A few examples of appraisal values for
WORLD WAR II

• DELFT PORCELAIN TILES, 4 Four Delft
  DELFT PORCELAIN TILES, 4 Four Delft Ceramic Tiles, comprising of: landscape with sunflower, stamped "2" on lower left to verso; black cat with oranges, stamped "2" to lower left on verso; bee inscribed "Spaarbank Te Delft / Jong Vergaard / Oud Veel Waard"; and Operation Manna commemorative tile inscribed "Voedsel - Vrede - Vrijheid / 29 April 1945 S Mei", stamped "3" lower right to verso, all with Delft stamp to verso. Largest: 8" H x 5.75" W. Provenance: From an Upper East Side collection. Keywords: Landscape, World War II, Ceramic, Art Pottery
• DWIGHT EISENHOWER SIGNED
  DWIGHT EISENHOWER SIGNED APPOINTMENT DOCUMENT President Dwight Eisenhower (American 1890-1969), signed document appointing Norman Armour as Ambassador Extraordinary and Plenipotentiary of the United States of America to the Republic of Guatemala, document is signed by President Eisenhower and countersigned by Walter Bedell Smith (American 1895-1961), as Acting Secretary of State, Note: Walter Bedell Smith previously served as Chief of Staff to then General Eisenhower at Allied Force Headquarters in World War II, he also served as Ambassador to the Soviet Union and as a Director of Central Intelligence. Note: Norman Armour (1887-1982) was a career diplomat who served as chief of mission in eight countries, as Assistant Secretary of State for Political Affairs, and served as United States Ambassador to Canada. Provenance: Passed down by descent to Tania Armour Becker. Approximate dimensions: w. 23.25", h. 19.25"
• USS TUSCALOOSA MARKED MODEL 1903
  USS TUSCALOOSA MARKED MODEL 1903 SPRINGFIELD RIFLE United States,C. 1918.30-06 caliber, serial number 829995, walnut stock with cartouche marks on the left side and marked "16/USS TUSCALOOSA" on the right side of the butt, parkerized receiver marked on the ring "U.S./SPRINGFIELD/ARMORY/MODEL 1903," barrel marked "U.S.M.C./9-42" with an "S" in a circle, with a sight hood and a post-war canvas sling. Note: The U.S.S. Tuscaloosa was launched in November 1933 and it saw service during World War II in North Africa, Normandy, Southern France, Iwo Jima, and Okinawa. It was mothballed in 1946 until it was scrapped in July 1959. FFL/C & R.
• 1979 FRANKLIN MINT HISTORY WWII
  1979 FRANKLIN MINT HISTORY WWII SILVER MEDAL SET United States,1979Complete first edition History of WWII .925 silver medal set by Franklin Mint. Each of the 50 coins are represented with a cancelled first day envelope in original sealed plastic in binder. The coins represent important historical moments from World War II. Each coin measures 32mm and is struck in .925 silver. Condition Coins retain original plastic wrap with cancelled post card in display binder in very good condition. Provenance From the safe of an East Providence, Rhode Island family. Dimensions Book 10" x 10" x 4" Circa/ Origin 1979 Medium Silver, cloth, plastic, metal
• ITHACA 12GA MODEL 37
  ITHACA 12GA MODEL 37 FEATHERLIGHTIthaca 12 gauge Model 37 (serial #:55387)Smooth walnut pistol-grip stock and grooved fore-arm with a Pachmayr rubber recoil pad. The right of the receiver is stamped 'U.S.', and ''P'' on barrel at the breech and ''P'' on top of receiver. Barrel with bayonet lug and heat shield. With canvas sling and soft rifle sleeve.From an American Rifleman article May, 2020.''The serial numbers had an ''S'' prefix and were in a lower range (S1000-S23000) than the guns made previously. The guns were marked ''U.S.'' on the right side of the receiver with ''P'' proofmarks on the receiver and barrel. The stocks were unmarked. Like the South Vietnamese riot guns, these ''S-prefix'' U.S. military Model 37s were not fitted with bayonet adapters. One exception was a later (1963) U.S. Air Force order for 206 guns of this type fitted with the same general type of handguard/bayonet adapter used with the World War II Model 37 trench guns.''This gun qualifies for shipping directly to a holder of FFL Type 03 License - Collector of Curios and Relics.Measures overall 38 inches with 20 inch barrel.Very good condition, 90% or better finish, stock with very few dings. Heat shield appears to have been modified.
• CIRCUS POSTER; HISTORIC
  CIRCUS POSTER; HISTORIC NEWSPAPERS Original poster for Clyde Beatty Cole Bros. Circus, circa 1950s, with paste-up for shows at Howard Coffin Park, in Brunswick, Ga.; lithograph and typography, 49 x 14 in. overall; Together with two Baltimore newspapers reporting the end of World War II.
• LOT OF U.S. & INTERNATIONAL
  LOT OF U.S. & INTERNATIONAL COINSLot of coins, including U.S., commemorative, foreign. United States coins and commemoratives, including 1982 George Washington 1732-1982 900 silver commemorative half dollar in original box, 1969 United States proof set in original box, 1972 United States proof set in original box, World War II 50th anniversary 2 coin proof set in original case and box, 1973 Boston Tea Party first day cover and American Revolution bicentennial commemorative medal, 1968 U.S. uncirculated mint set, 1973 American Revolution bicentennial commemorative medal, 1971 United States proof set (missing half dollar). With a sheet of international coins including 1964 Finland 1 penni, 1923 Poland 10 groszy, 1951 Costa Rica 10 centimos, 1963 Fiji 1 penny, 1944 Ethiopia 1 cent, 1964 South Arabia 1 fils, 1934 Poland 2 groszy, 1952 Netherland Antilles 1 cent, 1956 Sudan 2 millim, 1933 Poland 1 grosz, 1963 Switzerland 1 centime, 1966 Zambia 1 penny, 1968 Korea 1 won, 1961 Kuwait 20 fils, 1930 Greece Republic 5 drachmai, 1923 morocoo 1 franc, 1960 France 1 franc, 1966 Qatar and Dubai 1 dirhem, 1968 Switzerland 2 centimes.
• ERTE (ROMAIN DE TIRTOFF, 1892 -
  ERTE (ROMAIN DE TIRTOFF, 1892 - 1990): TANAGRAErte (Romain De Tirtoff, 1892 - 1990) Tanagra, cold-painted bronze 1988; signed, dated, and numbered 301/500, published by Seven Arts LTD, London cold-painted bronze Dimensions: 20 1/2 x 11 1/2 x 8 in. (52.1 x 29.2 x 20.3 cm.) Provenance: Erte prints may seem ubiquitous, but they are far from the only art he created. His long-term connection with Harper's Bazaar has produced some of the most recognizable and exquisite Art Deco illustrations of the 20th century. But, from the start of his career in 1915 until his death in 1990, Erte produced paintings, prints, sculpture, stage sets, and costumes, and even a set of champagne flutes. He is often regarded as having two careers; one pre-World War II, and a second from the 1960s till his passing. Erte Art Deco prints are credited for a refreshed interest in the Art Deco movement in the artist's later years. Erte prints offer style and affordability that, whether muted or bright, convey a delicious sense of luxury. Erte artwork for sale or at auction usually finds a home very quickly. Consider the world of figural prints for sale at Invaluable from world-famous or budding artists to showcase your interest in the experimental side of art. Condition:
• RARE EARLY CASED SET OF WORLD WAR
  RARE EARLY CASED SET OF WORLD WAR II U.S. NAVY RECOGNITION/TEACHING MODELS CIRCA 1942 CASE HEIGHT 2.25". LENGTH 12.5". WIDTH 10.5".RARE EARLY CASED SET OF WORLD WAR II U.S. NAVY RECOGNITION/TEACHING MODELS, Circa 1942, Miniature die cast metal models on paddle-shaped navy blue painted wooden bases, sometimes referred to as "Ships on Sticks". Includes eight models of U.S. ships, all with impressed identifications on sides, and type, class and 1"-110' scale identifications on bases. Believed to be a first edition set produced by Comet Metal Products Co. Contained in a stained wood case marked on underside "Tray & Mounts Created By Kay Displays, Inc. Grand Rapids, Michigan [...]". Dimensions: Case height 2.25". Length 12.5". Width 10.5".
• SEYMOUR R. GOFF (“ESSARGEE”), "FREE
  SEYMOUR R. GOFF (“ESSARGEE”), "FREE SPEECH DOESN'T MEAN CARELESS TALK", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, SIGHT SIZE: 27 1/4 X 21 1/2 IN. (69.2 X 54.6 CM.)Seymour R. Goff ("Essargee"), "Free Speech Doesn't Mean Careless Talk", Published by House of Seagrams World War II Poster,, Dimensions: Sight Size: 27 1/4 x 21 1/2 in. (69.2 x 54.6 cm.)
• SEYMOUR R. GOFF (“ESSARGEE”),
  SEYMOUR R. GOFF (“ESSARGEE”), "DON'T, 1. TALK LOOSELY TO STRANGERS, 2. SPREAD RUMORS", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, SHEET SIZE: 27 3/4 X 22 IN. (70.5 X 55.9 CM.)Seymour R. Goff ("Essargee"), "Don't, 1. Talk Loosely to Strangers, 2. Spread Rumors", Published by House of Seagrams World War II Poster,, Dimensions: Sheet Size: 27 3/4 x 22 in. (70.5 x 55.9 cm.)
• SEYMOUR R. GOFF (“ESSARGEE”),
  SEYMOUR R. GOFF (“ESSARGEE”), "STARVE HIM WITH SILENCE", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, SIGHT SIZE: 27 1/2 X 21 3/4 IN. (69.9 X 55.2 CM.)Seymour R. Goff ("Essargee"), "Starve Him with Silence", Published by House of Seagrams World War II Poster,, Dimensions: Sight Size: 27 1/2 x 21 3/4 in. (69.9 x 55.2 cm.)
• SEYMOUR R. GOFF (“ESSARGEE”), "EVEN
  SEYMOUR R. GOFF (“ESSARGEE”), "EVEN IN THIS FRIENDLY TAVERN THERE MAY BE ENEMY EARS", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, SIGHT SIZE: 26 3/4 X 21 1/4 IN. (67.9 X 54 CM.)Seymour R. Goff ("Essargee"), "Even in this Friendly Tavern There may be Enemy Ears", Published by House of Seagrams World War II Poster,, Dimensions: Sight Size: 26 3/4 x 21 1/4 in. (67.9 x 54 cm.)
• SEYMOUR R. GOFF (“ESSARGEE”), "STOP
  SEYMOUR R. GOFF (“ESSARGEE”), "STOP LOOSE TALK TO STRANGERS", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, SIGHT SIZE: 27 X 21 1/2 IN. (68.6 X 54.6 CM.)Seymour R. Goff ("Essargee"), "Stop Loose Talk to Strangers", Published by House of Seagrams World War II Poster,, Dimensions: Sight Size: 27 x 21 1/2 in. (68.6 x 54.6 cm.)
• SEYMOUR R. GOFF (“ESSARGEE”), "LOOK
  SEYMOUR R. GOFF (“ESSARGEE”), "LOOK WHO'S LISTENING", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, SIGHT SIZE: 27 1/2 X 21 1/4 IN. (69.9 X 54 CM.)Seymour R. Goff ("Essargee"), "Look Who's Listening", Published by House of Seagrams World War II Poster,, Dimensions: Sight Size: 27 1/2 x 21 1/4 in. (69.9 x 54 cm.)
• SEYMOUR R. GOFF (“ESSARGEE”),
  SEYMOUR R. GOFF (“ESSARGEE”), "LOOSE LIPS SINK SHIPS", PUBLISHED BY HOUSE OF SEAGRAMS WORLD WAR II POSTER, FRAME 31 X 25 IN. (78.7 X 63.5 CM.)Seymour R. Goff ("Essargee"), "Loose Lips Sink Ships", Published by House of Seagrams World War II Poster,, Dimensions: Frame 31 x 25 in. (78.7 x 63.5 cm.)
• MODEL OF THE SCHOONER YACHT
  MODEL OF THE SCHOONER YACHT ATLANTIC A hull model of the schooner yacht Atlantic 1903, the planked deck of the model is planked and is fitted with three masts and numerous details, raised on stand with plaque. 32.25? H x 37.5? W x 7.5? D. Note: The schooner yacht Atlantic was built for Wilson Marshall, designed by William Gardner of Gardner and Cox in 1903. Atlantic's claim to fame came in 1905 when she was one of eleven yachts to compete for the Emperor's Cup put up by Kaiser Wilhelm II of Germany for a race from New York to Lizard Head, England. She was captained by Charlie Barr, a two-time Americas Cup winner, who drove Atlantic through a violent gale and crossing the Atlantic in 12 days, 4 hours. She was transferred to the U.S. Coast Guard for World War II, and was later used for sail training at the U.S. Coast Guard Academy. Eventually she was broken up, and attempts to salvage her for restoration failed. She ended her career on the banks of the Delaware River.
• LEON HELGUERA WWII US & MEXICO
  LEON HELGUERA WWII US & MEXICO PROPAGANDA POSTERWorld War II propaganda poster, behind glass, "Americans All: Let's Fight for Victory," mid 1940s, signed in print lower right Leon Helguera (Mexico, 1899-1970), for the Office of War Information (OWI), sight: approx 27.5"h, 19"w, overall: approx 35"h, 26.75"w, 9.5lbs
• (5) COLLECTION OF SIGNED MILITARY
  (5) COLLECTION OF SIGNED MILITARY BOOKS(lot of 5) Collection of military books, including: (1) "Eisenhower at War: 1943-1945," David Eisenhower, Random House, 1986, 977 pages, inscribed by author at first page, (1) "Born Fighting: How the Scots-Irish Shaped America," James Webb, Broadway Books, 2004, 369 pages, inscribed by author at first page, (1) "Stolen Valor: How the Vietnam Generation was Robbed of its Heroes and its History," B.G. Burkett, Verity Press, Inc., 1998, 692 pages, signed by author at first page, (1) "Ghost Soldiers: the Forgotten Epic Story of World War II's Most Dramatic Mission," Hampton Sides, Doubleday, 2001, 342 pages, inscribed by author at title page, (1) "The Big Fight (Gallipoli to the Somme)," Capt. David Fallon M.C., W.J. Watt & Company, 1918, 131 pages, ex-library copy, printed facsimile signature at first page; 9.75lbs total
• (13) POLITICAL SOUVENIRS, SMITH,
  (13) POLITICAL SOUVENIRS, SMITH, HOOVER, OTHERS(lot of 13) Political souvenirs, (2) mugs, Alfred E. Smith and Herbert Hoover, both by Syracuse China for Patriotic Products, Philadelphia, 6.75"h, 6.5"w, 5.25"d; (1) barrel-form mug, one side with a relief profile of Franklin Roosevelt, "The New Deal," 4"h, 5"w, 3.75"d; (1) George Washington, plate "made specially for Fraunces Tavern, New York City, Fondeville, England," 9"diam; (1) George Washington plate, Hutschenreuther, Bavaria, 10"diam; (1) "Commemorating the United Nations of World War II....against the treacherous aggressors .... Fondeville," 10.5"diam; (1) amethyst reticulated edge plate, "Lincoln," 9.25"diam; (1) metal bust of Theodore Roosevelt, marked at the back Roosevelt Hotel, Pittsburgh, Pa., 3.75"h; (1) metal bust of Thomas Jefferson with backplate of Jefferson Standard Life Insurance Company, 5.5"h; (2) ceramic bust of Barry Goldwater and Lyndon Johnson, 5"h; (1) miniature brick marked LBJ, 1"h, 3.5"w, 1.5/8"d; (1) "Happy Days" barrel-form bank, metal by J. Chein, lacks key, 4"h; 14lbs total
• LALIQUE, FRANCE 'MARGUERITE'
  LALIQUE, FRANCE 'MARGUERITE' FROSTED CRYSTAL BOWLLalique, France "Marguerite" art crystal floral rim shallow centerpiece bowl, post World War II, c.1978, engraved signature underfoot, Lalique France, small flaw interior bowl, approx 3"h, 11"w, 30"d, 6.5lbs **Provenance: The Living Estate of Gale Galloway’s Villa Serena**
• NUMISMATICS. LARGE GROUPING OF MINT
  NUMISMATICS. LARGE GROUPING OF MINT SETS AND Commemoratives. Including a 1984 Olympics Prestige Set, 1990 Prestige Set; 1986 Prestige Set; 1994 Prestige Set; (5) 1961 Philadelphia struck sealed flat pack proof sets; (1) 1962 Philadelphia struck opened flat pack proof set; (1) 1963 Philadelphia struck opened flat pack proof set; (1) 1963 Philadelphia and Denver struck opened double flat pack proof set; (1) 1964 Philadelphia struck sealed flat pack proof set; (1) 1964 Philadelphia and Denver struck opened double flat pack proof set; (1) 1965 Special Mint Set flat pack; (1) 1992 Columbus Quincentenary commemorative (2) coin proof set; a 1991-1995 World War II 50th anniversary commemorative two coin proof set; a 1987 $1 San Francisco struck Constitution commemorative silver dollar; a 1986 $1 San Francisco struck Liberty silver dollar; a 1990 $1 West Point struck Eisenhower Centennial silver dollar; a 1982 50C Denver struck George Washington silver half dollar; a 1982 50C San Francisco struck George Washington proof silver half dollar; (2) 1986 San Francisco struck $1 1 oz proof silver American Eagles; and (1) 1900 $1 Philadelphia struck Morgan silver dollar.From a Stamford, CT estate. Dimmensions: silver eagles measure approx.40.6 mm in dia. Condition: All items are uncirculated and come in there Original Government packaging, except for the Morgan dollar. Morgan dollar is circulated and toned.
• BULLION. JUNK SILVER AND GOLD
  BULLION. JUNK SILVER AND GOLD BULLION GROUPING. Including a 1986 $5 W (West Point struck) Statue of Liberty Centennial commemorative gold coin with a fineness of .900 in OGP (original government packaging), the total mintage for this date & mint mark: 404,013; (2) Battle of Normandy Liberation of Europe 50th anniversary commemorative coin sets, each set is comprised of (1)1991-1995 $1 D (Denver struck) 50th Anniversary of World War II commemorative silver dollar, the total mintage for this date & mint mark: 107,240; and a 1993 1 Fr. Normandy Invasion commemorative silver coin; (2) 1890 O $1 Morgan silver dollars; (1) 1878 S $1 Morgan silver dollar; (1) 1888 S $1 Morgan silver dollar; (1) 1889 O $1 Morgan silver dollar; (1) 1879 $1 (Philadelphia struck) Morgan silver dollar; (1) 1922 $1 (Philadelphia struck) Peace silver dollar; (33) full date $16.50 face value 40% silver random date1965-1970 Kennedy half dollars; (6) full date $1.50 face value 90% silver random date Washington quarters; (1) no date .25 C face value 90% silver Washington quarter; (1) no date .25 C face value 90% silver Standing Liberty quarter; (11) full date $1.10 face value 90% silver random date Roosevelt dimes; (5) full date .50 C face value 90% silver random date Mercury dimes; and (3) no date Buffalo Head nickels. Accompanied by a series of 1917 $1 Legal Tender (Sawhorse) Fr# 39. with signatures Speelman/White and serial #: T56125714A. Total approx. weight of the junk silver is 13.984 troy oz (gross); total approx. weight of the $5 gold coin is 8.36 grams; total approx. weight of the French Francs is 44.4 grams (gross); and the total approx. weight of the 1991-1995 WWII silver dollars is 53.46 grams (gross). From a Thornwood, NY estate. Dimensions: $5 Statue Of Liberty gold coin measures approx. 21.60mm in diameter. Condition: All coins are circulated. Sawhorse exhibits soiling, creases, folds, a split corner, and potential pencil marks. OGP exhibits staining and soiling, coin is encapsulated.
• GEORGES CHéNARD-HUCHé
  GEORGES CHéNARD-HUCHé (1864-1937): VILLAGEOil on canvas, 1910, signed 'Chénard-Huché' and dated lower left, titled on a label on the stretcher. 21 1/2 x 29 in., unframed. Note: This George Chénard-Huché painting, along with the two following lots, has an amazing history of loss and recovery during World War II, as told to us by the original owner's family. The renowned French art dealer Paul Rosenberg and his family managed to escape France during the occupation, making their way through Portugal to the United States. Rosenberg represented Pablo Picasso, Georges Braque and Henri Matisse and was considered among the world’s greatest dealers of modern art at the time. His art collection, however, did not escape the Nazis who looted the Rosenberg collection, storing a large number of works at the Jeu de Paume in Paris during the war. Paul's son, Alexandre Rosenberg, was not allowed to leave France with his family as he was of conscription age but managed to escape to Britain in 1940 where he joined De Gaulle's Free French Forces. In the summer of 1944, as the Germans fled Paris they loaded a special train, number 40044, with the looted art stored at the museum. After several attempts, the train was eventually stopped at the Aulnay-sous-Bois station north of Paris by a small unit from General Leclerc's Second Armored Division. In an amazing coincidence, the unit was commanded by Lieutenant Alexandre Rosenberg who recognized some of the paintings from his father's collection. This incredible story was loosely adapted in the 1965 movie The Train, which starred Burt Lancaster as a Resistance fighter and hero of the movie. It was the first movie to address the Nazi looting of art during the war and brought important public awareness to the issue. Condition Surface soiling and craquelure. Not withstanding this report or any discussion concerning condition of a lot, all lots are offered and sold "as is" in accordance with our conditions of sale.
• ROY LICHTENSTEIN (1923-1997):
  ROY LICHTENSTEIN (1923-1997): THINKING NUDE (FROM NUDES)Roy Lichtenstein, American, (1923-1997) Thinking Nude (from Nudes) AFTER CONSERVATION, color lithograph signed in blue ink color lithograph Dimensions: Image: 5 1/2 x 8 1/2 in.; Sheet: 8 1/2 x 11 in. Provenance: Roy Fox Lichtenstein (October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. Whaam! and Drowning Girl are generally regarded as Lichtenstein's most famous works. Drowning Girl, Whaam!, and Look Mickey are regarded as his most influential works.[8] His most expensive piece is Masterpiece, which was sold for $165 million in January 2017. Early years: Lichtenstein was Jewish, although he "played down his roots" and "didn't speak often of being Jewish".[10] His family was upper middle class.[1][11][12] His father, Milton, was a real estate broker, his mother, Beatrice (Werner), a homemaker.[13] He was raised on the Upper West Side and attended public school until the age of twelve. He then attended New York's Dwight School, graduating from there in 1940. Lichtenstein first became interested in art and design as a hobby, through school.[14] He was an avid jazz fan, often attending concerts at the Apollo Theater in Harlem.[14] He frequently drew portraits of the musicians playing their instruments.[14] In his last year of high school, 1939, Lichtenstein enrolled in summer classes at the Art Students League of New York, where he worked under the tutelage of Reginald Marsh.[15] Career: Lichtenstein then left New York to study at Ohio State University, which offered studio courses and a degree in fine arts.[1] His studies were interrupted by a three-year stint in the Army during and after World War II between 1943 and 1946.[1] After being in training programs for languages, engineering, and pilot training, all of which were cancelled, he served as an orderly, draftsman, and artist.[1] Lichtenstein returned home to visit his dying father and was discharged from the Army with eligibility for the G.I. Bill.[14] He returned to studies in Ohio under the supervision of one of his teachers, Hoyt L. Sherman, who is widely regarded to have had a significant impact on his future work (Lichtenstein would later name a new studio he funded at OSU as the Hoyt L. Sherman Studio Art Center).[16] Lichtenstein entered the graduate program at Ohio State and was hired as an art instructor, a post he held on and off for the next ten years. In 1949 Lichtenstein received a Master of Fine Arts degree from Ohio State University. In 1951, Lichtenstein had his first solo exhibition at the Carlebach Gallery in New York.[1][17] He moved to Cleveland in the same year, where he remained for six years, although he frequently traveled back to New York. During this time he undertook jobs as varied as a draftsman to a window decorator in between periods of painting.[1] His work at this time fluctuated between Cubism and Expressionism.[14] In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son, Mitchell Lichtenstein, was born in 1956.[18] In 1957, he moved back to upstate New York and began teaching again.[4] It was at this time that he adopted the Abstract Expressionism style, being a late convert to this style of painting.[19] Lichtenstein began teaching in upstate New York at the State University of New York at Oswego in 1958. About this time, he began to incorporate hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into his abstract works. Condition: Please see photos for attached conservation report
• Six books, c/o A Short Military
  Six books, c/o A Short Military History of World War I, A Short Military History of World War II, Around the World With a Camera / Special War Edition Photographs from the Battle Fields (New York, 1919), At the Front with the Army and Navy (New York, 1912), Currier & Ives Chronicles of America by John Lowell Pratt (ed.) (Maplewood, N.J., 1968), and a bound volume of The Pennsylvania News, vol. VIII, February 15, 1930 to February 1, 1931.
• Mid-Century Dan Karner turned
  Mid-Century Dan Karner turned wood covered jars, trompe l'oeil hand carved fruit and leaf decorated covered blown glass vessels including stem and cherry blown glass bell cherry pair topped covered jar with underplate, pear topped walnut covered jar with underplate, apple topped walnut covered jar with textured glass vessel and underplate and oversized vessel with walnut and carved leaf cover, leaf needing re-attached, 7-1/2"H through 12"H to top of finial, each glass body in varied pattern, signed at underside, "Dan Karner, also known as Daniel Karner, was a French designer and craftsman who worked in France in the 1930s. He had a small craft store in Paris, in the third Arrondissement until 1940. Karner worked mainly on his own with apprentices. He specialized in carved wood and elegant home decoration. From bookends to cocktail picks, from desk accessories to decorative lamps, his creations were always refined and in limited edition. One morning in 1940, he never came to open his workshop. Karner was of Jewish origin and the story said he left Paris and crossed all France and the Pyrenees to flee from the German occupation of Paris. He never came back to France after World War II, but some pieces can be found on the market with his signature and the following mention, "Creaciones - Barcelona - Spain''. This could indicate, he was successful in his trip to Spain and freedom and was able to re-establish his activities in Barcelona."
• TREMENDOUS COLLECTOR COIN
  TREMENDOUS COLLECTOR COIN COLLECTION Tremendous Collector Coin Collection consisting of 17 Ben Franklin Half Dollar, including one 1951 UNC Proof; 2 JFK Half Dollars; 23 Liberty Walking Half Dollar; 5 George Washington Quarters; 30 Mercury Dimes including 2 World War II Period uncirculated; 4-1 oz. .999 silver collector coins and bar; 1899 Banber Quarter; 1895 - 1 cent copper Indian Head penny; 20 Kennedy Half dollars 1965 and later; *Grading provided is an opinion of the cataloger. It is not an official grade provided by a grading institution or authority. For further information: please visit https://www.pcgs.com/photograde to verify before you bid.
• PEACE DOLLARS & BANK NOTES Group of
  PEACE DOLLARS & BANK NOTES Group of 22 Peace Silver Dollars, F to MS quality; along with 5 American World War II 1935 G & F Silver $1 Dollar Certificates, and a Bank of Savannah $5 Dollar Note, 18?? *Grading provided is an opinion of the cataloger. It is not an official grade provided by a grading institution or authority. For further information: please visit https://www.pcgs.com/photograde to verify before you bid.
• Edward Brodney (American,
  Edward Brodney (American, 1910-2002) "Gamelan Orchestra", painted by Brodney in Indonesia, during his years in the South Pacific with the US Army Air Corps, Brodney was originally hired to paint pleasant scenes of the military during World War II, watercolor on paper, signed "Edward Brodney USAF's PA '48", 12" x 16" sheet, framed 18-1/2" x 22-1/2", very good condition
• WORLD WAR II AIRCRAFT RECOGNITION
  WORLD WAR II AIRCRAFT RECOGNITION MANUAL, 1943 Training Division, Bureau of Aeronautics, Navy Department; RECOGNITION PICTORIAL MANUAL (Washington, D.C.: June, 1943) At the time, classified "Restricted;" oblong 4to, stitched with limp boards reinforced with cloth; original owner's name stamped on title page and fore-edge.
• LARGE GROUP OF MODELS & MODEL
  LARGE GROUP OF MODELS & MODEL KITS Primarily plastic World War II aircraft and vehicles, with original boxes; comprising approx. 37 kits.
• TWO WORLD WAR II PLASTIC MODEL KITS
  TWO WORLD WAR II PLASTIC MODEL KITS Including Japanese Battleship "Mikasa" and B-17G Flying Fortress; both appear as new, in original boxes; the airplane unopened.
• A ca. 1940 Fougasse (C. Kenneth
  A ca. 1940 Fougasse (C. Kenneth Bird 1887-1965) print, 'Careless Talk Cost Lives', printed for HMSO (His ( or Her) Majesty's Stationery Office). Cyril Kenneth Bird CBE, known by the pen name Fougasse, was a British cartoonist. He was perhaps best known for his work in Punch magazine and his World War II warning propaganda posters; "Careless talk costs lives" was one of the most popular. Overall 15” x 11” Condition: Mat burn CT Transfer Fee $10
• EIGHT WORLD WAR II-ERA PROPAGANDA
  EIGHT WORLD WAR II-ERA PROPAGANDA POSTERS 1940S LARGEST 40” X 28.5”. UNFRAMED.EIGHT WORLD WAR II-ERA PROPAGANDA POSTERS, 1940s, Includes "Fire Away!", "Men Working Together", "Warning from the FBI", "Stop Him!", "Your Government Warns Prepare for Winter Now!", "Bundles for Berlin", "Waiting Buy Victory Bonds" and "Having Seen the Quality of the Work" Roosevelt statement about American weapon production. Dimensions: Largest 40" x 28.5". Unframed.
• EIGHT WORLD WAR II-ERA PROPAGANDA
  EIGHT WORLD WAR II-ERA PROPAGANDA POSTERS 1940S LARGEST 40” X 28”. UNFRAMED.EIGHT WORLD WAR II-ERA PROPAGANDA POSTERS, 1940s, Includes "The United Nations Fight For Freedom", "This is What We're Working For", "For Victory", "We Will Have to Fight Our Way Ashore", "The Toughest Job is Still Ahead!", "The Battle-Wise Infantryman…", "Women in the War" and "Don't Talk About Troop Movements". Dimensions: Largest 40" x 28". Unframed.