A few examples of appraisal values for
WOODEN FRAME

• Large exotic wooden framed mirror
  Large exotic wooden framed mirror with beveled mirror, approx 75cm x 196cm
• 2 FARMSTEAD PRIMITIVESca. 19th
  2 FARMSTEAD PRIMITIVESca. 19th century; Continental cast and wrought iron waffle iron, cast iron two-part mold with embellishment of soldiers on horseback and sprig in pot design, rivet mounted to hand wrought tongs with keeper hook, 6 1/4"x 26", Condition: good; primitive two block dead fall mouse trap, the wooden frame trap with barn timber base, peg and post hanging rail with drop blocks mounted on iron rods, 16 1/2"x 5"x 8 3/4", Condition: trap trigger damaged on left block and missing on right block
• "IRON FOWLEY REAL ESTATE-INSURANCE"
  "IRON FOWLEY REAL ESTATE-INSURANCE" SIGNca. 1890-1920; galvanized/tin sheet wooden frame single sided sign with black ground and gold leaf paint lettering, wooden framework back, trim cased in 1" material and trimmed with door case molding, trade advertisement for real estate, appraisal and insurance agency firm, 36"x 2 1/2"x 48"; Condition: overpainted, unknown original lettering, extensive heat blistering and weathering to casement boards
• CROW TRIBE ATTRIBUTED HIGH POMMEL
  CROW TRIBE ATTRIBUTED HIGH POMMEL SADDLEca. 1870; crafted similar to early cavalry saddles with open frame bottom, wooden framework with two high flat top pommels, rawhide covered and sinew stitched, 18 3/4"x 8"x 12 1/4"; Condition: minor stitch separation, excellent patina, cracking to two ends of one lower rail
• WOODEN FRAMED TWO-SIDED "TEA HOUSE"
  WOODEN FRAMED TWO-SIDED "TEA HOUSE" SIGNca. early 20th century; iron end braced single plank sign designed for hanging with golden/yellow color ground paint and black lettering with directional arrow, 25"x 1"x 8"; Condition: unknown provenance of area of Colonial Tea Room; original surface; some paint chipping, dirt on surface
• NATIVE CULTURE GAZING MIRRORca. mid
  NATIVE CULTURE GAZING MIRRORca. mid 19th century; unattributed tribe "make-do" gazing mirror with small pocket mirror in wooden frame with dome brass cap push pin mounts, decorative beadwork embellished tanned mink pelt, long tail pelt with abalone button, brass bell and blue/white beadwork bell design, 3 3/4"x 5 1/4" with 9" folded pelt; Condition: extensive bug damage to wood mirror frame
• 19TH CENTURY PASTEL PORTRAIT OF A
  19TH CENTURY PASTEL PORTRAIT OF A GENTLEMAN Pastel on paper in a wooden frame.
• LARGE VINTAGE EXCALIBUR
  LARGE VINTAGE EXCALIBUR SWORDLarge Vintage Excalibur Sword with Engraved Figural Hilt Mounted in a Wooden Frame. Sword measures 44-3/4" x 9-1/4". Frame measures 51-1/2" x 16-1/4". Condition: Good condition. Estimate 100.00 - 400.
• 20TH C. FRENCH CARVED ARMCHAIREarly
  20TH C. FRENCH CARVED ARMCHAIREarly to Mid 20th Century French Carved and Velvet Upholstered Armchair. Measures 37-1/4" x 24-1/4", 20-1/2" seat height. Condition: Fabric in good condition. Surface scuffs to the wooden frame otherw
• NATIVE AMERICAN SEPIA TONE PRINT,
  NATIVE AMERICAN SEPIA TONE PRINT, "TAOS WATER CARRIERS"Native American Sepia tone print, "Taos Water Carriers, 1905" in curved wooden frame. Image: appx. 9 1/2" x 7"; Frame: appx. 14"t x 14 1/2"w on the curve.
• UNSIGNED ABSTRACT OIL ON CANVAS
  UNSIGNED ABSTRACT OIL ON CANVAS (CA. 1960S)An unidentified small abstract oil on canvas, featuring bold colors and expressive brushwork, American circa 1960s. Measures 9 1/2" x 9 1/2", and housed in a slim wooden frame. No signature or identifying marks. From the personal collection of artist Nick Vaccaro. Condition Fair condition. A small amount of flaked paint along the top edge. Craquelure across the paint layer. Scattered mildew.
• NICK VACCARO UNTITLED OIL ON
  NICK VACCARO UNTITLED OIL ON CANVASNick Vaccaro (Kansas, 1931-2002) Untitled Oil on canvas 34" x 24" Signed to the bottom right corner. Housed in a slim wooden frame. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Slight dimpling to the canvas at the bottom center. A little bit of craquelure present, and a horizontal stretcher bar mark along the top of the painting. Mild abrasion to the top right corner.
• NICK VACCARO "NOCTURNE" (1960S
  NICK VACCARO "NOCTURNE" (1960S OIL ON CANVAS)Nick Vaccaro (Kansas, 1931-2002) Nocturne , circa 1960s Oil on canvas 40" x 30" Signed and titled to the reverse. Housed in a slim wooden frame. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Poor condition. There is considerable flaking to the dark blue paint in the bottom quarter of the composition, showing through to a brown underpaint. Some mildew to the reverse of the canvas.
• MARLEEN GOLD DESERT LANDSCAPE
  MARLEEN GOLD DESERT LANDSCAPE (OIL CA. 1990S)Marleen Stein Gold (American, 1946-2020) Untitled (Desert Landscape), circa early 1990s Oil on canvas 49 1/2" x 69" A large canvas of desert shrubs and grasses, a scene from New Mexico. Housed in a slim wooden frame measuring 50 1/2" x 70". Marleen Gold received her BFA from the Kansas City Art Institute in 1979, influenced by her studies under Stanley Lewis, Wilbur Niewald, and Michael Walling. In 2022, the Kemper Museum of Contemporary Art celebrated her life and art with the retrospective "Deconstructing Marleen Gold," which related Gold's work to the likes of Lois Dodd, Wolf Kahn, and Fritz Scholder. Condition Very good condition.
• NICK VACCARO "DRAMA" (1965 OIL ON
  NICK VACCARO "DRAMA" (1965 OIL ON CANVAS)Nick Vaccaro (Kansas, 1931-2002) Drama , 1965 Oil on canvas 69" x 72" Signed, titled, and dated to the reverse. An entry tag for the Twelfth Kansas Artists Annual exhibition (Wichita Art Museum, 1965) affixed. Housed in a slim wooden frame. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Mild scattered craquelure and a small area of alligatoring to the paint layer in the bottom right. Some mildew to the reverse of the canvas, and a little bit of mildew in the bottom left corner. Numerous small paint flakes scattered along the bottom of the image.
• NICK VACCARO "ASCENT" (EARLY
  NICK VACCARO "ASCENT" (EARLY 1960S OIL ON CANVAS)Nick Vaccaro (Kansas, 1931-2002) Ascent , circa 1960-63 Oil on canvas 70" x 68" Signed and titled to the reverse. Housed in a slim wooden frame. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition There is pronounced craquelure to the upper left and a slight canvas dimple in the top left corner. A little bit of craquelure along the right edge. Some mildew to the reverse of the canvas. No over-painting or touch-ups.
• STEWART HITCH "LANDSCAPE SHOWING
  STEWART HITCH "LANDSCAPE SHOWING EFFECTS OF TOO MUCH..." (1968 OIL)Stewart Hitch (New York, 1940-2002) Landscape Showing Effects of Too Much Stormy Weather at an Early Age , 1968 Oil, charcoal, and silver marker on canvas 34" x 33 1/4" Signed, dated, and titled to the reverse, and framed with slim wooden slats. Condition The painting is in very good condition. One of the wooden frame slats has a moisture stain.
• LUELLA VACCARO "ONCE" (OIL ON
  LUELLA VACCARO "ONCE" (OIL ON CANVAS, CA. 1960S)Luella Vaccaro (Kansas, 1936-2019) Once , circa 1960s Oil on canvas 54" x 50" Signed to the bottom right, titled to the reverse. Housed in a slim wooden frame. Condition Good condition, noting some mildew to the reverse. Mild scattered craquelure. No in-painting or touch-ups.
• NICK VACCARO "ENIGMATIC DYNASTY"
  NICK VACCARO "ENIGMATIC DYNASTY" (1961 OIL ON CANVAS)Nick Vaccaro (Kansas, 1931-2002) Enigmatic Dynasty, 1961 Oil on canvas 50" x 48" Signed to the bottom right corner, titled and dated to the reverse. Housed in a slim wooden frame. Exhibition history : 1961 Artists' Annual Exhibition, Isaac Delgado Museum of Art, New Orleans, May-June 1961. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition Good condition, noting some mildew to the reverse. No in-painting or touch-ups.
• ADRIAN PEARSALL FOR CRAFT
  ADRIAN PEARSALL FOR CRAFT ASSOCIATES DAYBED (CA. 1950S)Adrian Pearsall Daybed, Craft Associates Circa 1950s Walnut, plywood, upholstery 30" x 74" x 33" Condition The upholstery is in very good condition and the wooden frame has only minor wear.
• NICK VACCARO "THE WALL" (1964 OIL
  NICK VACCARO "THE WALL" (1964 OIL ON CANVAS)Nick Vaccaro (Kansas, 1931-2002) The Wall, 1964 Oil on canvas 60" x 50" Signed to the bottom right, and signed, titled, and dated to the reverse. Housed in a slim wooden frame. Nick Vaccaro was a professor and chairman of the drawing and painting department at the University of Kansas. As an artist, Vaccaro was the recipient of purchase awards from the San Francisco Museum of Art (1958), the Dallas Museum of Fine Art (1961), and the Montgomery Museum of Fine Art, and his work has additionally been exhibited in the Nelson Gallery of Art, Oklahoma Arts Center, Wichita Art Museum, and Dallas Museum for Contemporary Arts. Condition There is a 2" vertical tear to the canvas in the top right corner (as photographed) with surrounding area of depression to the canvas. Some mildew visible to the reverse of the canvas, and a bit of grime across the paint layer. Mild scattered craquelure.
• 3 CHINESE FRAMED SILK PAINTING W/
  3 CHINESE FRAMED SILK PAINTING W/ FIGURES, QING D. Three Chinese framed silk paintings with figures, dating from the Qing dynasty. Three themes: an outdoor market vendors with their wares, featuring different foods and wares. A theme with wheels, from carts pulled by beasts of burden to a human. And lively scenes with trained animals in the street for the public to enjoy. L. 50 1/2" (128.2 cm) H: 6" (15.2 cm) Link to HD Natural Light photos:Click here for high resolution imagesCondition: all in good condition with water stain and discoloration to the paper, wear and loose to the wooden frame
• LARGE CHINESE EMBROIDERY PANEL W/
  LARGE CHINESE EMBROIDERY PANEL W/ MAGU,18/ 19TH C. Chinese embroidery panel ,dated to 18/19th C, depicting a very detailed Magu figure in the middle holding a basket of flower, a deer hiding behind her holding a Jue cup in its mouth looking upward, all on a light blue ground, in a wooden frame H: 37 3/4"(96 cm) x 25"(63.5 cm) Collection of a private New Jersey Collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: in overall good condition with age related wear and discolor
• CHINESE QIANJIANG ENAMELED
  CHINESE QIANJIANG ENAMELED PORCELAIN PLAQUE, ROC Chinese Qianjiang enameled porcelain plaque, dated to Republic Period, depicting a Luohan figure wearing robe, sitting under a willow tree digging his ear with a stick, next to him book and wooden block on top of a table shaped rock, two vertical lines of Chinese poetry on the upper right corner with a read seal mark, framed in a wooden fram with a Ruyi shaped bronze hanger Overall H: 24??(61 cm) W: 15 3/4"(40 cm) Plaque H: 15"(38.2 cm) W: 9 7/8"(25.2 cm) Collection of a private Philadelphia Collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: the plaque is in good condition, the wooden frame has chips and typical wood crack to the sides and edge
• CHINESE FAHUA GLAZED PORCELAIN
  CHINESE FAHUA GLAZED PORCELAIN "BUDDHA"TILE,MING D A Chinese fahua glazed porcelain tile with Buddha figure, dating from the Ming dynasty (1368-1644). The Buddha is part of a plaque framed in a wooden stand, Buddha sits on lotus with both legs crossed, both hands folded holding a alm bowl on lap in meditation, turquoise, purple ,yellow and white glaze applied to the tile Overall: H. 11" (27.9 cm), W. 8 5/8" (21.9 cm) Tile only H: 9 1/2"(24.2 cm) W: 6 3/4"(17.2 cm) Collection of a private Boston, MA Collector Link to HD Natural Light photos:Click here for high resolution imagesCondition: in good condition with surface wear, some chips and scuffs on the wooden frame
• Pair Danish Modern Teak Dining
  Pair Danish Modern Teak Dining Chairs. Dimensions: Height: 29.5 inches, Width: 18 inches, Depth: 16 inches. - Seat Height: 17 inches --- Condition: 1 chair has a crack along the backside of the wooden frame. Some slight scratching
• COCCARO NEW YORK STUDIO FEMALE
  COCCARO NEW YORK STUDIO FEMALE PORTRAIT OIL Coccaro New York studio oil painting on canvas, depicting a female portrait, apparently unsigned, housed in a wooden frame. Image: 36" H x 24" W; frame: 36.5" H x 24.5" W. Provenance: Property from a former Metropolitan Museum employee. Keywords: Paintings, Woman, Abstract
• COCCARO "BROTHEL IN MEDINA" OIL
  COCCARO "BROTHEL IN MEDINA" OIL ON CANVAS Coccaro "Brothel in Medina" New York studio oil painting on canvas, depicting two female nude figures, 1964, signed and dated lower right, housed in a wooden frame. Image: 48" H x 26" W; frame: 49.5" H x27.5" W. Provenance: Property from a former Metropolitan Museum employee. Keywords: Paintings, Mid-Century Modern, MCM, Abstract, Nude women, Erotica
• JEAN-JACQUES RENE "SUR LE
  JEAN-JACQUES RENE "SUR LE MARCHE..." OIL ON CANVAS Jean-Jacques Rene (French, b. 1943) "Sur le Marche de Vernon" oil painting on canvas depicting an impressionistic market scene, signed lower right, titled and dated "1975" to verso, and housed in wooden frame with gilt-painted details. Image: 13.25" H x 10" W; frame: 18.5" H x 15" W x 1.75" D. Provenance: Property from a collection in Mt. Kisco.
• LA BARGE WHITE CHIPPENDALE STYLE
  LA BARGE WHITE CHIPPENDALE STYLE HO-HO BIRD MIRROR La Barge (American 1962), mirror in the Chippendale taste, having a white painted wooden frame and Ho-Ho bird crest, with manufacturer's label to the back. Approximate dimensions: h. 60", w. 30", d. 5.5".
• A CHINESE PAINTING OF A LADY IN
  A CHINESE PAINTING OF A LADY IN MOONLIGHT Ink and colors on paper, a serene painting of an elegant Chinese lady under blooming branches with moon above, framed with silk mat in wooden frame, note to reverse of painting reads "by Chiang-Yi-Xu was completed in May 1936. The phrase on the side of the painting announces that 'in the forest under the moonlight, a beautiful lady is walking towards us.' This painting was purchased in Tianan, Taiwan, April 1968 by William Sommers."
• A KOREAN FOLDING SCREEN WITH "THE
  A KOREAN FOLDING SCREEN WITH "THE FOUR GENTLEMAN" FLOWERS Late 19th or early 20th century, ink on paper, four panels presented on a four-panel folding screen with silk brocade mounting, each painting depicts one of the plants associated with the four seasons: plum, orchid, chrysanthemum and bamboo, referred together as sagunia meaning ??? "the four gentlemen," the traits of the plants were characteristics a gentleman should possess: humility, purity, righteousness, and perseverance, each panel with calligraphy and a red artist's seal, wooden frame with metal hardware at corners.
• RICHARD HENDORF (GERMAN,
  RICHARD HENDORF (GERMAN, 1861-1939), PORTRAIT OF LIDDY LENZ Oil on canvas laid down to board, 1927, signed and dated upper right, with artist's inscription to verso indicating the subject is his niece and that this was painted in Berlin-Halensee, retains museum label to verso, presented in vintage silvered wooden frame.
• ILLUSTRATOR DUSTJACKET ART FOR
  ILLUSTRATOR DUSTJACKET ART FOR JEB STUART THE LAST CAVALIER BY BURKE DAVIS (New York: Rinehart & Co., 1957), quarto, inscribed to owner on front free endpaper, signed by author on half title; the painting is oil on un-marked artist's board and signed B. Safran lower right. Presented behind plexiglass in a painted wooden frame.
• 17TH CENTURY COLORFUL MAP OF
  17TH CENTURY COLORFUL MAP OF EASTERN EUROPE AND NORTHERN ASIA John Speede. A. NEWE. MAPE OF. TARTARY. London: Bassett & Chiswell, [1676]. From Speed's atlas The Theatre of the Empire of Great Britaine..., double-page copperplate engraving, hand colored, presenting the region then known as Tartary, including Russia, China, and other areas, with a glimpse of Alaska in the upper right corner. Well-annotated and illustrated, with the Great Wall of China, (4) figures on each side, and vignettes at the top with (3) city views and an illustration of Novaya Zemlya in northern Russia; two cartouches in bright colors, (1) with title and the statement "augmented by John Speede and are to be sold by Tho. Bassett in Fleet Street, & Richard Chiswell in St. Pauls Churchyard."; a description in English of "the Kingdom of Tartary" on verso (pp. 39-40); matted, with both sides behind glass to present recto and verso clearly, in black and gilt wooden frame.
• DE VAUGONDY MAP OF NORTHWESTERN
  DE VAUGONDY MAP OF NORTHWESTERN NORTH AMERICA Robert de Vaugundy. CARTE GÉNÉRALE DES DÉCOUVERTES DE L'AMIRAL DE FONTE REPRESENTANT LA GRANDE PROBABILITÉ D'UN PASSAGE AU NORD OUEST PAR THOMAS JEFFERYS. Paris, 1772. Copperplate engraving, French print of the English cartographer Jefferys's map of 1768 depicting the theory of the Northwest Passage according to 17th-century admiral, Bartholomew de Fonte, no. 8 from a series of (10) maps of North America from the Supplement to Encyclopédie edited by Denis Diderot; presented behind mat in wooden frame.