins, mat burn. 17 x 23 3/4''
• An early 20th C. abstract oil on
  An early 20th C. abstract oil on board depicting a Woodstock, VT forest landscape during winter’s thaw. Signed lower right, Theo Schneider, with artist information on reverse. Image 13.5" x 15.5" Frame 19.25" x 21.25" Condition: overall good with contemporary frame CT Transfer fee $10
• WORK ON PAPER, BROOK TEMPLE Brook
  WORK ON PAPER, BROOK TEMPLE Brook Temple (American, 20th century), "Untitled," 2007, acrylic and pencil on paper, signed and dated lower right, gallery label (Dolby Chadwick Gallery, San Francisco, CA) affixed verso, sheet: 12.75"h x 12.25"w, overall (with frame): 17.5"h x 16.25"w
• Ellsworth Woodward (American/New
  Ellsworth Woodward (American/New Orleans, 1861-1939) \"The Monk - Munich, 1892\" etching, sight 6-3/4\" x 5-3/4\", pencil signed lower right \"Woodward\". Glazed and presented in an antiqued wooden frame.
• CHARLES JAY TAYLOR (NY,
  CHARLES JAY TAYLOR (NY, 1855-1929) "The Bull Farm, Westborough, Mass, 1909", oil on mitered mahogany panel, signed lower right; signed, titled and dated verso, also marked "Upper Saranac Lake". Housed in a gold molded and beaded frame, OS: 11 1/2" x 13 1/2", SS: 7 1/2" x 9 1/2".
• CHARLES HERBERT WOODBURY
  CHARLES HERBERT WOODBURY (MAINE/MASSACHUSETTS, 1864-1940), "MONADNOC [SIC] I"., OIL ON BOARD, 8" X 10". FRAMED 14" X 16".CHARLES HERBERT WOODBURY, Maine/Massachusetts, 1864-1940, "Monadnoc [ sic] I". Signed lower left "Woodbury". Titled verso. Dimensions: Oil on board, 8" x 10". Framed 14" x 16". Provenance: A Massachusetts Estate.
• MARION POST WOLCOTT (1910-1990): "A
  MARION POST WOLCOTT (1910-1990): "A RURAL SCHOOL IN BREATHITT COUNTRY KY" Gelatin silver print 8 x 10 in. (image) titled and signed.
• C. W. BURTON, NEW YORK & JERSEY
  C. W. BURTON, NEW YORK & JERSEY CITY, C. 1849 Lithograph in colors, printed by Sarony & Major, matted and framed under plexiglass, corporate accession number verso, 13.75"h x 38"w (sight), 24.75"h x 49.25"w (frame)
• Burled Wood and Metal Bull
  Burled Wood and Metal Bull Sculpture.From a New Hyde Park NY location. Dimensions: 15'' wide x 7.5'' deep x 11'' high.
• American School painting, church at
  American School painting, church at the end of a path, label verso "Swedenborgian Church - Montclare [sic], N.J.", bears signature lower right "G. Inness 1892(?)", oil on canvas, 18 x 14 in.; 19th century gilt wood and composition cove molding frame. Restretched on old stretcher, lined, retouch lower left corner upper third at former tears and at bottom middle, light grime; frame with abrasions. The Estate of the Late Reverend O. Leland Gilmore, Maryville, Tennessee
• BERTHA BOYNTON BULL LUM
  BERTHA BOYNTON BULL LUM (AMERICAN, 1860-1954), TEMPLE COURTYARD Mixed media on paper, a view of a temple courtyard through an open door, signed to the lower right.
• CHARLES HERBERT WOODBURY (ME/MA,
  CHARLES HERBERT WOODBURY (ME/MA, 1864-1940) "Easterly Coming", 1925, etching on cream paper, pencil signed lower left in margin, in a gold leaf cove form frame with mat, glazed, OS: 17" x 21", Plate: 8 3/4" x 10 7/8". Not examined outside of frame.