A few examples of appraisal values for
WOSTENHOLM AND SON LOOK

• Sutherland after
  Sutherland after Wolstenholme/Shooting/plates I-IV/coloured engravings, 25cm x 33cm/Provenance: Spetchley Park, Worcestershire
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Shipyard (Gloucester Harbor)", 1935, stone lithograph, signed lower right, edition of 60, with inscription "To Carl Kamphausen, from Stow Wengenroth", in birdseye ogee frame, matted and glazed, OS: 18 1/4" x 24 1/4", impression: 8" x 15 1/4". Toned, lightly rippled, not examined out of frame.
• Manner of Theodore Wor
  Manner of Theodore Wor
• W/C - Brother and Sister ca
  W/C - Brother and Sister ca Summer 1910 initialed lower left 'SP' in a circle both children are depicted in white wreathed in golden light she in a sailor outfit with large hair bow he in a Russian tunic with knickers in vintage frame with gilt mat
• W/C - Two Mast Ship with two men on
  W/C - Two Mast Ship with two men on deck ca 1830s on Whatman Mill watermarked paper in lemon gold frame SS: 9'' x 12'' OS: 11 x 14'' laid down light toning and fading several areas of discoloration in the sky.
• § SVEN BERLIN (BRITISH 1911-1999)
  § SVEN BERLIN (BRITISH 1911-1999) MOTHER AND CHILD, 1941 monogrammed and dated (to base), wood26cm high, 9.5cm wide (10.25in high, 3.75in wide)Note: Sven Berlin was an interesting figure within the St Ives school and part of one of the earliest waves of settlers to the artist’s colony. Born in London, Berlin had originally begun a career as an adagio dancer, before moving to Cornwall in 1938. It was via his job in the market garden belonging to Adrian Stokes and Margaret Mellis in Carbis Bay that he made an introduction to Hepworth and Nicholson. One of his most significant contributions to the legacy of the St Ives School was the publication of his biography of the fisherman / artist Alfred Wallis; the first text to be written on this fascinating figure whose aesthetic so influenced the development of Nicholson and his followers. Berlin became a well-known figure and something of an attraction within the St Ives community; he could frequently be observed in his studio garden, stripped to the waist, working on his sculpture. He exhibited paintings, drawings and sculpture regularly with the St. Ives Society of Artists and in London, and was a founding member of the Crypt Group, alongside artists including Barns-Graham, Peter Lanyon, John Wells and Bryan Wynter, and was also a member of the Penwith Society of Arts for a short time.
• Finn Wennerwald (Danish, 1896-1969)
  Finn Wennerwald (Danish, 1896-1969) forest edge looking out at the sea oil on canvas signed and dated '33 lower right Wennerwald was the son of well known artist and professor, Emil Wennerwald. Finn traveled to and held many exhibitions across Europe throughout his career. 27" x 38"
• After Hans Holbein the Younger
  After Hans Holbein the Younger (1497/98-1543) Two sets of framed sanguine lithograph portraits of luminaries of the Tudor Court, first quarter 20th century, presented in period reeded oak frames in the Arts and Crafts style and glazed, one with twelve sections including, Edward, Prince of Wales, Lord Russell, Keeper of the Privy Seal, Waramus, Archbishop of Canterbury, Fitz William, the Earl of Southampton, Edward Stanley, the Earl of Darby, Sir Henry Guhldeford, S. George of Cromwell, Southwell Knight, et al., h. 12", w. 106", the other with sections including the Marquis of Ormond, Queen Anna Bollein, the Duchess of Suffolk and a male courtier in a plumed hat, h. 12-1/2", w. 42".
• WELLMAN (WILLIAM) MORRISON OIL ON
  WELLMAN (WILLIAM) MORRISON OIL ON CANVAS PORTRAITWellman (William) Morrison (American d. 1857) , oil on canvas portrait of a gentleman, signed under lining, 21 1/2" x 18". Exhibited Boston Athenaeum, listed as possibly a self portrait. Provenance: The Collection of Dic and Donnie Catzen. Competitive in-house shipping is available for this lot. Condition: Relined. Newer stretcher. Several repaired tears including to forehead and shoulder.
• Two Copenhagen B&G porcelain groups
  Two Copenhagen B&G porcelain groups being a boy with his dog and a girl with her cat.
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Home Port", depicting fishing boats in dry dock, stone lithograph, November 1936, preliminary drawing done in Gloucester, Massachusetts. Edition of 60. In mahogany panel frame, matted and glazed, OS: 14 3/4" x 19 3/4", impression: 8 1/4" x 13 1/2". Edge toned, not examined out of frame.
• Göran Andersson, Arthur
  Göran Andersson, Arthur Andersson, Gunnar Nylund, and Carl-Harry Stålhane Swedish, 20th Century Collection of Five VesselsVarious Manufacturer's, Sweden, c. 1960's glazed stoneware H 9 1/2 x Dia 3 inches, tallest.
• Portraits of Edgar and Gwynne
  Portraits of Edgar and Gwynne Garbisch sketch portraits of Edgar William Garbisch, Jr. (age 3) and Gwynne Chrysler Garbisch (age 4), son and daughter of prominent art collector Edgar William Garbisch and Bernice Chrysler Garbisch, colored pencil on paper, illegibly signed "(?) Holst", framed size 21-3/8" x 17-3/8", excellent condition
• Two antique chromolithographs,
  Two antique chromolithographs, published by Day & Son, John Burnley Waring, London; framed; 15 1/2" x 10 1/2" (larger, sight, approx.)
• STOW WENGENROTH (1906-1978, NEW
  STOW WENGENROTH (1906-1978, NEW YORK,Massachusetts) black and white lithograph depicting a seaside fishing village with fisherman and boats. Pencil signed lower right. Sight size 10 1/4" x 14 1/2", overall with frame 17 1/2" x 21".
• ENGRAVING - 16th Century German
  ENGRAVING - 16th Century German depicting King John II of Bavaria son of Stephen I of Wittelsbach 1375-1397 Duke of Bavaria-Munich by G. A. Zimermann after Werner shrink-wrapped plate size: 11'' x 7 1/2'' foxing. Image is quite sharp.
• Swedish School (Early 18th Century)
  Swedish School (Early 18th Century) "Estate and Garden Views", suite of six hand-colored copper engravings, sight 9" x 17", by Erik Dahlberg, 1698, Stockholm. Glazed, matted and handsomely framed en suite.
• Dean Wolstenholme the Younger
  Dean Wolstenholme the Younger (British 1798-1882/3)/The Start/Breaking Cover/Full Cry/The Death/four hunting scenes/one signed lower left/oil on panel 60cm x 91cm/Provenance: Sotheby's, 16 November 1988, Lot 134/see illustration
• Set of four Wolstenholme color
  Set of four Wolstenholme color lithograph stag hunting scenes published 1828 6 1/2" x 12 1/4". ?
• Philip Wofford b.1935. Sonar. 1964,
  Philip Wofford b.1935. Sonar. 1964, oil on canvas. 26¾ h × 27¾ w in. result: $1,625. estimate: $600–800. Signed and dated to lower center ‘Wofford 64’. Signed, titled and dated to verso ‘Sonar 1964 Phillip Wofford’. Provenance: Allan Stone Gallery, New York | Collection of Albert Fried, Jr. | Greenville County Museum of Art, South Carolina | Private Collection
• TWO OILS ON CANVAS, PORTRAITS OF
  TWO OILS ON CANVAS, PORTRAITS OF BOYS: A. WERNERTWO OILS ON CANVAS, PORTRAITS OF BOYS: A. Werner (Austria, 19th century) standing young man with bag, signed lower right, image measures 20" x 12"; illegibly signed "L. Stefa..." (Italy, 19th century) a boy with steaming food, sticking out his tongue and pointing, signed lower right, image measures 14" x 11". In wood and gesso frames.
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Four Chickadees", lithograph on paper, 1956, Stuckey 233, pencil signed and marked as an edition of 55, housed in black cove frame with gold braiding, matted under plexiglass, OS: 25 1/2" x 20 1/2", impression: 15 3/4" x 10". Invitation verso from the Farnsworth Museum of Rockland, ME, for an exhibition of Wengenroth's work, along with a label from Kennedy Galleries, NYC.
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) "Lobsterman's House", 1935, stone lithograph, pencil signed, in pale mahogany stick frame, matted and glazed, OS: 15" x 18", SS: 9 1/2" x 12 1/2".
• John William Wadsworth (1879-1955):
  John William Wadsworth (1879-1955): three watercolours of the coast in Cornwall and Honfleur, Normandy, all signed J W Wadsworth, 34cm x 24cm and 36cm x 26cm, (one unframed) Provenance: from the estate of the artist's son, Philip Wadsworth, given to Henry Sandon by Zilla Wadsworth. John Wadsworth was a major ceramic designer at Mintons and Art Director at Royal Worcester (3)/Provenance: from the Henry Sandon Study Collection
• *William Louis Sonntag (American
  *William Louis Sonntag (American 1822-1900) On the Androscoggin after 1857 oil on canvas signed Sonntag (lower right) 12 x 20 inches.
• STOLTENBERG Hans (American
  STOLTENBERG Hans (American 1879-1963): Wisconsin Sunset on the Pond OIL/Board 6'' x 9'' signed lower right dated '04 encased in period carved gilded gesso frame with wear 12'' x 15''.
• O. WINSTON LINK (1914-2001):
  O. WINSTON LINK (1914-2001): "WASHING J. CLASS 605" Gelatin silver print 24 x 20 in. (sight).
• WESS DAHLBERG (B. 1961): MONOCHROME
  WESS DAHLBERG (B. 1961): MONOCHROME GOLDacrylic on wood construction; unsigned; 39 1/4 x 16 inches; 2 inches deep Provenance: Provenance: The Estate of Juliet McIver Condition:
• Thomas Johnson and Wenzel Hollar
  Thomas Johnson and Wenzel Hollar (1607-1677) - Four engravings of Canterbury Cathedral - ''South Prospect of the Cathedral'' 7.5ins x 14ins and Thomas Johnson and Daniel King - Two engravings - ''West Prospect....'' 9ins x 6.75ins and ''North Prospect....'' 10.25ins x 11.25ins in wood frames and glazed
• WILLIAM WEGMAN (AMERICAN b.
  WILLIAM WEGMAN (AMERICAN b. 1943): ''GHENT'' (DOG IN CORNFIELD) Three color photographs unsigned. Provenance: Deitch Projects New York. 15 x 14 1/2 in. (sight) 21 x 21 x 1 1/8 in. (frame).
• Wolfgang Philipp Kilian (German,
  Wolfgang Philipp Kilian (German, 1654-1732) Set of six portrait engravings of members of Augsburg's powerful Fugger banking family, fourth quarter 17th century and having later hand-coloring, possibly late 19th century, sight 14-3/4" x 10". Presented in matching ivory mats within ebonized banded mahogany frames and glazed.
• After Erik Dahlberg (Swedish,
  After Erik Dahlberg (Swedish, 1625-1703) Six views of cities: Arcvs Trivmphalis, Arx Skogklos, Drottningholm, Carlberg, Jacobs Dahl, Drottningholm, circa 1690-1696, Amsterdam, hand-colored on two laid pages, 10-1/2 x 22-3/4 in. (plate), 12-1/8 x 23-1/8 in. (page); matching painted and gilt wood frames,
• STOW WENGENROTH (NY/MA,
  STOW WENGENROTH (NY/MA, 1906-1978) Marshall's Point Light (Port Clyde, ME), 1954, lithograph, Stuckey 219, from an edition of 60, pencil signed lower right and annotated "Ed/60" lower left, a fine impression, in an ebonized wooden frame and cream colored mat, glazed, OS: 22 3/8" x 26 7/8", Image: 10 3/4" x 15 3/4". Not examined outside of frame.
• JAMES BALLANTINE & SON, EDINBURGH
  JAMES BALLANTINE & SON, EDINBURGH TWO STAINED GLASS CARTOONS, CIRCA 1896 sepia wash on paper, later framed,186cm x 63cm; and 218cm x 63cm; and another STAINED GLASS CARTOON, sepia wash on paper, later framed, 150cm x 60cm(3)Note: Two of the cartoons in the present lot were made for a window depicting scenes from the life of Joseph in St Giles Cathedral, Edinburgh. The completed window, dating to around 1896, is comprised of four pointed trefoiled lights arranged in two stages with tracery and bears the inscription ‘To the Glory of God and in Memory of/ Alexander Stewart Born at New Rattray/ Blairgowrie 26th July 1822/ Died Edinburgh 13th Nov 1896.’
• JOHAN CHRISTIAN CASTBERG (NORWEGIAN
  JOHAN CHRISTIAN CASTBERG (NORWEGIAN 1911-1988), MODERNIST PORTRAIT OF A GENTLEMAN (BY REPUTE ISAAC STERN), 19-5/8 X 15-5/8 INCHESJohan Christian Castberg (Norwegian 1911-1988), Modernist Portrait of a Gentleman (by Repute Isaac Stern),, Dimensions: 19-5/8 x 15-5/8 inches Provenance: Descent to Current Owner The Collection of Isaac Stern, virtuoso violinist
• ANDERS ZORN VICKE GUITAR MAN
  ANDERS ZORN VICKE GUITAR MAN PORTRAIT ETCHING Illinois, Sweden,1860-1920Vicke (Guitar Man), 1918, Asplund 281; Hjert/Hjert 166.