A few examples of appraisal values for
YAMA

• AN ASIAN METALWARE MOUNTED JADE
  AN ASIAN METALWARE MOUNTED JADE MODEL OF A BOYAn Asian metalware mounted jade model of a standing boyThe base marked YAMANAKA.height 2 1/4in (5.5cm); width 1 7/8in (5cm); depth 1in (2.5cm)
• A Group of Seven Woodblock Prints
  A Group of Seven Woodblock Prints of Famous Japanese Paintings Depicting various famous paintings in miniature formats by artists such as Maruyama Okyo, Tani Buncho, Ogata Korin, and Matsumara Goshun each sheet approximately 9.6 x 5.9 in — 24.5 x 15 cm
• Utagawa Toyokuni (Toyokuni I,
  Utagawa Toyokuni (Toyokuni I, 1769-1825), Thirteen Woodblock Prints, 1800-1820 Consisting of Hana (Flowers), Bando Mitsugoro II in a dance from Tsukiyukihana no shosagoto, 1820; Nakamura Daikichi II as Okura, circa 1820; Iwai Hanshiro V as Asahina-imoto Maitsuru, 1807; Segawa Kikunojo V as Nyobo Okiku, 1821; Sumidagawa Shin Umeyashiki no zu (Picture of the New Umeyashiki by the Sumida River), circa 1820; Segawa Roko as Oshun, 1812; Samurai hunting near Mount Fujiyama, circa 1810; Iwai Kumesaburo in character, circa 1810; Nakamura Daikichi II as... no tsubone, circa 1820; Segawa Kikunojo V as... musume Osono..., circa 1820; Bando Mitsugoro II as Bunzo, standing by a fire bucket, circa 1820; Onoe Matsusuke I as... ino, circa 1805; and Ichikawa Danjuro VII as Matsuwakamaru, 1820 oban tate-e 14.6 x 9.8 in — 37 x 25 cm
• Utagawa Kunisada (Toyokuni III,
  Utagawa Kunisada (Toyokuni III, 1786-1865), Ten Woodblock Prints, 1817-1855 Consisting of Mizunoto (Younger Brother of Water) from the series Jikkan eto no uchi (Ten Elements, Elder and Younger Brothers), circa 1846; Iwai Kumesaburo II as Chaya-musume Oyama, 1817; Nakamura Daikichi II in a men's bathhouse, circa 1820; Girl and two peddlers, probably at the Otawa waterfall, Kiyomizudera, Kyoto, and perhaps a Kabuki scene, 1855; Winter boating party on the Sumida River, 1850; Shunyu musume Asagiri, 1853; Nakamura Daikichi II as Shizuka, in a play or scene called Asazumabune no mae Yoshinokawa, 1822; The summer lantern festival at Nakagawa, 1845; Girl climbing the steps of a Shinto shrine, circa 1820; and Sumidagawa Yae-hitoe Asagi-sakura from the series Edo hanami ga (Pictures of Flower-viewing in Edo), circa 1830 oban tate-e 14.6 x 9.8 in — 37 x 25 cm
• A Shibayama-Inlaid Ivory Figure
  A Shibayama-Inlaid Ivory Figure of Kannon (Avalokiteshvara), Meiji Period (1868-1912) The base signed ?? height 6.9 in — 17.4 cm
• Shunbaisai Hokuei (Died 1837),
  Shunbaisai Hokuei (Died 1837), Keisai Eisen (1790-1848), Utagawa Kunisada II (Toyokuni IV, 1823-1880), Utagawa Sadatora (active 1818-1844), Utagawa Sadafusa (1825-1850), and Gigado Ashiyuki (Circa 1814-1835), Seven Woodblock Prints, 19th Century Consisting of Sawamura Dennosuke III as Keisei Ochigumo, in reality Kumo no jo, 1864, and a triptych of three beauties by the river, by Toyokuni IV; Matsuchiyama from the series Toto gokei no uchi (Five Views of the Eastern Capital) by Sadafusa, circa 1840; Nakamura Utaemon III as Gotobe, in a farewell performance, and Ichikawa Ebijuro I as Izumi no Saburo by Ashiyuki, 1825; Shin Yoshiwara kakuchuka from the series Hana meisho Azuma hyakkei (Places Famous for Flowers: A Hundred Views in the East) by Eisen, circa 1830; Ichikawa Danzo V and Bando Tamasaburo by Sadatora, circa 1830; and a diptych of Nakamura Utaemon III as Kasahara Roo and Nakamura Shikan II as Miyamoto Musashi by Hokuei, 1835 largest triptych 14.2 x 29.9 in — 36 x 76 cm
• Utagawa Hiroshige (1797-1858) and
  Utagawa Hiroshige (1797-1858) and Nakayama Sugakudo (active 1850-1860), Two Woodblock Prints, 19th/20th Century Consisting of 'Kameido ume yashiki' by Hiroshige; and 'Blue Bird and Pink Flowers' by Sugakudo frame 18.8 x 13.3 in — 47.8 x 33.8 cm
• UTAGAWA HIROSHIGE (JAPANESE,
  UTAGAWA HIROSHIGE (JAPANESE, 1797-1858) OISO - TORA RAIN, & SPRING RAIN, TSUCHIYAMA Woodblock prints, from the series 'Tokaido gojusan tsugi no uchi' ("The Fifty-Three Stations of the Tokaido").
• JAPANESE SILVER & SHIBAYAMA VASE
  JAPANESE SILVER & SHIBAYAMA VASE Meiji Period (late 19th century), artist signed. Weight: 10.7 troy ounces.
• TSUCHIYA KOITSU (1870-1949)
  TSUCHIYA KOITSU (1870-1949) JAPANESE WOODBLOCK PRINTTsuchiya Koitsu (1870-1949) Japanese Woodblock Print, Mt. Fujiyama from Lake Sai, 1938, Sheet: 10 3/4" x 15 3/4" laid down.
• KINSEI HATAKEYAMA PHEASANT AND
  KINSEI HATAKEYAMA PHEASANT AND FLOWER PAINTING, 1929Kinsei Hatakeyama, pheasant and flower painting on silk, signed. Displayed and purchased at the "Exposition D'Art Japonais Musee Du Jeux De Paume, Paris, 1929", label on reverse, 23 1/2" x 34 1/2", fr
• NORIKO YAMAMOTO (JAPAN/AM B. 1929),
  NORIKO YAMAMOTO (JAPAN/AM B. 1929), "ANT", OIL ON PAPERNoriko Yamamoto (Japanese/ American B. 1929), "Ant", oil on paper, Signed and titled on label verso. 17" x 22 1/2" viewed; frame: 25" x 30 3/4". Good condition.
• NORIKO YAMAMOTO (JAPAN/ AM B.
  NORIKO YAMAMOTO (JAPAN/ AM B. 1929), COLOR BURST, 1966Noriko Yamamoto (Japanese/ American B. 1929), Abstract color burst, 1966, oil on cardboard, signed lower left, "To Charles on Christmas, '66 Love, Nori" verso. 7 1/2" x 9 1/2" viewed; frame" 17" x 21"
• NORIKO YAMAMOTO (JAPAN/AM. B.
  NORIKO YAMAMOTO (JAPAN/AM. B. 1929), FLORAL ABSTRACTNoriko Yamamoto (Japanese/ American B. 1929), Floral Abstract, 1958, oil on masonite, signed and dated "Noriko, '58" lower right. 35 1/2" x 47 1/2"; frame: 37 3/4" x 39 3/4". Good original condition.
• YAMADA BASKE, SOCHOW CHINA MARKET
  YAMADA BASKE, SOCHOW CHINA MARKET DAY, OIL ON BOARDYamada Baske (Japanese/American, 1871-1934), Sochow China Market Day, oil on board, signed and dated 1929 lower right. Signed and titled with collector information verso. Measures appx 13 1/2" x 18" a
• HIRO YAMAGATA (B. 1948), "TOUR DE
  HIRO YAMAGATA (B. 1948), "TOUR DE FRANCE," 1983, SCREENPRINT IN COLORS ON WOVE PAPER, IMAGE: 24" H XHiro Yamagata(b. 1948)"Tour De France," 1983Screenprint in colors on wove paperEdition: LXXV/LXXVSigned and numbered in pencil in the lower margin: H. Yamagata; with the Martin Lawrence Limi
• A Custom Yamaha Mirrored Baby Grand
  A Custom Yamaha Mirrored Baby Grand Piano Model GH1, Circa 1981 serial number 3490386, with after-market mirror veneers. Height 40 x length 62 x width 57 inches.
• Maruyama Okyo Tiger Print 10.75'' x
  Maruyama Okyo Tiger Print 10.75'' x 9.5''
• Kiyoshi Ikezumi ''Lion Dance of
  Kiyoshi Ikezumi ''Lion Dance of Urayama'' Woodblock 12.5'' x 16.5'' Loose.
• Yamanaka Sterling and Jade Bookmark
  Yamanaka Sterling and Jade Bookmark 5.5''
• JAPANESE BRONZE OKIMONO FIGURE OF A
  JAPANESE BRONZE OKIMONO FIGURE OF A MAN Japanese bronze okimono figure of a man. Shown carrying firewood and reading a book, signed Koyama, Showa period, 18.75" high.
• KOBAYASHI KIYOCHIKA (1847-1915) -
  KOBAYASHI KIYOCHIKA (1847-1915) - FLOWER PATTERNS (HANA-MOYO) Kobayashi Kiyochika (1847-1915) - Flower Patterns (Hana-moyo). Comprising the title woodblock print and the ten triptychs from the series, signed Kiyochika, with artist's seal Kobayashi Kiyochika, and published by Kokkeido (Akiyama Buemon),14.5"h x 9.625"w each sheet.
• JAPANESE HARDWOOD AND SHIBAYAMA
  JAPANESE HARDWOOD AND SHIBAYAMA STYLE LACQUERED DISPLAY CABINET Japanese hardwood and Shibayama style lacquered display cabinet. Set on base with four legs, with various sliding doors, hinged doors and shelves decorated in mother-of-pearl shell and gold lacquer with various figures and flowers, 73"h x 48"w x 16"d. Provenance: Estate of Maybelle M. Dore (Betty); Maybelle started collecting Japanese antiques in the 1950-60's and continued until she was in her 90's. She was the first Chairman of the International Netsuke Society, Northern California Chapter.
• TADASHI NAKAYAMA 'RED COAT' FIGURAL
  TADASHI NAKAYAMA 'RED COAT' FIGURAL WOODBLOCK 1957 Tadashi Nakayama (Japan 1927-2014), 'Akai Fuka' (Red Coat), 1957 woodblock on paper depicting a female figure in a red and black coat, pencil signed and dated to lower left, framed. Approximate Dimensions:image h. 23.875", w. 15"; frame h. 30.375", w. 22", d. 1".
• TADASHI NAKAYAMA 'AFTERNOON HORSE
  TADASHI NAKAYAMA 'AFTERNOON HORSE RIDING' WOODCUT Tadashi Nakayama (Japanese 1927-2014) 'Afternoon Horse Riding' (Kabasai Nogogo), 1963, woodcut on paper depicting a prancing horse with iridescent accents, pencil signed and dated lower left. numbered 12/80 to lower right, and stamped en verso, framed. Approximate Dimensions:folded paper h. 22.75", w. 15"; frame 30", w. 22.25", d. 1.75".
• CLIFTON KARHU
  CLIFTON KARHU (AMERICA/JAPAN,1927-2007), MARUYAMA PARK 1985, woodblock print on paper, pencil signed, titled, and numbered 5/100 at lower margin, matted and framed under glass.
• TADASHI NAKAYAMA (JAPANESE,
  TADASHI NAKAYAMA (JAPANESE, 1927-2014), WOODBLOCK PRINT OF TWO HORSES 1968, woodblock print on paper, signed in pencil to the lower margin: 1968, T.Nakayama, 53/72, presented loose attached to mat with tape at top margin.
• YAMAHA "GUITALELE" Modern; spruce
  YAMAHA "GUITALELE" Modern; spruce top, walnut back and sides, teak neck; the body, 12 1/2 in. L., 9 in. W., 2 3/4 in. D.; 27 3/4 in. L. overall.
• THREE RARE ILLUSTRATED CHILDREN'S
  THREE RARE ILLUSTRATED CHILDREN'S BOOKS Comprising Paul West, THE PEARL AND THE PUMPKIN illus. by W. W. Denslow (NY: Dillingham, cop. 1904) 4to, cloth with paper onlay; Eva Katherine Gibson, ZAUBERLINDA, THE WISE WITCH (Chicago: Stevens, cop. 1901) 4to, pictorial cloth, title page detached, other faults; and Grace D. Boylan, YAMA YAMA LAND illus. by Edgar Keller (Chicago: Reilly & Britton, cop. 1909) 4to, cloth with paper onlay, frontis. detached, cover dusted.
• MEISU GAFU, A JAPANESE WOODCUT
  MEISU GAFU, A JAPANESE WOODCUT BOOK, C.1810 Ohara Toya, 1771-1840, called Minsei; MEISU GAFU, "Painting Manual of Numbers" (Wakayama: Nanreikan, circa 1810) 4 vols., 10 1/4 x 7 in., in traditional Japanese fukurotoji binding: yellow covers with glazed surface, worn original title labels. Contains a wide variety of black and white illustrations with numerical allusions.
• Kojin Toneyama & Ansei Uchima (2)
  Kojin Toneyama & Ansei Uchima (2) prints, "The Piper", silkscreen on embossed paper, pencil signed "Kojin Toneyama", 17-1/2" x 22-1/2" sheet; "Late Spring", color woodcut, pencil signed "A. Uchima 1963", 5-1/4" x 16-3/8" image, very good condition
• Tibetan Buddhist Gilt Bronze Figure
  Tibetan Buddhist Gilt Bronze Figure of Vajrabhairava Yamantaka, 19th century or earlier modelled standing on a lotus throne in 'yab-yum' with his consort, his headdress fitted for a kapula height 11 in — 28 cm
• A JAPANESE YAMATOKU ENAMELS PAINTED
  A JAPANESE YAMATOKU ENAMELS PAINTED SLEEVE VASE. BLACK PAINTED GROUND DEPICTING EXOTIC BIRDS AMONGST A ROCKY & CHERRY BLOSSOM OUTCROP. SIGNED 'SHOMURA KENKICHI'. 26CM TALL
• YAMAHA UPRIGHT PIANOYamaha
  YAMAHA UPRIGHT PIANOYamaha Upright Piano, serial no. 5991144 Dimensions: 37 x 57 1/2 x 25 1/2 in. (94 x 146.1 x 64.8 cm.), The bench: 19 x 30 1/2 x 14 1/2 in. (48.3 x 77.5 x 36.8 cm.) Condition:
• THREE JAPANESE WOODBLOCK PRINTS
  THREE JAPANESE WOODBLOCK PRINTS 20TH CENTURYTHREE JAPANESE WOODBLOCK PRINTS, 20th Century, 1) Architectural scene in spring. Signed "Kazuo". 12.5" x 18". Unframed. 2) Yagiri Ferry in Snow by Gihachiro Okuyama (Japan, 1907-1981). 10" x 19.5". Unframed. 3) Sessyu Sumiyoshi Shrine by Tokuriki Tomikichiro (Japan, 1902-1999). 11.25" x 16.5". Unframed.
• YAMAGISHI KAZUE (JAPAN, 1883-1966),
  YAMAGISHI KAZUE (JAPAN, 1883-1966), THREE LANDSCAPESYAMAGISHI KAZUE, Japan, 1883-1966, Three landscapes: 1) Shichirigahama Beach. Woodblock print, oban yoko-e, 13.25" x 16.5". Unframed. 2) Sarusawa Pond in Snow. Woodblock print, oban yoko-e, 13.5" x 16.75". Unframed. 3) Queue in front of a brick building. Black and white woodcut, 8.25" x 11". Unframed.