A few examples of appraisal values for
YONEZAWA

• YOZO HAMAGUCHI (NY/JAPAN,
  YOZO HAMAGUCHI (NY/JAPAN, 1909-2000) 'One and a Half', color mezzotint, pencil signed and numbered 49/150. Catalog no. 327-9-13, Ham-93-101. In gunmetal frame, matted under plexi. OS: 11 3/4" x 13 3/8". 1 1/2" x 2 1/4" imp. Fine condition, light scratches to plexi.
• TWO JAPANESE UKIYO-E PRINTS the
  TWO JAPANESE UKIYO-E PRINTS the first YEIZAN (Kikugawa) (1788-1867) Beauty with hand to forehead standing beneath flowering cherry tree published by Kawaguchiya Tobei and another after UTAMARO Seated beauty with fan (2)
• OHARA KOSON (SHOSON) (JAPANESE,
  OHARA KOSON (SHOSON) (JAPANESE, 1878-1945), TWO WOODBLOCK PRINTS Includes Yanagibashi no yuki (Snow at Yanagibashi), title and artist's signature in lower margin, signed "Shoson" together with red artist seal to lower left corner of print, later version, and Egrets and Crescent Moon, signed "Shoson" together with red artist seal to lower right corner of print, red Watanabe square seal to lower left corner of print, both prints are presented loose.
• SATO KANZI (JAPANESE, 20TH
  SATO KANZI (JAPANESE, 20TH CENTURY), U.S. ARMY F.S. 174 IN YOKOHAMA., OIL ON CANVAS, 12.5" X 16". FRAMED 17.5" X 21.5".SATO KANZI, Japanese, 20th Century, U.S. Army F.S. 174 in Yokohama. Signed lower right "Sato Kanzi". Dimensions: Oil on canvas, 12.5" x 16". Framed 17.5" x 21.5".
• HIROSHI YOSHIDA (JAPAN, 1876-1950),
  HIROSHI YOSHIDA (JAPAN, 1876-1950), SUZUKAWA., WOODBLOCK PRINT, OBAN YOKO-E, 9.5" X 15" SIGHT. FRAMED 14" X 19".HIROSHI YOSHIDA, Japan, 1876-1950, Suzukawa. Printed title lower left, pencil signed lower right. Jizuri seal in upper left margin concealed by mat. Dimensions: Woodblock print, oban yoko-e, 9.5" x 15" sight. Framed 14" x 19".
• SHUNGYO FOR INONE MOHEI, KISO
  SHUNGYO FOR INONE MOHEI, KISO YOSHINAKA AND TOMOE GOZEN, HOREHL ME YO-KAN, COLOR WOODBLOCK PRINT, FRAMED, 19-3/4 X 14-7/8 INCHESShungyo for Inone Mohei, Kiso Yoshinaka and Tomoe Gozen, Horehl Me yo-Kan, Color Woodblock Print, Framed, 19-3/4 x 14-7/8 inches
• YUTAKA OZAKI TWO MEZZOTINTSYUTAKA
  YUTAKA OZAKI TWO MEZZOTINTSYUTAKA OZAKI (Japan, born 1955) two mezzotints, kendo martial arts. Both pencil signed, one titled "Kendoh Boys," edition 20/70 and 38/100. Images measure 1-1/8" x 2-3/8" and 1-3/8" x 3". In wood frames.
• YOSHU CHIKANOBU (JAPAN, 1838-1912),
  YOSHU CHIKANOBU (JAPAN, 1838-1912), TWO TRIPTYCHS: JAPANESE BEAUTIES., WOODBLOCK PRINTS, OBAN YOKO-E, 14” X 10” SIGHT. FRAMED 19” X 34.5”.YOSHU CHIKANOBU, Japan, 1838-1912, Two triptychs: Japanese Beauties. Housed in two frames. Dimensions: Woodblock prints, oban yoko-e, 14" x 10" sight. Framed 19" x 34.5".
• TOSHI YOSHIDA (1911-1995)
  TOSHI YOSHIDA (1911-1995) "Kawara" (Tenryu River), sosaku-hanga woodblock print, chuban, pencil signed and titled, published by Yoshida studio, 1942, Kabutoya Galleries of Tokyo label verso, in bleached oak slat frame, matted and glazed, OS: 17" x 14", SS: 10 1/4" x 7 1/2". Fine condition.
• KEN YAGAWA(?), THE MAGANEBASHI
  KEN YAGAWA(?), THE MAGANEBASHI BRIDGE IN NAGASAKI, WOODBLOCK EN GRISAILLE, FRAMED, 18-1/2 X 22 INCHESKen Yagawa(?), The Maganebashi Bridge in Nagasaki, Woodblock en Grisaille, Framed, 18-1/2 x 22 inches,
• YOZO HAMAGUCHI (JAPANESE, 1909 -
  YOZO HAMAGUCHI (JAPANESE, 1909 - 2000), MAIS ET CITRON,...Yozo Hamaguchi (Japanese, 1909 - 2000), Mais et Citron, etching on paper, signed and numbered "46/50" in pencil through the lower margin, image size 9 1/4" x 21". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• TOSHINOBU YAMAZAKI (JAPANESE,
  TOSHINOBU YAMAZAKI (JAPANESE, 1857–1886), TWO WOODBLOCK PRINTS Dated 1878 (Meiji 11), two woodblock prints from the series "Dainippon Yumei Kagami" (Mirror of Famous Names of Great Japan), signed Oju Toshinobu, published by Maeda Kihei, framed with mats under glass.
• YOSHITOSHI MORI, KAPPAZURI
  YOSHITOSHI MORI, KAPPAZURI STENCIL PRINT Yoshitoshi Mori (Japanese, 1898-1992), Samurai Warrior, 1965, kappazuri stencil print on mulberry paper, pencil signed and numbered (32/50), 25"h x 21"w (sight), 33"h x 29"w (frame)
• TOSHUSAI SHARAKU (JAPAN, ACTIVE
  TOSHUSAI SHARAKU (JAPAN, ACTIVE 1794-1795), KABUKI PRINT: "SEGAWA TOMISABURO II AS YADORIGI IN THE PLAY 'HANA AYAME BUNROKU SOGA'"., WOODBLOCK PRINT WITH MICA, 15" X 10". UNFRAMED.TOSHUSAI SHARAKU, Japan, Active 1794-1795, Kabuki print: "Segawa Tomisaburo II as Yadorigi in the Play 'Hana Ayame Bunroku Soga'". Dimensions: Woodblock print with mica, 15" x 10". Unframed.
• UTAGAWA KUNIYASU (JAPANESE,
  UTAGAWA KUNIYASU (JAPANESE, 1794-1832)Utagawa Kuniyasu (Japanese, 1794-1832) , "Yugiri and Izaemon in a Kabuki Scene", horizontal woodblock print diptych, 15 in. x 20 in., matted Provenance: Property of the Mobile Museum of Art, Mobile, AL, sold to benefit their Collections, Care and Acquisitions Fund.
• YOSHITOSHI MORI, KAPPAZURI
  YOSHITOSHI MORI, KAPPAZURI STENCIL PRINT Yoshitoshi Mori (Japanese, 1898-1992), Samurai Warrior, 1965, kappazuri stencil print on mulberry paper, pencil signed and numbered (8/50), 25"h x 21"w (sight), 33"h x 29"w (frame)
• YOSHITOSHI MORI (JAPANESE
  YOSHITOSHI MORI (JAPANESE 1898-1992): AKAZAYA (RED SHEATH)1981; stencil print on paper, matted, framed and glazed; pencil-signed "Yoshitoshi Mori" and with seal, dated, and numbered 67/70; depicting a samurai; Provenance: Property from a Burlingame, California Estate Dimensions: 26 x 19 1/4 in. (66.04 x 48.90 cm.), Frame: 33 1/2 x 26 1/2 in. (85.09 x 67.31 cm.) Condition:
• HIROSHI YOSHIDA (1876-1950) OBAN
  HIROSHI YOSHIDA (1876-1950) OBAN YOKO-EHIROSHI YOSHIDA (1876-1950) Oban yoko-e "Hayase". Titled in pencil lower left and signed in pencil lower right.
• Yozo Hamaguchi (Japanese 1909-2000)
  Yozo Hamaguchi (Japanese 1909-2000) Espergne D'Essay lithograph signed Hamaguchi (lower right) 5 1/2 x 7 1/2 inches.
• Kiyoshi Saito (1907-1992 Japan)
  Kiyoshi Saito (1907-1992 Japan) Tosyodai-Ji Nara (C)
• SANZO WADA (1883-1967) OBAN
  SANZO WADA (1883-1967) OBAN YOKO-ESANZO WADA (1883-1967) Oban yoko-e Ox-Cart, from the series "Japanese Vocation in Pictures, Series 3", circa 1955. Signed and seal marked.
• UMETARO AZECHI (JAPANESE,
  UMETARO AZECHI (JAPANESE, 1902-1999) YAMA OTOKO (MOUNTAINEER) Woodblock print.
• YOZO HAMAGUCHI (JAPANESE, 1909 -
  YOZO HAMAGUCHI (JAPANESE, 1909 - 2000), "COQUILLAGES", ...Yozo Hamaguchi (Japanese, 1909 - 2000), "Coquillages", etching on paper, signed and numbered "39/50" in pencil through the lower margin, image size 11 1/2" x 17 1/4". Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• Yozo Hamaguchi FISH AND FRUITS
  Yozo Hamaguchi FISH AND FRUITS Mezzotint Estimate:$1,000-$1,500
• YOSHIMUNE UTAGAWA WOODBLOCK IN
  YOSHIMUNE UTAGAWA WOODBLOCK IN COLORS (TRIPTYCH)Yoshimune Utagawa (Japanese 1817-1880)- Sukiyagashi no kei (View of moat and bank in Sukiya)- woodblock in color (triptych), c. 1863, paper age toned. 14 1/2 x 29 1/2''
• Yokoyama Sukenaga Dated 1838 the
  Yokoyama Sukenaga Dated 1838 the Shinshinto wakizashi signed Yokoyama Sukenaga in Hira Zukuri form with choji, the blade in a shirasaya and in a Japanese polish with solid silver habaki. Length of blade 36.3 cm.
• HIROSHI YOSHIDA(Japanese,
  HIROSHI YOSHIDA(Japanese, 1876-1950) Way to Kasuga Shrine, signed "Hiroshi Yoshida" and titled in pencil in lower margin, jizuri seal upper left margin, woodblock print, 15-7/8 x 10-3/4 in.; framed, 22-3/8 x 17-3/8 in. Provenance: Private Collection, Charleston, South Carolina Condition: hinged in on mat at top edge with archival tape, minor mat burn to margins, very light toning; frame with light wear
• HIROSHIGE "YODOGAWA" JAPANESE
  HIROSHIGE "YODOGAWA" JAPANESE WOODBLOCK PRINTUtagawa Hiroshige (Japanese, 1797-1858). Edo period ukioyo-e woodblock print on paper titled "Yodogawa (Passenger Boat on the Yodo River)," ca. 1834, part of Hiroshige's series "Famous Views of Kyoto." This is a later printing. Height: 10 3/8 in x width: 15 5/8 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• ATTRIBUTED TO YOSHIZUMI YOKOE
  ATTRIBUTED TO YOSHIZUMI YOKOE (JAPANESE, 1887-1962), TWO BRONZE FIGURAL SCULPTURES The first is a large well cast sculpture of a gentleman holding a cane in Western style attire, it is signed by the artist to the side of the base and inscribed with the date Showa 16 (1940), Dec 14 (23 1/4 x 7 x 5 1/2 in.), and the second a smaller sculpture of a Japanese man in formal tailcoat attire, signed by artist to base (11 3/4 x 3 1/4 x 3 in.)
• DIRECTIONAL ROBOT TOY, BY
  DIRECTIONAL ROBOT TOY, BY YONEZAWA (BOTTOM ISSTAMPED WITH A Y IN A FIVE POINTED CHERRY BLOSSOM SHAPE WITH “JAPAN" UNDERNEATH). ORIGINAL PAINT. APPEARS TO BE IN VERY GOOD CONDITION, NOT TESTED TO WORK. 11" HIGH, 4 1/4" WIDE.
• YOSHISUKE FUNASAKA (JAPAN, B.
  YOSHISUKE FUNASAKA (JAPAN, B. 1939), UNTITLED LINEAR ABSTRACT ON BLUE., SILKSCREEN ON PAPER, 25" X 19" SIGHT. FRAMED 26" X 20".YOSHISUKE FUNASAKA, Japan, b. 1939, Untitled linear abstract on blue. Signed lower right. Dated 1974. Numbered 3/50. Dimensions: Silkscreen on paper, 25" x 19" sight. Framed 26" x 20".
• YOSHU CHIKANOBU (1838-1912) FROM
  YOSHU CHIKANOBU (1838-1912) FROM THE SERIES OF THE INNER PALACE OF CHIYODA 1890's, woodblock print on paper, six separate sheets, 35.5cm x 24cm (all slightly different sizes but all generally similar) (6)
• UTAGAWA HIROSHIGE (1797-1858) EDO
  UTAGAWA HIROSHIGE (1797-1858) EDO PERIOD comprising four oban yoko-e prints and two oban tate-e prints; including one entitled Snow in the Precincts of the Tenman Shrine at Kameido (Kameido Tenmangu keidai yuki), from the series Famous Places in the Eastern Capital (Toto meisho), published by Sanoya Kihei; one Yanagibashi Bridge in Ryôgoku: The Umegawa Restaurant (Ryogoku Yanagibashi, Umegawa), from the series Famous Restaurants of Edo (Edo komei kaitei zukushi), published by Fujiokaya Hikotaro ; one Shinmei Shrine in Shiba (Shiba Shinmeigu), from the series Famous Places in Edo (Edo meisho), published by Yamadaya Shojiro; one Visiting the Fudo Temple in Megoro (Meguro Fudô môde), from the series Famous Places in Edo (Koto meisho), published by Sanoya Kihei; one Bikuni Bridge in Snow (Bikunibashi setchu), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei), published by Uoya Eikichi; and one Tsukudajima Gyoshoi, published by Aiboku(6)largest: 25.3cm x 37.9cmProvenance: From the collection of Arthur Halcrow VerstageNote: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.
• UTAGAWA KUNIYOSHI (1798-1861) EDO
  UTAGAWA KUNIYOSHI (1798-1861) EDO PERIOD comprising six oban tate-e prints and one oban yoko-e print; including one depicting Sasaki Saburo Moritsuna strangling the fisherman Fujidayu, published by Kawaguchiya Uhei; one Kashiwade no Hanoshi wrestling a tiger in a cave, from the series Heroes Matched to Five Colours (Eiyu goshiki awase), published by Sanoya Kihei; one kabuki actor Iwai Hanshiro V in the role of Buddhist monk Seigen, in the play 'Sumidagawa hana no goshozome', published by Kawaguchiya Chozo; one Evening Glow at Awazu (Awazu yusho) from the series Military Brilliance of the Eight Views (Yobu hakkei), with scene Tomoe-gozen after the battle of Awazugahara, published by Enshuya Matabei; one of the triptych from the picture album Edo F?zoku Azuma Nishiki-e?, published by Tsujiya Yasubei etc.(7)largest: 38cm x 27.8cmProvenance: From the collection of Arthur Halcrow VerstageNote: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.
• TSUKIOKA YOSHITOSHI (TAISO) (JAPAN,
  TSUKIOKA YOSHITOSHI (TAISO) (JAPAN, 1832-1892) "A Young Retainer of Lord Kira hurling a brazier at Kataoka Gengoemon during the night attack of the forty-seven Ronin" from "Shinsen azuma nishiki-e". (New selections of eastern brocade pictures). Signed Yoshitoshi. Artist's seal Taiso. Dated Meiji 18 (1885), publisher: Tsunashima, Oban diptych, in black molded frame, matted and glazed, OS: 19" x 24 3/4", SS: 14" x 19". Rippled where joined, tape stain bottom center, light corner bend lower right.
• HIROSHI YOSHIDA "SUZUKAWA" (1935
  HIROSHI YOSHIDA "SUZUKAWA" (1935 JIZURI SEAL WOODBLOCK)Hiroshi Yoshida (Japanese, 1876-1950) Suzukawa , 1935 Color woodblock on paper 10 1/2" x 15 3/4" (sheet) A shin-hanga print depicting a view of Mount Fuji from Suzukawa near Suruga Bay. The sheet bears Yoshida's jizuri seal to the left margin, indicating that this first edition impression was printed by Yoshida himself and is of the highest quality. Pencil-signed and titled to the bottom margin. Not framed or matted. Condition One pinhole to each top corner margin. Very minor folding to the sheet. Evenly distributed light toning and mat burn.